Bit Quotes - page 88
But I am no longer trying to formulate a stylised version of anxiety such as we find in the Laocoon group and in so many other sculptures of the Silver Age of antiquity. I feel that these works are always a bit too melodramatic. If you really want to find the sources of my present style [1958] in antiquity, I must confess that you will find them in the remains of the life of the past rather than in those of its art. The fossilized corpses that have been unearthed in Pompeii.... if the whole earth is destroyed in our atomic age, I feel that the human forms which may survive as mere fossils will have become sculptures similar to mine.
Marino Marini
At the breakfast table we are footnoting everything that we read. We don't recognise it as such but we encounter an article in the newspaper and then suddenly we recall that a friend had a certain comment on that particular story, a certain bit of news that we saw on the television applies to that and we immediately assemble an idea of a story.
Mark Z. Danielewski
I'm reading a lot of different books, but I always think I have to switch it up a little bit. It's like food - everything in moderation, same with my books, same with my reading. You read books that are good for you and you learn a lot of stuff, then you read 'Fifty Shades of Grey,' which is like candy.
Shay Mitchell
We have to give a sense of economic liberation to the masses and for that, I think the basic thing we have done or we attempted to do, in the beginning, and we have not yet completed that process, is that of land reforms. I think some of the Indian states have been successful in bringing about land reforms but to get a sensation of economic empowerment in society, even a bit of land of their own, is necessary for the common people and it has been shown by Japan, Taiwan, South Korea, which have achieved remarkable economic successes, that land reform was one basic prior thing they did.
K. R. Narayanan
The sculptors of the cathedral porches of the Middle Ages already knew that we can identify many legendary figures by their attributes, not their physical appearance. How is one to recognize Orpheus without his lyre, or Saint Lawrence without his grid? At the same time it seems a bit absurd, In an art that claims to be realistic, to have Orpheus always carrying his lyre, like a German businessman his briefcase. There must have been moments when Orpheus and Saint Lawrence left their lyre or their grid at the checkroom, for instance.. [c. 1960, in France].
Ossip Zadkine
It's really a home. It's not like the White House because there aren't tours of the vice president's residence. You don't really go there unless someone invites you to go there. It's really a warm kind of home. It's like a Victorian home. It has a wrap-around porch. You can sit out on the porch and feel like you have some privacy. We're pretty private and we've been living on Meridian Street where it's right there. So I think we're kind of looking forward to having a little bit of privacy there, or as much as you can get with cameras all around.
Karen Pence
In life it's always a bit of a challenge to be ethically motivated, and it's not very different in this career. In the play I use all fake leather and no animal products on my face, hair or body. It's up to me to put in the effort in life to make the most compassionate impact on the world around me without being rude or inconsiderate to others.
Persia White
You cannot imagine the pleasure you are giving me. This woman and this infant [of an old picture, made in his early years] are my own family. The baby was in its cradle one fine summer day; the mother had fallen asleep beside it. In one hour I did the sketch from nature. It used to hang over my bed, and it cheered my awakening every day for years. Then arrived a morning when we were more in want of necessaries than usual. A dealer came along and offered me a hundred and fifty francs.... he insisted on taking that one in particular. As ill luck would have it, my rent was due next day. I was not in a position to be too particular. He gave me a bank note of one hundred francs, and ten hundred-sous pieces. I made him out a receipt, and he never perceived that he was carrying off a bit of my heart. Ah!, it was hard.
Narcisse Virgilio Díaz
Still reeling from the buzzing of German-designed appliances, and desperately trying to find a stall that served coffee and muffins instead of edible knickers and herbal elixirs, I watched bemused at the Sexpo as the craggy Pricasso dipped his dangly bit into paint and dabbed at a piece of paper on the easel.
Pricasso
On working at La Passione (1996): Day one, the damage was done. All it was meant to be was one hour of a little boy's dreams. And I had things I wanted to do with the guitar that hadn't been done before. Like, there's one number called "Olive Oil", where I was actually playing slide guitar in the same scale as a saxophone. [...] But then in came millions of executives from America. So in the end, it fell flat on its arse. And it came out the same week that Britpop took off. Blair had just won the election. Oasis. Spice Girls. So something a bit Fellini-ish – about a little boy who loved red cars – went straight over the top. It was like, ‘Well, don't you have a 335 guitar with a Union Jack on it?'
Chris Rea
