Audience Quotes - page 41
![Obama: Now, I swore an oath to uphold the laws on the books, but that doesn't mean I don't know very well the real pain and heartbreak that deportations cause. I share your concerns and I understand them. And I promise you, we are responding to your concerns and working every day to make sure we are enforcing flawed laws in the most humane and best possible way. Now, I know some people want me to bypass Congress and change the laws on my own. [Applause] And believe me, right now dealing with Congress -
Audience: Yes, you can! Yes, you can! Yes, you can! Yes, you can! Yes, you can!
Obama: Believe me - believe me, the idea of doing things on my own is very tempting. [Laughter] I promise you. Not just on immigration reform. [Laughter] But that's not how - that's not how our system works.
Audience member: Change it!
Obama: That's not how our democracy functions. That's not how our Constitution is written. So let's be honest. I need a dance partner here - and the floor is empty. (Barack Obama)](https://cdn.quotesdtb.com/img/quotes_images_webp/99/barack-obama-applause-audience-428499.webp)
Four years ago, I stood in Cairo in front of an audience of young people -- politically, religiously, they must seem a world away. But the things they want, they're not so different from what the young people here want. They want the ability to make their own decisions and to get an education, get a good job; to worship God in their own way; to get married; to raise a family. The same is true of those young Palestinians that I met with this morning. The same is true for young Palestinians who yearn for a better life in Gaza. That's where peace begins -- not just in the plans of leaders, but in the hearts of people. Not just in some carefully designed process, but in the daily connections -- that sense of empathy that takes place among those who live together in this land and in this sacred city of Jerusalem.
Barack Obama
The scientist addresses an infinitesimal audience of fellow composers. His message is not devoid of universality but it's universality is disembodied and anonymous. While the artist's communication is linked forever with it's original form, that of the scientist is modified, amplified, fused with the ideas and results of others, and melts into the stream of knowledge and ideas which forms our culture. The scientist has in common with the artist only this: that he can find no better retreat from the world than his work and also no stronger link with his world than his work.
Max Delbrück
I think the most important thing is to instantly give them a sense of who you are and how you feel in that moment. If a speaker is nervous and tells the audience that, people immediately contextualize it and respond accordingly. If a performer is in a good mood or feeling wild and crazy and says so, I've found, the crowd will be good at matching that energy. So for me, the rapport is built by a genuineness conveyed as quickly as possible.
Trevor Noah
I cry all the time. In fact, I cried when we were at the Islington Academy. I got a bit teary-eyed at the crowd's reaction to our show. We were playing a song called On My Own and the response from the audience just got to me. Sometimes the love in the room is so overwhelming that I just cry. I'm not ashamed of that.
Bert McCracken
I think there have always been funny women, from Carol Burnett to Joan Rivers. When the audience sees a woman, they innately know she's worked twice as hard to get there, she's had to prove that she can be the leader, first, and then be funny on top of it. She has to emit a confidence that she's in control.
Wendy Liebman
Men fall, roughly speaking, into two flocks: Those whose intelligence is uninquiring in the face of Art, and does not demand to be appeased before their emotions can be stirred; and those who, having a speculative bent of mind, must first be satisfied by an enlightening quality in a work of Art, before that work of Art can awaken in them feeling. The audience of the realist is drawn from this latter type of man; the much larger audience of the romantic artist from the former; together with, in both cases, those fastidious few for whom all Art is style and only style, and who welcome either kind, so long as it is good enough.
John Galsworthy
When I did TV shows and movies, the studios did demographic research. They were shocked to find that my audience isn't just men who are too drunk to turn off the TV after football. It's women, too. I don't know exactly why, other than that I've tried to remain true to myself for all these years. I have gone through a lot, and I've been open about it. Maybe they look at me and can see how you can grow up, have children, continue to be sexy, get married and divorced and, though you grew up poor, live the American dream. I'm very blessed. I'm happy for it all.
Pamela Anderson
Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fiber seemed to vibrate with elemental musical power. Wildness and gentleness were never far from each other in his piano-playing, and demonic outbursts would magically give way to inner peace. It was as little trouble to him (as Alfred Polgar once said of an actor) to lose himself as to find himself.
His playing of slow movements was full of an unselfconsciousness beside which the music-making of others, famous names included, seemed academic or insincere. With Fischer, one was in more immediate contact with the music: there was no curtain before the soul when he communicated with the audience. One other musician, Furtwangler, conveyed to the same degree this sensation of music not being played, but rather happening by itself.
Alfred Brendel
I know very well the sorts of pressures you're under in television. I don't work in television anymore myself, but I'm constantly hearing from colleagues who present scripts to networks and are told, "The script is too complex. You have to keep it simple because the audience is dumb. You can make more money for the advertisers that way."
Michael Haneke
It just seems like the most successful, iconic love stories are not so easy or escapist. I think the ones that stay with us and resonate are full of conflict, discord and misunderstandings 'cause that's what makes drama happen or tension even if it's a comedy. I think people who make movies and have invested a lot of money in them, get frightened that if they challenge an audience they are going to repel them. And I think the opposite, it's really true. It takes confidence and courage to know that and then commit to it.
Claire Danes
I came into the room which was half-dark and presently spotted Lord Kelvin in the audience, and realised that I was in for trouble at the last part of my speech dealing with the age of the Earth, where my views conflicted with his.
To my relief, Kelvin fell fast asleep, but as I came to the important point, I saw the old bird sit up, open an eye and cock a baleful glance at me.
Then a sudden inspiration came, and I said Lord Kelvin had limited the age of the Earth, provided no new source [of heat] was discovered. That prophetic utterance referred to what we are now considering tonight, radium! Behold! The old boy beamed upon me.
Ernest Rutherford
