Creative Quotes - page 93
The idea of being constructive, creative, positive, in trying to bring out the best in one's own self and the best in others follows from what I've just been saying. Again, I repeat my belief in us, in ourselves, as the product of the process of evolution, and part of the process itself. I think of evolution as an error-making and error-correcting process, and we are constantly learning from experience. It's the need to dedicate one's self in that way, to one's own self, and to choose an activity or life that is of value not only to yourself but to others as well.
Jonas Salk
Above all it is necessary to cure the labour movement of its inner ossification and rid it of the empty sloganeering of the political parties, so that it may forge ahead intellectually and develop within itself the creative conditions which must precede the realisation of Socialism. The practical attainability of this goal must become for the workers an inner certainty and must ripen into an ethical necessity. The great final goal of Socialism must emerge from all the practical daily struggles, and must give them a social character. In the pettiest struggle, born of the needs of the moment, there must be mirrored the great goal of social liberation, and each such struggle must help to smooth the way and strengthen the spirit which transforms the inner longing of its bearers into will and deed.
Rudolf Rocker
Living is a pretty grim joke, but a joke just the same. The entire function of man is to survive. The outermost limit of endeavour is creative work. Anything less is too close to simple survival until death happens along. So I am engaged in striving to maintain equilibrium sufficient to at least realize survival in a way to astound the gods. I turned the thing up so it's up to me to survive in a big way . . . Foolishly perhaps, but determined none the less, I have high hopes of smashing my name into history so violently that it will take a legendary form even if all books are destroyed.
L. Ron Hubbard
Now that copyrights can be just about a century long, the inability to know what is protected and what is not protected becomes a huge and obvious burden on the creative process. If the only way a library can offer an Internet exhibit about the New Deal is to hire a lawyer to clear the rights to every image and sound, then the copyright system is burdening creativity in a way that has never been seen before because there are no formalities.
Lawrence Lessig
I think anyone who is creative or self-aware in any way, there's like a humility to it, or I should say a humiliation to it. But there's also a self-delusion - the provisional ego, as my uncle would call it. The self-delusion is the thing that makes you go, oh you know what, all the music that I've ever loved in the world, I want to be a part of that - hey, listen to what I have to say, it's really important, it's going to matter.”
You can't apologize your way into people's hearts ... You have to go full force.
St. Vincent (musician)
We can either be monsters or angels. We are able to be demons and angels, as that book says. We are able to be incredibly creative or to be incredibly destructive. We have that decision to make, to create something. It could be grotesque and ugly, but it is monstrously beautiful, so it inspires people.
Julie Taymor
The tension between socially acceptable housewifery and creative ambition is certainly easy to find in Jackson's life, but it's rather harder to locate in her fiction. There's no question that, in her books, the house is a deeply ambiguous symbol-a place of warmth and security and also one of imprisonment and catastrophe. But the evil that lurks in Jackson's fair-seeming homes is not housework; it's other people-husbands, neighbors, mothers, hellbent on squashing and consuming those they profess to care for. And what keeps women inside these ghastly places is not societal pressure, or a patriarchal jailer, but the demon in their own minds. In this sense, Jackson's work is less an anticipation of second-wave feminism than a conversation with her female forebears in the gothic tradition. Her stories take the figure of the imprisoned "madwoman," as found in Charlotte Perkins Gilman's "The Yellow Wallpaper" or Charlotte Brontë's Jane Eyre, and make her the warder of her own jail.
Shirley Jackson
(Women's Liberation) ... is an ontological, spiritual revolution, pointing beyond the idolatries of sexist society and sparking creative action in and toward transcendence. The becoming of women implies universal human becoming. It has everything to do with the search for ultimate meaning and reality which some would call God.
Mary Daly
Two major problems will grow out of this discovery-one immediate in nature and the other to be later developed. The first is that those whose large financial interests are bound up in products which the new type of energy will inevitably supersede will fight to the last ditch to prevent these new sources of wealth from benefiting others.
Secondly, there will be the steadily growing problem of the release of man power from the gruelling labour and the long hours today required in order to provide a living wage and the necessities of life. One is the problem of capital and the other is the problem of labour; one is the problem of established control of the purely selfish interests which have for so long controlled the life of humanity and the other is the problem of leisure and its constructive use. One problem concerns civilization and its correct functioning in the new age and the other concerns culture and the employment of time along creative lines.
Alice Bailey
I have been exceptionally privileged to be able to think of myself as a creative person. There is so much creativity I believe in every infant born and yet so few of us get to develop it, so few of us even get to think about having an audience for our words. So, with the kind of audience that I now have, I want to speak responsibly and for that I need teachers.
