Picture Quotes - page 19
I shall now address you on the subject of the present situation in research in the foundations of mathematics. Since there remain open questions in this field, I am not in a position to paint a definitive picture of it for you. But it must be pointed out that the situation is not so critical as one could think from listening to those who speak of a foundational crisis. From certain points of view, this expression can be justified; but it could give rise to the opinion that mathematical science is shaken at its roots.
Paul Bernays
Joseph Ratzinger has stood still because as a Bavarian Catholic in the Hellenistic tradition, interpreted in Roman terms, he wanted to stand still. To this degree he represented and represents a different basic model of theology and church, as different from mine as in astronomy Ptolemy's geocentric picture of the world is different from Copernicus' heliocentric picture.
Hans Küng
Babbitt looked up irritably from the comic strips in the Evening Advocate. They composed his favorite literature and art, these illustrated chronicles in which Mr. Mutt hit Mr. Jeff with a rotten egg, and Mother corrected Father's vulgarisms by means of a rolling-pin. With the solemn face of a devotee, breathing heavily through his open mouth, he plodded nightly through every picture, and during the rite he detested interruptions. Furthermore, he felt that on the subject of Shakespeare he wasn't really an authority. Neither the Advocate-Times, the Evening Advocate, nor the Bulletin of the Zenith Chamber of Commerce had ever had an editorial on the matter, and until one of them had spoken he found it hard to form an original opinion.
Sinclair Lewis
The Prime Minister spent a lot of time painting to you a lurid picture of what would happen under a Labour Government in pursuit of what he called a Continental conception. He has forgotten that Socialist theory was developed by Robert Owen in Britain long before Karl Marx. He has forgotten that Australia, New Zealand, whose peoples have played so great a part in the war, and the Scandinavian countries have had Socialist Governments for years, to the great benefit of their peoples, with none of those dreadful consequences...When he talks of the danger of a secret police...he forgets that these things were actually experienced in this country only under the Tory Government of Lord Liverpool in the years of repression when the British people who had saved Europe from Napoleon were suffering deep distress. He has forgotten many things, including, when he talks of the danger of Labour mismanaging finance, his own disastrous record at the Exchequer over the gold standard.
Clement Attlee
When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field. The critics and, along with them, the public sighed, 'Everything which we loved was lost. We are in a desert... Before us is nothing but a black square on a white background!
Kazimir Malevich
The new trade theory picture of the world looks something like this: Each country has, at any given time, a set of broad resources-land, skilled labor, capital, climate, general technological competence. These resources define up to a point the industries in which the country can hope to be competitive on world markets. [...] But a country's resources do not fully determine what it produces, because the detailed pattern of advantage reflects the self-reinforcing virtuous circles, set in motion by the vagaries of history.
Paul Krugman
One can do such lovely things with so little. Subjects that are too beautiful end by appearing theatrical – take Switzerland, for example. Think of all the beautiful little things Corot did at Gisors; two willows, a little water, a bridge, like the picture in the Universal Exhibition. What a masterpiece!.. .Everything is beautiful, all that matters is to be able to interpret.
Camille Pissarro
This Mr. Dewhurst has not understood the Impressionist movement in the very least. All he sees in it is a technical method... He also says that before going to London we knew nothing whatsoever about light; but we have studies that prove the contrary. He omits the influence of Claude Lorrain, Corot, all the 18th-century painters, Chardin most of all. But what he fails to realize is that while Turner and Constable were of service to us, they confirmed our suspicion that those painters had not understood 'The Analysis of Shadows', which in the case of Turner are always a deliberate effect, a plain dark patch. As to the division of tones, Turner confirmed us its value as a method, but not as a means of accuracy or truth to nature. In any case, the 18th century was our tradition. It seems to me that Turner too, had looked at Claude Lorrain. I am even inclined to think there is a picture by Turner, 'Sunset', hung side by side with a Claude.
Camille Pissarro
For the women who mourn their dead in the secret night,
For the children taught to keep quiet, the old children,
The children spat-on at school.
For the wrecked laboratory,
The gutted house, the dunged picture, the pissed-in well
The naked corpse of Knowledge flung in the square
And no man lifting a hand and no man speaking.
Stephen Vincent Benét
