Stage Quotes - page 93
I always felt that there had to be much more [than] just... shaking it, you know, eternally. Or just making music. Or more even than the pure enjoyment of entertaining someone – being on stage, which is a tremendous rush of adrenaline. But there had to be something else to my life. And I feel that with this work that I do, that's how my life gets fulfilled. And how I find a purpose to my own existence. And I do feel that music is the platform. It's become the vehicle that allows me to use my voice to speak about those issues that need urgent attention. I can take the spotlight that shines on me and shift it towards those issues that are infinitely more important than my own issues.
Shakira
I felt, that night, on that stage, under that skull, incredibly close to everything in the universe, but also extremely alone. I wondered, for the first time in my life, if life was worth all the work it took to live. What exactly made it worth it? What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?
Jonathan Safran Foer
Our experience in that respect ought not to lead us too hastily to assume that we have been therefore better than other people, but certainly we have been more fortunate. We came on the stage at a later time, so that this country had presented to it, already attained, a civilization that other countries had secured only as a result of a long and painful struggle. Of the various races of which we are composed, substantially all have a history for making warfare which is oftentimes hard to justify, as they have come up through various degrees of development.
Calvin Coolidge
As you get older, as a comedian, and keep doing it, what you actually start to cherish on stage is not the build-up to the jokes, but how comfortable you can be in the silence and the non-laughing parts, and how long you can take the audience without a laugh to then get a huge reaction.
Patton Oswalt
I began to think about William Shakespeare, the great literary figure. I would reckon he thought of himself as a dramatist. The thought that he was writing literature couldn't have entered his head. His words were written for the stage. Meant to be spoken not read. When he was writing Hamlet, I'm sure he was thinking about a lot of different things: "Who're the right actors for these roles?" "How should this be staged?" "Do I really want to set this in Denmark?" His creative vision and ambitions were no doubt at the forefront of his mind, but there were also more mundane matters to consider and deal with. "Is the financing in place?" "Are there enough good seats for my patrons?" "Where am I going to get a human skull?"
Bob Dylan
