Poetry Quotes - page 94
In this way, a philosophy which veiled the Philistine confessions of its founder beneath neat twists and flourishes of language proceeded further to discover a formula for the canonization of the commonplace. It expatiated upon the rationalism of all reality, and thus ingratiated itself with the Culture-Philistine, who also loves neat twists and flourishes, and who, above all, considers himself real, and regards his reality as the standard of reason for the world. From this time forward he began to allow every one, and even himself, to reflect, to investigate, to aestheticise, and, more particularly, to make poetry, music, and even pictures-not to mention systems of philosophy; provided, of course, that ... no assault were made upon the "reasonable” and the "real”-that is to say, upon the Philistine.
Friedrich Nietzsche
Greek tragedy met her death in a different way from all the older sister arts: she died tragically by her own hand, after irresolvable conflicts, while the others died happy and peaceful at an advanced age. If a painless death, leaving behind beautiful progeny, is the sign of a happy natural state, then the endings of the other arts show us the example of just such a happy natural state: they sink slowly, and with their dying eyes they behold their fairer offspring, who lift up their heads in bold impatience. The death of Greek tragedy, on the other hand, left a great void whose effects were felt profoundly, far and wide; as once Greek sailors in Tiberius' time heard the distressing cry 'the god Pan is dead' issuing from a lonely island, now, throughout the Hellenic world, this cry resounded like an agonized lament: 'Tragedy is dead! Poetry itself died with it! Away, away with you, puny, stunted imitators! Away with you to Hades, and eat your fill of the old masters' crumbs!'
Friedrich Nietzsche
It is strange that people should take so much interest at one time in what they so soon forget; - the truth is, they feel no interest in it [news of the day] at any time, but it does for something to talk about. Their ideas are served up to them, like their bill of fare, for the day; and the whole creation, history, war, politics, morals, poetry, metaphysics, is to them like a file of antedated newspapers, of no use, not even for reference, except the one which lies on the table! You cannot take any of these persons at a greater disadvantage than before they are provided with their cue for the day. They ask with a face of dreary vacuity, 'Have you anything new?' - and on receiving an answer in the negative, have nothing further to say.
William Hazlitt
The bestselling poet of 1968 was Rod McKuen, who penned rhythmic little bon mots that he read in a raspy voice suggestive either of emotion or bronchitis. A Hollywood songwriter, clean-shaven with V-neck sweaters, McKuen was a long way from the beats. But by early 1968 he had already sold 250,000 volumes of his unabashedly sentimental verse. His two books, Stanyan Street and Other Sorrows and Listen to the Warm, were selling more than any book on The New York Times fiction bestseller list, although they were not listed, because poetry was not included on bestseller lists. With characteristic self-effacing candor, he said in a 1968 interview, "I'm not a poet; I'm a stringer of words.” When he came down with hepatitis, fans by the hundreds sent him stuffed animals. To many, he and his fans seemed unbearable.
Rod McKuen
Forrest Gump mama said, 'Life is like a box of chocolates'
My mama told me go to school, get your doctorate
Somethin to fall back on, you could profit with
But still supported me when I did the opposite
Now I feel like there's things I gotta get,
things I gotta do, just to prove to you
You was getting through, can the choir, please
Give me a verse of 'You Are So Beautiful To Me'
Can't you see, you're like a book of poetry
Maya Angelou, Nikki Giovanni, turn one page and there's my mommy.
Kanye West