Picture Quotes - page 86
My book, The Fractal Geometry of Nature, reproduced Hokusai's print of the Great Wave, the famous picture with Mt. Fuji in the background, and also mentioned other unrecognized examples of fractality in art and engineering. Initially, I viewed them as amusing but not essential. But I changed my mind as innumerable readers made me aware of something strange. They made me look around and recognize fractals in the works of artists since time immemorial. I now collect such works. An extraordinary amount of arrogance is present in any claim of having been the first in "inventing" something. It's an arrogance that some enjoy, and others do not. Now I reach beyond arrogance when I proclaim that fractals had been pictured forever but their true role remained unrecognized and waited for me to be uncovered.
Benoît Mandelbrot
I've worked with Mankiewicz, Hawks, Kazan, Wyler, Wilder. I've been very fortunate. All of them work differently. I've even directed a couple of pictures, so I have respect for the work. But no matter what anyone says, it's a collaborative art form. I think the problem is that we've been contaminated by the European concept of the Auteur System. I've had movies where I bought the book, developed the script and cast the whole picture, but then the director walks in and says, "It must be a John Smith film." I think sometimes we emphasize that too much.
Kirk Douglas
There was no doubt or vagueness in Lenin's mind. His were the penetrating eyes which detected the moods of the masses; the clear head which could apply and adapt well-thought-out principles to changing situations; the inflexible will which held on to the course he had mapped out, regardless of immediate consequences... It is not many years since he died, and already Lenin has become a mighty tradition, not only in his native Russia, but in the world at large. As time passes he grows greater; he has become one of the chosen company of the world's immortals. Petrograd has become Leningrad, and almost every house in Russia has a Lenin corner or a Lenin picture. But he lives, not in monuments or pictures, but in the mighty work he did, and in the hearts of hundreds of millions of workers today who find inspiration in his example and the hope of a better day.
Jawaharlal Nehru
Close your bodily eye, so that you may see your picture first with the spiritual eye. Then bring to the light of day that which you have seen in the darkness so that it may react upon others from the outside inwards. A picture must not be invented but felt. Observe the form exactly, both the smallest and the large and do not separate the small from the large, but rather the trivial from the important.
Caspar David Friedrich
Part of this feeling is a claim made by the heart and a rejection, if I may call it that, on the part of nature. But this is impossible in front of the picture, and what I should have found in the picture itself I found only between myself and the picture, namely a claim my heart made on the picture and the picture's rejection of me; and so I myself became the monk, and the picture became the dune, but the sea itself, on which I should have looked out with longing - the sea was absent.
Caspar David Friedrich
Edma painted a portrait of Berthe the artist about this time [1860-61]. It is not only a sisterly dedication, it is an important statement. Berthe stands before her easel, her right hand central to the picture, poised to touch her palette with a brush. The pretty round-faced girl had vanished.
Berthe Morisot
Over Christmas we looked through boxes of family pictures and played a game we call 'Find Mom, find Mom's cigarettes.' There's one in every picture. We've got photos of her pregnant, leaning toward a lit match, and others of her posing with her newborn babies, the smoke forming a halo above our heads. These pictures gave us a warm feeling.
She smoked in the bathtub, where we'd find her drowned butts lined up in a neat row beside the shampoo bottle. She smoked through meals, and often used her half-empty plate as an ashtray. Mom's theory was that if you cooked the meal and did the dishes, you were allowed to use your plate however you liked.
David Sedaris
I'm finding it progressively more difficult to have my picture taken, especially now, when there always has to be a gimmick. The idea is that you have to be humiliated in order for your personality to shine through. You need to hang from the ceiling by a hook or crawl on your hands and knees through a puddle of something.
David Sedaris
The picture I have painted today may have seemed somewhat grim. Let me conclude by telling you why I have hope.
I have hope because the positive aspects of globalization are enabling nations and peoples to become politically, economically and socially interdependent, making war an increasingly unacceptable option.
Among the 25 members of the European Union, the degree of economic and socio-political dependencies has made the prospect of the use of force to resolve differences almost absurd. The same is emerging with regard to the Organization for Security and Co-operation in Europe, with some 55 member countries from Europe, Central Asia and North America. Could these models be expanded to a world model, through the same creative multilateral engagement and active international cooperation, where the strong are just and the weak secure?
Mohamed ElBaradei
How do ideas come? What a question! If they come of their own accord, they are apt to arrive at the most unexpected time and place. For the most part the place is out of doors, for up in this northern wilderness when nature puts on a show it is an inspiring one. There seem to be magic days once in a while, with some rare quality of light that hold a body spellbound: In sub-zero weather there will be a burst of unbelievable color when the mountain turns a deep purple, a thing it refuses to do in summer. Then comes the hard part: how to plan a picture so as to give to others what has happened to you. To render in paint an experience, to suggest the sense of light and color, air and space, there is no such thing as sitting down outside and trying to make a "portrait” of it. It lasts for only a minute, for one thing, and it isn't an inspiration that can be copied on the spot...
