Guess Quotes - page 91
I don't think too much about the electronic thing, except that it's kind of fun to have it as an alternate voice. Like, I've used the Fender- Rhodes piano on a couple of records. I don't really look on it as a piano- merely an alternate keyboard instrument, that offers a certain kind of sound that's appropriate sometimes. I find that it's kind of a refreshing auxiliary to the piano- but I don't need it, you know. I guess it's for other people to judge how effective it's been on my records; I enjoyed it, anyway. I don't enjoy spending a lot of time with the electric piano. I mean, if I play it for a period of time, then I quickly tire of it, and I want to get back to the acoustic piano.
Bill Evans
For a moment Costis could see, not so much what was hidden but that there were things hidden that the king did not choose to reveal. Things that were not for Costis to see. There was no understanding him, but Costis knew he would march into hell for this fathomless king, as he would for his queen. So long, he worried, as they didn't order him in opposite directions at the same time. What he would do when that happened, Costis couldn't guess.
Megan Whalen Turner
The hardest part of being a clown, it seems to me, would be that you are constantly referred to as a clown. [...] How do you even know that you want to be a clown? I guess you just get to a point where your pants look so bad it's actually easier to become a clown than to have the proper alterations done.
Jerry Seinfeld
You start to know, on stage, when to get off. There's just this feeling that you develop from years and years of doing it; you just feel that "We're getting-- Everyone's really having a good time... and I think, in another few minutes, this is going to start to get old... 'Good night, everybody!'" And everyone's happy! [...] It's just... proportions. Y'know? I guess it's a function of art and economy: that economy is essential to all good art. And I thought "Let's-- " Even though we had done a lot [of Seinfeld]: nine years, 180 episodes, I thought "We can't do one too many, or it's gonna taint the whole thing."
Jerry Seinfeld
I guess you could say that I was somewhat withdrawn from my classmates. I spent a good deal of time being a loner. I suppose that had something to do with the way we lived - always on the move, never living in one town very long. It's very hard to make lasting friendships that way. And my father was rather strict with me and my two younger sisters. He insisted on proper behaviour and very often vetoed our choices of boyfriends. There was always a curfew whenever my sisters or I would go out on a date - we had to be home on time or else. But I never resented his authority. In fact, I'm thankful for my strict upbringing; I feel it has helped me learn discipline - and that's very important in this business.
Sharon Tate
Many people wanna make money, make love,
make friends, make peace with death -
But most mainly want to win the game they came to win
they want to come out ahead.
But you, you're a rock, with a heart like a socket I can plug into at will.
And will you guess when I come around next.
I hope your open sign is blinking still.
St. Vincent (musician)
After the Sixties there was a collapse in almost everything we believed in. It culminated in the biological disaster of AIDS - an answer to every one of us who preached free love. ... AIDS is a price paid for sins committed in the Sixties, and by gay men who took free love to extremes throughout the Seventies and had unrestrained, decadent, pagan sex. I support paganism in all its forms, but a price must be paid. I believed in free love, too, but we were wrong. It wasn't the Pope who was the problem. It wasn't the struggle with old-fashioned moral codes that was the problem. It was nature. Nature said, "Guess what? If you're going to be that promiscuous, I will off you." ... I believe that nature rewards things that are in its best interest and punishes things that are not.
Camille Paglia
During an Iraqi protest of the US invasion ABC's "Peter Jennings said to Chris Cuomo, "What are they doing out there? What are they saying?" And Cuomo said, "Well, they have these signs that say 'No Blood for Oil,' but when you ask them what that means, they seem very confused. I don't think they know why they're out here." I guess they got caught in a traffic jam. Why not have Peter Jennings, instead of asking someone who clearly doesn't understand why they're out there, invite one of them into the studio, and have a discussion like he does with the generals?
Amy Goodman
In any given society the Remnant are always so largely an unknown quantity. You do not know, and will never know, more than two things about them. You can be sure of those - dead sure, as our phrase is - but you will never be able to make even a respectable guess at anything else. You do not know, and will never know, who the Remnant are, nor what they are doing or will do. Two things you do know, and no more: First, that they exist; second, that they will find you. Except for these two certainties, working for the Remnant means working in impenetrable darkness; and this, I should say, is just the condition calculated most effectively to pique the interest of any prophet who is properly gifted with the imagination, insight and intellectual curiosity necessary to a successful pursuit of his trade.
