Picture Quotes - page 33
I am thinking of painting for the coming Salon a picture [probably the large and unfinished painting 'Botzaris' by Delacroix] whose subject I shall take from the recent wars between the Turks and the Greeks. I think that.... this would be a way to attract some attention. I should therefore like you to send me some drawings of the country round Naples, a few quick sketches of seascapes or picturesque mountain sites... Why not also send a few of the studies you have in your portfolio? You don't need them while you are out there, and it would oblige you to make some more of them.
Eugène Delacroix
Rubens, when past fifty years of age, used the time he did not give to the business of his mission to the King of Spain in copying the superb Italian originals he found in Madrid.. .Accuracy of the eye, sureness of the hand, the art of carrying the picture on from the indications of the lay-in to the rounding out of the work, and so many other matters which are all of primary importance, demand application at every moment, and the practice of a lifetime.
Eugène Delacroix
I am not doing very much as yet. I am put out by this manner of the Salon. They will end by persuading me that I have produced a veritable fiasco. But I am not yet entirely convinced of it. Some say it is a complete downfall; that the 'Death of Sardanaplus' [Delacroix painted this painting in 1827 after the drama, written by Byron] is that of the Romantics, inasmuch as Romantics do exist; others merely say that I am an 'inganno' [a fraud].. ..So I say they are all imbeciles, that the picture has its qualities and its defects, and that while there are some things I could wish to be better, there are not a few others that I think myself fortunate to have created, and which I wish them.
Eugène Delacroix
For a man who is sensitive to nature, happiness consists in expressing nature. How infinitely happy, then, is the man who reflects nature like a mirror without being aware of it, who does the thing for love of it and not from any pretensions to take first place. This noble unself-consciousness is what we find in all truly great men, in the founders of the arts. I picture the great Poussin, in his retreat, delighting in the study of the human heart.... I picture Raphael in the arms of his mistress, turning from La Fornarina to paint his Saint Cecilia.... I am only too well aware that I am far not only from their divine spirit, but even from their modest simplicity...
Eugène Delacroix
After leaving [the International Exposition in Paris, with a lot of new machines], I went to see Courbet's exhibition; he has reduced the admission to ten cents. I stay there alone for nearly an hour and discover that the picture [ 'L'atélier' / the Painter's Studio - 1855] of his which they refused [for exposing on the official Salon in Paris ] is a masterpiece; I simply could not tear myself away from the sight of it.
Eugène Delacroix
He [ Michelangelo ] did not know a single one of the feelings of man, not one of his passions. When he was making an arm or a leg, it seems as if he were thinking only of that arm or leg and was not giving the slightest consideration to the way it relates with the action of the figure to which it belongs, much less to the action of the picture as a whole... Therein lies his great merit; he brings a sense of the grand and the terrible into even an isolated limb.
Eugène Delacroix
The original idea, the sketch, which is so to speak the egg or embryo of the idea, is usually far from being complete; it contains everything, which is simply a mixing together of all parts. Just the thing that makes of this sketch the essential expression of the idea is not the suppression of details, but their complete subordination to the big lines, which are, before all else, to create the impression. The greatest difficulty therefore is that of returning in the picture to that effacing of the details which, however, make up the composition, the web and the woof of the picture.
Eugène Delacroix
In the big picture, over the years, every time the regime has been really pressured, both from inside and outside, it has backed off from its virulent disposition. However, as soon as such pressures have subsided, it has regrouped into its natural form of being antagonistic to the free world, wanting to continue on its inherent mission of exporting a radical ideology around the planet. This is why I keep asking this question from policy makers here, in Europe and elsewhere: Why aren't you utilizing the people's force of leverage to achieve your goals without betraying our national cause for freedom? Because in reality, so far you have played into the hands of this regime without obtaining any results, and you have done so to the detriment of my compatriots.
Reza Pahlavi
'Time' has a large part to play in looking at a picture. A picture (a stupid empty surface to begin with) gets covered in the course of its creation by a rhythmically measured network of colors, lines and dots, which evokes in its final form a total of living movement. The eye jumps from a blue to red, to green (even if there is only a change of form), to a black line, suddenly comes upon a sharp white eruption, follows it, floats on to... It is impossible to take it all in at once. Time is inseparable from surface.
August Macke
I was surprised as anyone when T-shirts, jeans and leather jackets suddenly became symbols of rebellion. In the film there was a scene in which somebody asked my character, Johnny, what I was rebelling against, and I answered 'Whaddya got?' But none of us involved in the picture ever imagined that it would instigate or encourage youthful rebellion.
Marlon Brando
Nobody should start to undertake a large project. You start with a small trivial project, and you should never expect it to get large. If you do, you'll just overdesign and generally think it is more important than it likely is at that stage. Or worse, you might be scared away by the sheer size of the work you envision. So start small, and think about the details. Don't think about some big picture and fancy design. If it doesn't solve some fairly immediate need, it's almost certainly over-designed. And don't expect people to jump in and help you. That's not how these things work. You need to get something half-way useful first, and then others will say "hey, that almost works for me", and they'll get involved in the project.
Linus Torvalds
Imagine a world where speaking or writing words can literally and directly make things happen, where getting one of those words wrong can wreak unbelievable havoc, but where with the right spell you can summon immensely powerful agencies to work your will. Imagine further that this world is administered: there is an extensive division of labour, among the magicians themselves and between the magicians and those who coordinate their activity. It's bureaucratic, and also (therefore) chaotic, and it's full of people at desks muttering curses and writing invocations, all beavering away at a small part of the big picture. The coordinators, because they don't understand what's going on, are easy prey for smooth-talking preachers of bizarre cults that demand arbitrary sacrifices and vanish with large amounts of money. Welcome to the IT department.
Charles Stross
![I heard the comments of the crowd in front of the painting of 'Burial at Ornans', I had the courage to read the nonsense that was printed regarding this picture and I wrote this article.. [in Le Messager de l'Assemblée]. (Gustave Courbet)](https://cdn.quotesdtb.com/img/quotes_images_webp/79/gustave-courbet-article-burial-273279.webp)
