Poetry Quotes - page 96
Over many years (I am almost 72) so many poets have touched my imagination and opened paths for me-it hardly makes sense to list them. I have always read a great deal of poetry. Some poets-like Robert Lowell, Denise Levertov, Randall Jarrell, Jean Valentine, Audre Lorde, Hayden Carruth, Jane Cooper, June Jordan, Joy Harjo, Clayton Eshelman-have been my friends, we've been comrades in exchanging work and encouraging each other... But I've also been powerfully affected by Wallace Stevens, Hart Crane, Muriel Rukeyser, Aimé Césaire, Robert Duncan-poets I met briefly if at all. Baudelaire, Sachs, Celan, Ghalib, Mandelstam...all in translation. This kind of influence isn't textual, exactly-it's like having windows open on "what is possible.” And this kind of intensive reading of many poets, and dialogues with a few, seems to me more fertilizing to a poet's life than immersion in workshops.
Adrienne Rich
Acknowledgement, and celebration, of mystery probably constitutes the most consistent theme of my poetry from its very beginnings. Because it is a matter of which I am conscious, it is possible, however imprecisely, to call it an intellectual position; but it is one which emphasizes the incapacity of reason alone (much though I delight in elegant logic) to comprehend experience, and considers Imagination the chief of human faculties. It must therefore be by the exercise of that faculty that one moves toward faith, and possibly by its failure that one rejects it as delusion. Poems present their testimony as circumstantial evidences, not as closing argument. Where Wallace Stevens says, "God and the imagination are one," I would say that the imagination, which synergizes intellect, emotion and instinct, is the perceptive organ through which it is possible, though not inevitable, to experience God.
Denise Levertov
The idea occurred to me that art was perhaps this-the psychological component of the autoimmune system. It works on the artist as a healing. But it works on others too, as a medicine. Hence our great, insatiable thirst for it. However it comes out - whether a design in a carpet, a painting on a wall, the shaping of a doorway - we recognize that medicinal element because of the instant healing effect, and we call it art. It consoles and heals something in us. That's why that aspect of things is so important, and why what we want to preserve in civilizations and societies is their art - because it's a living medicine that we can still use. It still works. We feel it working. Prose, narratives, etcetera, can carry this healing. Poetry does it more intensely. Music, maybe, most intensely of all.
Ted Hughes
May, 1993 - Stratford... have been reading through the poetry of 15th century Spain, and I find myself drawn to one by the mystic writer and visionary St. John of the Cross; the untitled work is an exquisite, richly metaphoric love poem between himself and his god. It could pass as a love poem between any two at any time ... His approach seems more akin to early Islamic or Judaic works in its more direct route to communication to his god... I have gone over three different translations of the poem, and am struck by how much a translation can alter our interpretation. I am reminded that most holy scriptures come to us in translation, resulting in a diversity of views.
Loreena McKennitt
In poetry, my grandmother is much more vicious and hurtful...In the book, she comes across as this likable character. And she was! She was always the life of the party, a fun-loving person. ... In the poetry my mother is more of a martyr, always suffering from leaving her whole family in Cuba. But in the book she's like this control freak, like this warden of the house. I realized that was her psychological response to the loss she had experienced: She wanted to control life. She couldn't tolerate one more loss in her life.”.
Richard Blanco
When we first met, around 1988, I was struck by the combination of charisma and woundedness that surrounded Michael. He would be swarmed by crowds at an airport, perform an exhausting show for three hours, and then sit backstage afterward, as we did one night in Bucharest, drinking bottled water, glancing over some Sufi poetry as I walked into the room, and wanting to meditate.
That person, whom I considered (at the risk of ridicule) very pure, still survived -- he was reading the poems of Rabindranath Tagore when we talked the last time, two weeks ago. Michael exemplified the paradox of many famous performers, being essentially shy, an introvert who would come to my house and spend most of the evening sitting by himself in a corner with his small children.
Michael Jackson
Raised in a working-class, immigrant family, I didn't have access to poetry. I want to write poetry that my mother can read, or poetry that I would have loved as a little boy. I think of myself as a poet of the people. I argue against the idea that if a poem is accessible, it's not complex. Accessible is not synonymous with simple.
Richard Blanco
![[H]e could never have played the hero, because for him it was creativity itself that had the heroic status, beyond politics, beyond patriotism, beyond even personal happiness. It's the reason why his work is like that. His poetry, so wonderful when it is really flying, isn't trying to tell you how much he knows. It's giving thanks for how much there is to be known. (Clive James)](https://cdn.quotesdtb.com/img/quotes_images_webp/48/clive-james-beyond-flying-1008348.webp)
...what I've learned about it throughout the years is that it's my way of giving voice to the often voiceless; I write mostly about the sort of people on the opposite end of flush, and so when I hear them speak in this kinda jagged form of poetry, it moves me in a way I can't even really describe. Technically speaking, some actors sing it beautifully, others can't wrap their minds around it.
Matthew Paul Olmos
But to poetry - You have to be willing to waste time. When you start a poem, stay with it and suffer through it and just think about nothing, not even the poem. Just be there. It's more of a prayerful state than writing the novels is. A lot of the novel is in doing good works, as it were, not praying. And the prayerful state is just being passive with it, mumbling, being around there, lying on the grass, going swimming, you see. Even getting drunk. Get drunk prayerfully, though.
