Success Quotes - page 55
Respectable scientists like de Broglie himself accept wave mechanics because it confers coherence and unity upon the experimental findings of contemporary science, and in spite of the astonishing changes it implies in connection with ideas of causality, time, and space, but it is because of these changes that it wins favor with the public. The great popular success of Einstein was the same thing. The public drinks in and swallows eagerly everything that tends to dispossess the intelligence in favor of some technique; it can hardly wait to abdicate from intelligence and reason and from everything that makes man responsible for his destiny.
Simone Weil
The competent specialist who has supplemented natural gifts and good judgment by analysis and synthesis can perceive attitudes and proclivities even in the very young, much more readily in those semi-matured, and can with almost infallible certainty point out, not only what work can be undertaken with fair hope of success, but also what slight modification or addition and diminution will more than double the personal power.
Harrington Emerson
Dear Sir, - I have truly, I must say, written three times, and now hesitate; for did I know your son's works, or, as you say, his gifted merits yet even then I would rather advise you to think well, and not be carried away by the admiration which any friendly hopes (which ardent friends to early talent) may assume: they know not the difficulties or the necessities of the culture of the Fine Arts generally speaking. In regard to yourself, it is you alone can judge how far you are inclined to support him during perhaps a long period of expense; and particularly if you look towards tuition, the more so; for it cannot insure success (however much it may facilitate practice), and therefore it behooves you to weigh well the means in your power before you embark in a profession which requires more care, assiduity, and perseverance than any person can guarantee.
J. M. W. Turner
We may have our own opinions about slavery; we may be for or against the South; but there is no doubt that Jefferson Davis and other leaders of the South have made an army; they are making, it appears, a navy; and they have made what is more than either-they have made a Nation... We may anticipate with certainty the success of the Southern States so far as regards their separation from the North. I cannot but believe that that event is as certain as any event yet future and countingent can be.
William Ewart Gladstone
All the terms that we demanded have, since the war began, been substantially conceded...My hon. Friend...[said] that we must obtain a success in order that we may secure better terms; but that is not the public and popular sentiment; the popular feeling is, that as to terms there is no great matter at issue, but that what you want is more military success...It is not only indefensible-it is hideous, it is anti-Christian, it is immoral, it is inhuman; and you have no right to make war simply for what you call success. If, when you have obtained the objects of the war, you continue it in order to obtain military glory...I say you tempt the justice of Him in whose hands the fates of armies are as absolutely lodged as the fate of the infant slumbering in its cradle; you tempt Him to launch upon you His wrath; and if this be courage, I, for one, have no courage to enter upon such a course. I believe it to be alike guilty and unwise.
William Ewart Gladstone
I painted [circa 1960-62] through the whole history of art toward abstraction. I painted like crazy [and] I had some success with all that, or gained some respect. But than I felt it wasn't it, and so I burned the crap in some sort of action in the courtyard. And then I began. It was wonderful to make something and then destroy it. It was doing something and I felt very free.
Gerhard Richter
We [the American Abstract-expressionist artists of the 1940's] were formed by the Depression [1930's], when the American dream lay in pieces on the floor. The possibility of making money was inconceivable to us. America was innocent in relation to modern art, and no one cared. The reigning painters in America were very parochial in relation to the international tradition... What held us together was our ambition to use the standards of international modernism as a gauge, not those of Thomas Hart Benton or Grant Wood or Guy Pene du Bois. We did have a terrible struggle, but not for success. It was to make painting that would stand up under international scrutiny, and all the rest was a byproduct.
Robert Motherwell
