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Second Quotes - page 92 - Quotesdtb.com
Second Quotes - page 92
Modern imperialism finds its ideological justification in the now fashionable linguistic philosophy which either regards all meanings as wholly arbitrary (e. g., Quine, White, Goodman, etc.), or reduces them to the facticity of everyday discourse (e. g., Wittgenstein, Austin, etc.). In this fashion, all meanings are either equally unfounded, or they can be founded only in the domain of the given. In either case, imperialism is implicitly justified, for, in the first case it is regarded as at least as rational a system as any other, thus neutralizing any possible rational arguments for its debunking, or else, in the second case, since all meanings reduce to the given and the given is, in fact, imperialist, imperialism itself becomes the criterion of all meaningfulness.
Silvia Federici
The first class contains four, which, we are informed, may be properly called beasts for hunting; namely, the hare, the hart, the wolf, and the wild boar. The second class contains the names of the beasts of the chase, and they are five; that is to say, the buck, the doe, the fox, the martin, and the roe. In the third class we find three, that are said to afford "greate dysporte" in the pursuit, and they are denominated, the grey or badger, the wild-cat and the otter...The reader may possibly be surprised, when he casts his eye over the foregoing list of animals for hunting, at seeing the names of several that do not exist at this time in England, and especially of the wolf, because he will readily recollect the story so commonly told of their destruction during the reign of Edgar.
Joseph Strutt
I wanted to be an actor or be a director since I was a very small child. I mean, my mother went into labor at a movie theater. There were, like, four movie theaters around us when I was growing up in Austin. Movies became my babysitter. I think I saw more films than I saw reality. Then I noticed something when I was in my late teens that really made my thinking shift in what I wanted to do with film. When I was watching a film as a young man, there would be a second or two when I drifted outside of myself. I noticed how for a moment, in the image and music and train of information, I was traveling through the film, leaving myself. And I knew that was something I wanted to do. I wanted to see how long I could make that feeling go on-if I could take someone outside themselves, outside their body for a minute, five minutes, maybe even 80 minutes, 90 minutes.
Tobe Hooper
Returning home on leave following my second year at West Point, I called on a great-uncle who had joined the Confederate Army at the age of sixteen and had fought in a number of major Civil War battles, including Gettysburg, and had been with Robert E. Lee at Appamatox. My Uncle White was the younger brother of my grandfather. He hated Yankees and Republicans, not necessarily in that order, and talked derisively about both. When I visited, he was seated in a wheel chair, in grudging acquiescence to the infirmities of age. Tobacco juice decorated his shirt and stains around a spittoon on the floor testified to the inaccuracy of his aim. Flies buzzed through screenless windows. "What are you doing with yourself, son?" Uncle White asked. I answered the old veteran with trepidation. "I'm going to that same school that Grant and Sherman went to, the Military Academy at West Point, New York."
William Westmoreland