Robert Penn Warren
A very large part of the population of Wales was English-speaking, and the English-speaking part had a contribution just as big, if not bigger, to make towards Welsh cultural life than the Welsh-speaking part. A great deal of the literature of which Welshmen were proud and a great deal of the poetry for which this generation would be noted had been written in English by Welshmen.
Aneurin Bevan
For me, and probably for all of us, the concept of a personal, interested god can be appealing, often deeply so. In times of sorrow or despair, I often wonder what it would be like to be able to pray to God or Allah or Jehovah or Mary and believe that I was heard, believe that my petition might be answered. When I sing the hymns of faith in Jesus' love, I am drawn to their intimacy, their allure, their poetry. But in the end, such faith is simply not available to me. I can't do it. I lack the resources to render my capacity for love and my need to be loved to supernatural Beings. And so I have no choice but to pour these capacities and needs into earthly relationships, fragile and mortal and difficult as they often are.
Ursula Goodenough
...Jews seem to have superiority as actors, chess-players, doctors, merchants (chiefly financiers), in metaphysics, music, poetry, and philology.... Of course, Jews have no Darwin. It took England 180 years after Newton before she could produce a Darwin, and as Britishers are five times the number of Jews, even including those of Russia, it would take, on the same showing, 900 years before they produce another Spinoza, or, even supposing the double superiority to be true, 450 years would be needed.
Baruch Spinoza
To express myself briefly, Goethe was the Spinoza of poetry. The whole of Goethe's poetry is filled with the same spirit that is wafted toward us from the writings of Spinoza. There is no doubt whatsoever that Goethe paid undivided allegiance to Spinoza's doctrine. At any rate, he occupied himself with it throughout his entire life; in the first part of his memoirs as well as in the last volume, recently published, he frankly acknowledged this. I don't remember now where I read that Herder once exploded peevishly at the constant preoccupation with Spinoza, "If Goethe would only for once pick up some other Latin book than Spinoza!" But this applies not only to Goethe; quite a number of his friends, who later became more or less well-known as poets, paid homage to pantheism in their youth, and this doctrine flourished actively in German art before it attained supremacy among us as a philosophic theory.
Baruch Spinoza
Many I believe will wonder at this juxtaposition, not seeing that he is like Spinoza, or that he holds the same conspicuous position in art as Spinoza in science. Without destroying the balance of the Speech, I could only suggest my reason. There is now another reason why I should say no more. During these fifteen years the attention to Spinoza, awakened by Jacobi's writings and continued by many later influences, which was then somewhat marked, has relaxed. Novalis also has again become unknown to many. At that time, however, these examples seemed significant and important. Many coquetted in insipid poetry with religion, believing they were akin to the profound Novalis, just as there were advocates enough of the All in the One taken for followers of Spinoza who were equally distant from their original.
Baruch Spinoza
Not only Goethe's poetry but his science is Spinozistically motivated. Convinced of the oneness of nature, he approached it with a certainty to discover in it oneness, and his discovery of the os intermaxtllare in man, which influenced the development of comparative anatomy, is one of the by-products of his Spinozistic sentiments. In his theory of the metamorphosis of the plants, which he expounded scientifically and poetically, he also expressed a good deal of Spinozism. Spinoza enabled him to read the various pages of nature as one book. Goethe respected Kant and may be described as a Kant scholar, but he was a Spinoza adherent. His world-picture is Spinozistic and not Kantian.
Baruch Spinoza
I dove into the middle of it instead of starting at the beginning. I came across a lot of beautiful poetry about the whiteness of the whale and the colors of nightmares and the great spirit's spout. And I came upon a section toward the end where Ahab stands at the rail and says: "It is a mild, mild wind, and a mild looking sky; and the air smells now, as if it blew from a far-away meadow; they have been making hay somewhere under the slopes of the Andes, Starbuck, and the mowers are sleeping among the new-mown hay.” I turned back to the start: "Call me Ishmael.” I was in love! You fall in love with poetry. You fall in love with Shakespeare. I'd been in love with Shakespeare since I was fourteen. I was able to do the job not because I was in love with Melville, but because I was in love with Shakespeare. Shakespeare wrote Moby-Dick, using Melville as a Ouija board.
Ray Bradbury
While ritual, emotion and reasoning are all significant aspects of human nature, the most nearly unique human characteristic is the ability to associate abstractly and to reason. Curiosity and the urge to solve problems are the emotional hallmarks of our species; and the most characteristically human activities are mathematics, science, technology, music and the arts--a somewhat broader range of subjects than is usually included under the "humanities.” Indeed, in its common usage this very word seems to reflect a peculiar narrowness of vision about what is human. Mathematics is as much a "humanity” as poetry.
Carl Sagan
Don't talk to me about your hideous reality! What does it mean - reality? Some see things black, others blue - the multitude sees them brute-fashion. There is nothing less natural than Michael Angelo; there is nothing more powerful! The anxiety about eternal truth is a mark of contemporary baseness; and art will become, if things go on in that way, a sort of poor joke as much below religion as it is below poetry, and as much below politics as it is below business. You will never reach its end - yes, its end! - which is to cause within us an impersonal exaltation, with petty works, in spite of all your finished execution.
Gustave Flaubert
