Creative Quotes - page 92
It is significant, as William Vaughan remarks in his introduction to Borsch-Supan's catalogue, that churches never appear in Friedrich's work except in the distance, as unreal visions, or as ruins. The visible Church is dead, only the invisible Church, in the heart or revealed through Nature, is alive. This is part of Friedrich's Pietist heritage, a personal religion that refuses all outward forms, all doctrine. To put a landscape on an altar is an aggressive act, as destructive of the old forms as it is creative of a new sensibility.
Caspar David Friedrich
But where repose the all Etruscan three-
Dante, and Petrarch, and, scarce less than they,
The Bard of Prose, creative Spirit! he
Of the Hundred Tales of Love?
And have their Country's Marbles nought to say?
Could not her quarries furnish forth one bust?
Did they not to her breast their filial earth entrust?
Ungrateful Florence! Dante sleeps afar,
Like Scipio, buried by the upbraiding shore,
and the crown
Which Petrarch's laureate brow supremely wore,
Upon a far and foreign soil had grown,
His Life, his Fame, his Grave, though rifled-not thine own.
Petrarch
Writing a good song is not mimicry, or replication, or pastiche, it is the opposite, it is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult the artist beyond the limits of what he or she recognises as their known self. This is part of the authentic creative struggle that precedes the invention of a unique lyric of actual value; it is the breathless confrontation with one's vulnerability, one's perilousness, one's smallness, pitted against a sense of sudden shocking discovery; it is the redemptive artistic act that stirs the heart of the listener, where the listener recognizes in the inner workings of the song their own blood, their own struggle, their own suffering.
Nick Cave