Record Quotes - page 25
Thus, we have three principles for increasing adequacy of data: if you must work with a single object, look for imperfections that record historical descent; if several objects are available, try to render them as stages of a single historical process; if processes can be directly observed, sum up their effects through time. One may discuss these principles directly or recognize the "little problems” that Darwin used to exemplify them: orchids, coral reefs, and worms-the middle book, the first, and the last.
Stephen Jay Gould
But, as we consider the totality of similarly broad and fundamental aspects of life, we cannot defend division by two as a natural principle of objective order. Indeed, the "stuff” of the universe often strikes our senses as complex and shaded continua, admittedly with faster and slower moments, and bigger and smaller steps, along the way. Nature does not dictate dualities, trinities, quarterings, or any "objective” basis for human taxonomies; most of our chosen schemes, and our designated numbers of categories, record human choices from a cornucopia of possibilities offered by natural variation from place to place, and permitted by the flexibility of our mental capacities. How many seasons (if we wish to divide by seasons at all) does a year contain? How many stages shall we recognize in a human life?
Stephen Jay Gould
David Tudor and I went to Hilversum in Holland to make a recording for the Dutch radio. We arrived at the studio early and there was some delay. To pass the time, we chatted with the engineer who was to work with us. He asked me what kind of music he was about to record. Since he was a Dutchman I said, 'It may remind you of the work of Mondrian.' When the session was finished and the three of us were leaving the studio, I asked the engineer what he thought of the music we had played. He said, 'It reminded me of the work of Mondrian.
John Cage
Darrall Imhoff, who as a 6-foot-10 rookie center for the New York Knicks had the misfortune of guarding Chamberlain during his 100-point game in 1962, said, "I spent 12 years in his armpits, and I always carried that 100-point game on my shoulders. "After I got my third foul, I said to one of the officials, Willy Smith, 'Why don't you just give him 100 points and we'll all go home?' Well, we did." Two nights later, at Madison Square Garden, Chamberlain tried to go for the century mark again. But Imhoff 'held' him to 54 points. The fans gave Imhoff a standing ovation. "He was an amazing, strong man," Imhoff said. "I always said the greatest record he ever held wasn't 100 points, but his 55 rebounds against Bill Russell. Those two players changed the whole game of basketball. The game just took an entire step up to the next level."
Wilt Chamberlain
Bill Mayer, then the managing editor of the 'Lawrence Journal-World' recalled on of Wilt's impressive athletic feats: "We played Oklahoma in basketball on a friday night, here in Lawrence(, Kansas), When Oklahoma had one helluva team. And they pounded the living daylights out of Wilt, just beat him to a pulp. I think he got 32 points. This was on a friday, and the finals of the Big Seven indoor track championship were the next night in Kansas city in the Municipal Auditorium. Wilt goes in, and with a minimum of practice during the week-he had just been fiddling around-he sets a school record and ties for the Big Seven championship, jumping 6' 6 3/4""
Wilt Chamberlain
Oh, that's a good question because what I would consider essential may be different than what my record company and the fans might have in mind. But when you do a retrospective of 20 years like this (album) and realize that you had so many hit singles, it's really an honor. There's a couple of songs that I wrote, one is called "Along Came You" for my daughter Emily; and the other, "Nayib's Song (I Am Here for Your) for my son. Both are in the 'slow disc.' I put them in even if they were not singles or hits because for me my being a mother is an essential part of who I am."
Gloria Estefan
[I've] written all original music [for the forthcoming Spanish-language CD], as was [1993's] "Mi tierra" -- years back. It's very organic. It's really down to the roots. I'm in love with that record. It's very rhythmic. It's a very passionate record, and I'm thrilled. It should come out next [2007] summer. And a single probably early on in the summer. The album probably will be [out] around September.
Gloria Estefan
[The hardest thing about '90 Millas' was the concept of] combining the old and the new without losing the authenticity. The simple solution, of course, would have been to record covers. [But] emotionally it wouldn't have been the same We left Cuba as children: Gloria was 1, I was 14. So, there ia a part that does exist in nostalgia, but a the same [time] there is another part that is contemporary music that we've made all over the world.
Gloria Estefan
I'm exactly the opposite of religious, I'm anti-religious. I find religious people hideous. I hate the religious lies. It's all a big lie. ... I have such a huge dislike. It's not a neurotic thing, but the miserable record of religion. I don't even want to talk about it, it's not interesting to talk about the sheep referred to as believers. When I write, I'm alone. It's filled with fear and loneliness and anxiety - and I never needed religion to save me.
Philip Roth