Maxfield Parrish
That day, the instant I looked upon the picture, my entire being trembled with some pagan joy. My blood soared up; my loins swelled as though in wrath. The monstrous part of me that was on the point of bursting awaited my use of it with unprecedented ardour, upbraiding me for my ignorance, panting indignantly. My hands, completely unconsciously, began a motion they had never been taught. I felt a secret, radiant something rise swift-footed to the attack from inside me. Suddenly it burst forth, bringing with it a blinding intoxication...
Yukio Mishima
We did manage to forge partnerships on key legislation, such as the Ryan White AIDS Care Act, State Children's Health Insurance Program, and most recently, the Edward M. Kennedy Serve America Act. Ted was a lion among liberals, but he was also a constructive and shrewd lawmaker. He never lost sight of the big picture and was willing to compromise on certain provisions in order to move forward on issues he believed important. And, perhaps most importantly, he always kept his word. When our carefully balanced compromise legislation came to the Senate floor, Ted often had to lead the opposition to amendments offered by Democratic colleagues that he would rather have supported. But, he took the integrity of our agreement seriously and protected the negotiated package.
Ted Kennedy
The explanation Marxism offered of the significance of History was ludicrously simple, and in this very simplicity lay its charm, and its strength. The whole history of the world was merely the record of the struggle of classes. Religion, philosophy, science, technics, music, painting, poetry, nobility, priesthood, Emperor and Pope State, war, and politics - all are simply reflections of economics. Not economics generally, but the "struggle" of "classes." The most amazing thing about this ideological picture is that it was ever put forward seriously, or taken seriously.
Francis Parker Yockey
I knew that the mix of new social currents, the irresistible force of creators determined to make "their" films and the possible intrusion of government into the movie arena demanded my immediate action. ... My first move was to abolish the old and decaying Hays Production Code. I did that immediately. Then on November 1, 1968, we announced the birth of the new voluntary film rating system of the motion picture industry ... the emergence of the voluntary rating system filled the vacuum provided by my dismantling of the Hays Production Code. The movie industry would no longer "approve or disapprove" the content of a film, but we would now see our primary task as giving advance cautionary warnings to parents so that parents could make the decision about the movie-going of their young children.
Jack Valenti
With regard to the principle [of using symbols to represent sounds], it matters little whether the symbol is an elaborately detailed picture, a slightly stylized drawing, or a drastically abbreviated symbol of essentially abstract form. What is crucial is to recognize that the diverse forms perform the same function in representing sound. To see that writing has the form of pictures and to conclude that it is pictographic is correct in only one sense -- that of the form, but not the function, of the symbols. We can put it this way:.
John DeFrancis
Perhaps it was his return to Paris [In June 1919 Piet Mondrian returned from The Netherlands to Paris] that was needed to provide him with fresh new possibilities in his work. Invigoration. His most recent work is without composition. The division of the picture plane is modular. That means ordinary rectangles, all the same size. The only contrast is in the colour. In my view, this runs counter to his theory concerning the abolition of position and dimension. This is in effect equality of position and dimension.
Piet Mondrian
Our people are trying to break the bond set by God. That is human conceit rising against God. In this connection we must warn the Führer, that the adoration frequently bestowed on him is only due to God. Some years ago the Führer objected to having his picture placed on Protestant altars. Today his thoughts are used as a basis not only for political decisions but also for morality and law. He himself is surrounded with the dignity of a priest and even of an intermediary between God and man... We ask that liberty be given to our people to go their way in the future under the sign of the Cross of Christ, in order that our grandsons may not curse their elders on the ground that their elders left them a state on earth that closed to them the Kingdom of God.
Martin Niemöller
Turner visited Plymouth (my native town) while I was staying there in the summer of 1813, or perhaps 1814 (1812 ?), painting portraits. As he wished to see the scenery of the river Tamar - [river in South-west England], I accompanied him, together with Mr. Ambrose Johns from Plymouth.. ..to a cottage near Calstock, the residence of my aunt, Miss Pearce, where we all stayed for a few days. From that point as a centre Turner made various excursions, and the result of one of his rambles was a sketch of the scene which afterwards grew into the celebrated picture of the painting 'Crossing the Brook'. The bridge in that picture is Calstock Bridge; some mining works are indicated in the middle distance. The extreme distance extends to the mouth of the Tamar, the harbour of Hamoaze, the hills of Mount Edgcumbe, and those on the opposite side of Plymouth Sound. The whole scene is extremely faithful.
J. M. W. Turner