Albert Jay Nock
While I was working on Downward Spiral, I was living in the house where Sharon Tate was killed. Then one day I met her sister. It was a random thing, just a brief encounter. And she said: "Are you exploiting my sister's death by living in her house?" For the first time, the whole thing kind of slapped me in the face. I said, "No, it's just sort of my own interest in American folklore. I'm in this place where a weird part of history occurred." I guess it never really struck me before, but it did then. She lost her sister from a senseless, ignorant situation that I don't want to support. When she was talking to me, I realized for the first time, "What if it was my sister?" I thought, "Fuck Charlie Manson." I went home and cried that night. It made me see there's another side to things, you know?
Trent Reznor
When you were with him, you really felt like God was within him. He was an amazing, superhuman kind of person, but he always treated you as an equal. He would be your friend and he never asked for anything in return. ... I know that people looked at Michael and thought he was strange, but to me, he was fascinating. ... He was the most inspirational person in my life. His one dream was to cure all the sick children in the world. And when I'd say, "Isn't that impossible?" Michael would just start to cry. He was very emotional about things that moved him. I guess you'd have to say he was a pure innocent in a world that wasn't so innocent anymore.
Michael Jackson
You have to temper your emotions and try to stay stable. And also try top stay on your routine. [...] It showed me how fleeting opinions are. And how opinions and people's choices and I guess criticisms are rarely based in fact. A lot of times they are knee-jerk reactions, a lot of times they're based off of media perception, you know, what they can see on the surface. Surface perception. And that a lot of people don't take time to delve deep into things before they make an opinion, or make a criticism or make a remark. And that's OK. That's the society we live in, it is what it is, you have to accept it.
Richard Sherman (American football)
Now all that was left 'neath the bad-smelling sky
was my big empty factory...
the Lorax...
and I.
The Lorax said nothing.
Just gave me a glance,
just gave me a very sad, sad backward glance,
as he lifted himself by the seat of his pants.
And I'll never forget the grim look on his face
when he heisted himself and took leave of this place,
through a hole in the smog, without leaving a trace.
And all that the Lorax left here in this mess
was a small pile of rocks with the one word:
UNLESS.
Whatever that meant . . . well, I just couldn't guess.
Dr. Seuss
At Newark airport, I climbed into a taxi. Wearing my uniform with all my ribbons and my Vietnamese airborne beret, I kept waiting for the driving to make a big fuss and exclaim "Hey! You're just back from Vietnam, aren't you!" Nothing. So I fed him hints like, "Gee, I haven't seen Newark for a while." But he dropped me at my mother's place with scarcely a word... I was pretty disoriented. I couldn't think about anything but Vietnam. The war was all over the newspapers, but people seemed not to care. Even when Mom introduced me to a few of her friends, they only said things like, "Well, I guess now you'll be able to get on with your life." No one wanted to know about Vietnam: the public wasn't caught up in the war, not at all like the spirit I remembered from my boyhood, during World War II. After two days I wanted to run through the streets yelling, "Hey! In Vietnam people are dying! Americans are dying! How can you act like nothing is happening?"
Norman Schwarzkopf, Jr.
The increasing pressure to launch the ground war early was making me crazy. I could guess what was going on figured Cheney and Powell were caught in the middle. There had to be a contingent of hawks in Washington who did not want to stop until we'd punished Saddam. We'd been bombing Iraq for more than a month, but that wasn't good enough. These were guys who'd seen John Wayne in The Green Beret, they'd seen Rambo, they'd seen Patton, and it was easy for them to pound their desks and say, "By God, we've got to go in there and kick ass! Gotta punish that son of a bitch!" Of course, none of them was going to get shot at. None of them would have to answer to the mothers and fathers of dead soldiers and Marines.
Norman Schwarzkopf, Jr.
We can only take it so far, because man can only take it so far, lower self can only take it so far, and you have to realize that the public is only at a certain place. We won't see the day when the public accepts what we wanna project, even though they are accepting a lot now. By the time they're accepting it, maybe they'll be too old. ... If it's total freedom, I guess the ultimate thing you can go into is total silence between the audience and performer, with the performer projecting something he doesn't even have to play. A total silence trip is the ultimate. ... We do antagonize them psychologically. People look at us and react. They either go "Wow! Hey-hey-hey, baby!" and we say that's great. They're reacting and that's wonderful. It's better than them sitting there doing nothing. I say make them react - do whatever's in your power to move the audience, and if that's where it is, and there where it is with America, sex and violence, then I say project it.
Alice Cooper
Hey, what is this,” he asked.
"I guess maybe you could call it like love,” Caroline said.
"Whaddaya mean, love?” Chet asked. "Your contract expressly forbids you to fall in love during the duration of your tenth kill, and it furthermore explicitly forbids you to fall in love with your Victim.”
"Love,” Caroline said coolly, "existed a long time before contracts.”
"Contracts,” Martin said viciously, "are a lot more enforceable than love.
Robert Sheckley