Adrienne Rich
About all these things physics can tell us nothing. The idea of natural selection, which, as we shall see, is uaully called in to account for this vast creative surge, is already looking increasingly inadequate to explain evolution. The main trouble is, I think, best explained in the analogy of coffee. Natural selection is only a filter, and filters do not provide the taste of coffee that pours through them. Similarly, the range of evolutionary alternatives between which selection takes place has to be already in matter. How it comes to be present there is the real mystery about creation.
Mary Midgley
All of which goes to show that the State represents all the autocratic, arbitrary, coercive, belligerent forces within a social group, it is a sort of complexus of everything most distasteful to the modern free creative spirit, the feeling for life, liberty, and the pursuit of happiness. War is the health of the State. Only when the State is at war does the modern society function with that unity of sentiment, simple uncritical patriotic devotion, cooperation of services, which have always been the ideal of the State lover. ... How unregenerate the ancient State may be...is indicated by the laws against sedition, and by the Government's unreformed attitude on foreign policy.
Randolph Bourne
The greatest mistake is to imagine that the human being is an autonomous individual. The secret freedom which you can supposedly enjoy under a despotic government is nonsense, because your thoughts are never entirely your own. Philosophers, writers, artists, even scientists, not only need encouragement and an audience, they need constant stimulation from other people. It is almost impossible to think without talking. ... Take away freedom of speech, and the creative faculties dry up.
George Orwell
[On Paul the Apostle] As in so many men, his faults and virtues were near allied and mutually indispensable. He was impetuous and courageous, dogmatic and decisive, domineering and energetic, fanatical and creative, proud before man and humble before God, violently wrathful and capable of the tenderest love. He advised his followers to "bless them that persecute you,” but he could hope that his enemies-"the party of circumcision”-"would get themselves emasculated.” He knew his failings, struggled against them, and begged his converts to "put up with a little folly from me.” The postscript to his first epistle to the Corinthians sums him up: "This farewell I, Paul, add in my own hand. A curse upon anyone who has no love for the Lord! Lord, come quickly! The blessing of the Lord Jesus be with you! My love be with you all.” He was what he had to be to do what he did.
Will Durant
...Those individuals to whom we owe the great creative achievements of science were all of them imbued with a truly religious conviction that this universe of ours is something perfect, and susceptible through the rational striving for knowledge. If this conviction had not been a strongly emotional one, and if those searching for knowledgehad not been inspired by Spinoza's amor dei intellectualis, they would hardly have been capable of that untiring devotion which alone enables man to attain his greatest achievements.
Baruch Spinoza
After all, what is art? Art is the creative process and it goes through all fields. Einstein's theory of relativity - now that is a work of art! Einstein was more of an artist in physics than on his violin.
Art is this: art is the solution of a problem which cannot be expressed explicitly until it is solved.
Piet Hein
As I visualize it, the business of the future will be a scientific, social and economic unit. It will be vigorously creative in pure science where its contributions will compare with those of the universities... the machinist will be proud of and informed about the company's scientific advances; the scientist will enjoy the reduction to practice of his basic perceptions. ... year by year our national scene would change in the way, I think, all Americans dream of. Each individual will be a member of a group small enough so that he feels a full participant in the purpose and activity of the group. His voice will be heard and his individuality recognized.
Edwin H. Land
I began to think about William Shakespeare, the great literary figure. I would reckon he thought of himself as a dramatist. The thought that he was writing literature couldn't have entered his head. His words were written for the stage. Meant to be spoken not read. When he was writing Hamlet, I'm sure he was thinking about a lot of different things: "Who're the right actors for these roles?" "How should this be staged?" "Do I really want to set this in Denmark?" His creative vision and ambitions were no doubt at the forefront of his mind, but there were also more mundane matters to consider and deal with. "Is the financing in place?" "Are there enough good seats for my patrons?" "Where am I going to get a human skull?" I would bet that the farthest thing from Shakespeare's mind was the question "Is this literature?"
Bob Dylan
Incidentally, I find that reasonably good insights can be remembered the next day, but only if some effort has been made to set them down another way. If I write the insight down or tell it to someone, then I can remember it with no assistance the following morning; but if I merely say to myself that I must make an effort to remember, I never do.
I find that most of the insights I achieve when high are into social issues, an area of creative scholarship very different from the one I am generally known for.
Carl Sagan
At the heart of science is an essential balance between two seemingly contradictory attitudes - an openness to new ideas, no matter how bizarre or counterintuitive, and the most ruthlessly skeptical scrutiny of all ideas, old and new. This is how deep truths are winnowed from deep nonsense. The collective enterprise of creative thinking and skeptical thinking, working together, keeps the field on track. Those two seemingly contradictory attitudes are, though, in some tension.
Carl Sagan
