Self Quotes - page 91
Self, person, living being, and life span are four notions that prevent us from seeing reality.
Life is one. We do not need to slice it into pieces and call this or that piece a "self." What we call a self is made only of non-self elements. When we look at a flower, for example, we may think that it is different from "non-flower" things. But when we look more deeply, we see that everything in the cosmos is in that flower. Without all of the non-flower elements - sunshine, clouds, earth, minerals, heat, rivers, and consciousness - a flower cannot be. That is why the Buddha teaches that the self does not exist. We have to discard all distinctions between self and non-self.
Nhat Hanh
Hal, who's empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic, is to be in some sort of basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anclitically around the map, with big wet eyes and froggy-soft skin, huge skull, goey drool. One of the really American things about Hal, probably, is the way he despises what it is he's really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.
David Foster Wallace
We can only take it so far, because man can only take it so far, lower self can only take it so far, and you have to realize that the public is only at a certain place. We won't see the day when the public accepts what we wanna project, even though they are accepting a lot now. By the time they're accepting it, maybe they'll be too old. ... If it's total freedom, I guess the ultimate thing you can go into is total silence between the audience and performer, with the performer projecting something he doesn't even have to play. A total silence trip is the ultimate. ... We do antagonize them psychologically. People look at us and react. They either go "Wow! Hey-hey-hey, baby!" and we say that's great. They're reacting and that's wonderful. It's better than them sitting there doing nothing. I say make them react - do whatever's in your power to move the audience, and if that's where it is, and there where it is with America, sex and violence, then I say project it.
Alice Cooper
We never know the whole man, though sometimes, in quick flashes, we know the true man. I think, myself, that one's memories represent those moments which, insignificant as they may seem, nevertheless represent the inner self and oneself as most really oneself.
I am today the same person as that solemn little girl with pale flaxen sausage-curls. The house in which the spirit dwells, grows, develops instincts and tastes and emotions and intellectual capacities, but I myself, the true Agatha, am the same. I do not know the whole Agatha.
The whole Agatha, so I believe, is known only to God.
Agatha Christie
If you awaken from this illusion, and you understand that black implies white, self implies other, life implies death-or shall I say, death implies life-you can conceive yourself. Not conceive, but feel yourself, not as a stranger in the world, not as someone here on sufferance, on probation, not as something that has arrived here by fluke, but you can begin to feel your own existence as absolutely fundamental. What you are basically, deep, deep down, far, far in, is simply the fabric and structure of existence itself. So, say in Hindu mythology, they say that the world is the drama of God. God is not something in Hindu mythology with a white beard that sits on a throne, that has royal perogatives. God in Indian mythology is the self, Satcitananda. Which means sat, that which is, chit, that which is consciousness; that which is ananda is bliss. In other words, what exists, reality itself is gorgeous, it is the fullness of total joy.
Alan Watts
The true artist always refuses to conform to any standards others than his own. That's why the attacks in Russia against Shostakovitch and Prokofiev are identical to the attacks that have been made here against American pioneers of abstract painting like Davis, Holty, or Morris. In Russia it was Malevich and Gabo, in this country at the moment it is people like Rothko, Baziotes, Pollock, my self and many others who are being attacked. The names may vary, but the methods, the motives; the objects of attack are essentially the same. Only meritocracy is forever immune, because it is forever ready to conform. [quote of Gottlieb, on the attacks on artistic freedom in 1948].
Adolph Gottlieb