Simple Quotes - page 62
Those people overseas didn't go to Ivy League schools... Well, we're so sophisticated, we think we've got everything figured out. We know about evolution, we know about Darwin, we know about all these things that says God isn't real, we know about all this stuff. And if we've been in many schools, in the most advanced schools, we have been inundated with skepticism and secularism. And, uh, overseas they're simple, humble. You tell 'em God loves 'em and they say, "Okay, he loves me". You say God will do miracles and they say, "Okay, we believe him."
Pat Robertson
1. To us art is an adventure into an unknown world, which can be explored only by those willing to take the risks.
2. This world of imagination is fancy-free and violently opposed to common sense.
3. It is our function as artists to make the spectator see the world our way not his way.
4. We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
5. It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. (Rothko said this is the essence of academicism.)
6. There is no such thing as a good painting about nothing.
7. We assert that the subject is crucial and only that subject matter is valid which is tragic and timeless. That is why we profess spiritual kinship with primitive and archaic art.
Adolph Gottlieb
Well, you know, a lot of work nowadays [c. 1991] tends to be illustrative of theory already written, and some of it tends to be quite consciously didactic, as if the determination is to teach somebody something. And letting that go for the moment, as far as its value is concerned, it's exactly the opposite of what I seem to find most useful, and that is to leave things open and not determine anything except the very clear form. The form is always very simple and clear. What is experienced is uncertain and unforeseeable, which is why I do it, and its point is never clear to me, even after I've done it. So that's a very, very different way of looking at the nature of our responsibility in the world.
Allan Kaprow
WE MUST INVENT FUTURIST CLOTHES, hap-hap-hap-hap-happy clothes, daring clothes with brilliant colours and dynamic lines. They must be simple, and above all they must be made to last for a short time only in order to encourage industrial activity and to provide constant and novel enjoyment for our bodies.
Giacomo Balla
Nature has always been recorded by artists, from prehistoric cave paintings to twentieth-century landscape photography. I too wanted to make nature the subject of my work, but in new ways. I started working outside using natural materials like grass and water, and this evolved into the idea of making a sculpture by walking ... My first work made by walking, in 1967, was a straight line in a grass field, which was also my own path, going ‘nowhere'. In the subsequent early map works, recording very simple but precise walks on Exmoor and Dartmoor, my intention was to make a new art which was also a new way of walking: walking as art.
Richard Long
Like Fichte, Brentano had one simple and powerful insight. He declared: there is a basic difference between a mental and physical act. if I slip on the snow and fall flat on my back, that is an unintentional physical act. But there is no such thing as an unintentional mental act. When I think, I have to think about something; I have to focus my mind on it. You could compare all mental acts (thinking, willing, loving, trying to remember something) to a searchlight beam stabbing into the darkness. There is an element of will, of 'intentionality,' in all mental activity. So it is quite inaccurate to compare mental activity to chemistry, or to a kind of drifting, like leaves on a stream. It flows purposefully or not at all.
Colin Wilson
One simple method is to take a pen or pencil and hold it up against a blank wall or ceiling. Now concentrate on the pen as if it is the most important thing in the world. Then allow your sense to relax, so you see the pen against the background of the wall. Concentrate again. Relax again. Keep on doing this until you become aware of the ability to focus attention at will. You will find that this unaccustomed activity of the will is tiring; it produces a sense of strain behind the eyes. My own perception is that if you persist, in spite of the strain, the result is acute discomfort, followed by a sudden immense relief - the 'peak experience.
Colin Wilson
The general disposition of the land is one of metals in the west, giving way, as you travel eastward, to a varied landscape of nonmetals, which terminates in largely inert elements at the eastern shoreline. To the south of the mainland, there is an offshore island, which we shall call the Southern Island. It consists entirely of metals of subtly modulated personality. North of the mainland, situated rather like Iceland off the northwestern edge of Europe, lies a single, isolated region-hydrogen. This simple but gifted element is an essential outpost of the kingdom, for despite its simplicity it is rich in chemical personality. It is also the most abundant element in the universe and the fuel of the stars.
Peter Atkins
While the founding fathers agonized over the question 'particle' or 'wave', de Broglie in 1925 proposed the obvious answer 'particle' and 'wave'. Is it not clear from the smallness of the scintillation on the screen that we have to do with a particle? And is it not clear, from the diffraction and interference patterns, that the motion of the particle is directed by a wave? De Broglie showed in detail how the motion of a particle, passing through just one of two holes in screen, could be influenced by waves propagating through both holes. And so influenced that the particle does not go where the waves cancel out, but is attracted to where they cooperate. This idea seems to me so natural and simple, to resolve the wave-particle dilemma in such a clear and ordinary way, that it is a great mystery to me that it was so generally ignored.
John Stewart Bell
