Audience Quotes - page 52
I'm not sure what this means and if it can be replicated, but we did something very unique and none of it was planned. There wasn't a $20 million marketing budget designed to make this; it just happened. The audience took the movie for its own and decided to make it an event, and that's pretty awesome. And by the way, there were people who liked the movie so much they were defending the film against people who were thrashing it. Completely mind-blowing. I've never had that happen, either.
Anthony C. Ferrante
When you can assume that your audience holds the same beliefs as you do, you can relax a little and use more normal means of talking to it when you have to assume that it does not, then you have to make your vision apparent by shock, to the hard of hearing you shout, and for the almost-blind, you draw large and startling figures.
Flannery O’Connor
The distinction between identifying reference and uniquely existential assertion is something quite undeniable. The sense in which the existence of something answering to a definite description used for the purpose of identifying reference, and its distinguishability by an audience from anything else, is presupposed and not asserted in an utterance containing such an expression, so used, stands absolutely firm, whether or not one opts for the view that radical failure of the presupposition would deprive the statement of a truth-value. It remains a decisive objection to the theory of Descriptions... that... it amounts to a denial of these undeniable distinctions.
P. F. Strawson
The interchanges I would have - of course, most of them were positive, and most people understand the movie, but there were plenty where the guys would want to put me in a headlock, or push me around a bit, or get into a little tussle with 'that tough guy from Back To The Future, because he's not that tough after all'. Well, I'm not that tough after all, because I'm an actor; because it's pretend! And I think that social media, the greater intimacy, maybe - I mean, part of it is false intimacy, but part of it's real intimacy; you can go and see things about an actor, that's kind of why I do the YouTube thing, to present, ‘this is me as a person', that the audience, now, the pop cultural audience, is a more sophisticated audience and a more multi-faceted audience.
Thomas F. Wilson
A musical event in Münich has brought me a great dolt.... an evening of chamber-music by Arnold Schoenberg (Vienna).... the audience behaved loutishly, like school brats, sneezing and clearing their throats, when not tittering and scraping their chairs, so it was hard to follow the music. Can you imagine a music in which tonality (that is, the adherence to any key) is completely suspended? I was constantly reminded of Kandinsky's large composition which also permits no trace of tonality.... and also of Kandinsky's 'jumping spots' in hearing this music [of Schoenberg], which allows each tone sounded to stand on its own (a kind of white canvas between the spots of color). Schönberg proceeds from the principle that the concepts of consonance and dissonance do not exist at all. A so-called dissonance is only a mere remote consonance – an idea which now occupies me constantly while painting..
Franz Marc
Retakes, a standard procedure on the Hollywood scene, are not desirable in making TV films with audience participation. Dubbed-in laughs are artificial and, consequently, used only in emergencies. Close-ups, another routine step in standard film-making, were discarded since such glamour treatment stood out like a sore thumb.
Karl Freund
You want to do something that shows some type individuality and talent and imagination ¿ at the same time, you want to be truthful to the predecessors, because obviously the audience liked something about them and you have to replicate that experience to a certain extent. Not to just go ahead and make something that¿s completely different and ruin a franchise. At the same time, you don't want to be embarrassed in front of your peers and look like you¿re just copying something, and there's nothing individual. It's a very tricky balance. There are pressures, because you¿re going to be compared to the predecessors.
Renny Harlin
To the casual observer, the Dropbox demo video looked like a normal product demonstration, but we put in about a dozen Easter eggs that were tailored for the Digg audience. References to Tay Zonday and 'Chocolate Rain' and allusions to 'Office Space' and 'XKCD.' It was a tongue-in-cheek nod to that crowd, and it kicked off a chain reaction.
Drew Houston
We saw the choices. The audience will be given the opportunity. They can see Him and Her, or they can see Them. ... Well, for the cinephiles and the people who really want to commit, I would definitely say, "See Him and Her.” It's the full experience. ... I've always thought Him and Her. But it's funny, in Toronto, when Harvey Weinstein saw the film for the first time, he saw Her and Him, and he was determined. He was like, "That's how it has to be seen!”.
Jessica Chastain
He called to mind all the millionaires he had ever read or heard of; they didn't seem to get much fun out of their riches. The majority of them were martyrs to dyspepsia. They were often weighed down by the cares and responsibilities of their position; the only people who were unable to obtain an audience of them at any time were their friends; they lived in a glare of publicity, and every post brought them hundreds of begging letters, and a few threats; their children were in constant danger from kidnappers, and they themselves, after knowing no rest in life, could not be certain that even their tombs would be undisturbed. Whether they were extravagant or thrifty, they were equally maligned, and, whatever the fortune they left behind them, they could be absolutely certain that, in a couple of generations, it would be entirely dissipated.
F. Anstey
What I try to do often when I'm acting and what I like when I'm seeing good acting is how authentic it is. How true is this to what I know of the world that's been created for me? The ultimate test for me is, like, if I heard a clip of it on the radio, I'd like the audience not to know if I'm acting.
Alex Karpovsky
