Film Quotes - page 61
I have fundamental reservations to this adaptation. First of all I would have liked to see the planet Solaris which the director unfortunately denied me as the film was to be a cinematically subdued work. And secondly - as I told Tarkovsky during one of our quarrels - he didn't make Solaris at all, he made Crime and Punishment. What we get in the film is only how this abominable Kelvin has driven poor Harey to suicide and then he has pangs of conscience which are amplified by her appearance; a strange and incomprehensible appearance. [...].
Stanisław Lem
The dialogue is laughably cheesy throughout, but perhaps that's part of Basic Instinct's appeal. In fact, there are times when the film comes close to achieving a status where it's so bad it becomes entertaining. ... If you're looking for an intelligent thriller with real characters, Basic Instinct will seem like a fraud. If, on the other hand, you don't care whether the story makes sense and all you're in search of are cheap thrills and naked bodies, the movie delivers. Then again, so does a lot of Cinemax's late night programming.
James Berardinelli
The biggest alien invasion picture of the summer of 1996 is Independence Day. But it's not the first. The Arrival, with a significantly lower budget than Fox's July 3 release, has that distinction, and, while this particular film doesn't boast any radical or surprising ideas, it combines numerous familiar plot elements into a suspenseful, entertaining whole. Best of all, perhaps, is the realization that some thought went into writer/director David Twohy's script. This is not a dumb movie; in fact, with its heavy reliance upon real science, it's startlingly credible.
James Berardinelli
Attack of the Clones displays some similarities to The Empire Strikes Back, but, overall, it is not as effective a piece of cinema (although the 2002 era special effects make it far more pleasing to the eye). Both films contain romantic subplots and are darker in tone than their predecessors. Both develop a number of unresolved plot elements. And both end on a note that incorporates hope with ambiguity. There is, however, one major difference. The Empire Strikes Back includes a shocking revelation. Nothing of that sort is present in Attack of the Clones. In terms of its plotting, this film is relatively straightforward. There's nothing wrong with that - in fact, it works. In a time when, more often than not, sequels disappoint, it's refreshing to uncover something this high-profile that fulfills the promise of its name and adds another title to a storied legacy.
James Berardinelli
It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. [C]uriosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.
James Berardinelli
The latest chapter of the venerable slasher film saga represents the tenth movie to use the title (although only the ninth with Myers); it's a sequel to the remake but not necessarily a remake of the sequel. It is also a complete and utter abomination. The film is so bad that it may make me rethink my stance on installment #6 (The Curse of Michael Myers) as the worst entry. That one, at least by all accounts, was severely compromised as a result of distributor interference. This one represents Rob Zombie's "vision."
James Berardinelli
![Imagine, if you will, the dispiriting experience of listening to an awful cover of one of your favorite songs. That's how I felt sitting through Die Another Day, the 20th official outing for [James Bond]. This is a train wreck of an action film ... What's missing from this movie? Any real sense that we're watching 007 rather than a generic spy in a tuxedo. (James Berardinelli)](https://cdn.quotesdtb.com/img/quotes_images_webp/73/james-berardinelli-action-bond-270873.webp)
On those rare occasions when a great motion picture reaches multiplexes, the film critic must add another aspect to his or her job description: that of cheerleader. It is incumbent upon those of us who routinely dissect movies to applaud the arrival of something like Minority Report. Writing a review isn't enough - we have to get out there and actively stump for the movie. The underlying reason is sound: if Minority Report makes a lot of money, the studios will be encouraged to fashion more films of this sort. And that is a good thing - not just for science fiction lovers but for fans of intelligent, thought-provoking pictures of all genres.
James Berardinelli
My hope is that Casino Royale has not only re-invented James Bond, but made him relevant for the 21st century. The target audience has shifted. Although there's nothing in Casino Royale that will exclude teenagers, this 007 is aimed squarely at adults. The November release date is also perfect - the film is almost too dark and serious for the kind of lighthearted, mindless fun we associate with summer blockbusters. In recent years, I have come to each new James Bond movie with a series of ingrained expectations. For the most part, the Brosnan films met them across the board. Casino Royale defies many of them, and I couldn't be happier.
James Berardinelli
This is the fourth film from hot Swedish director Lukas Moodysson. Two of his previous three movies, Show Me Love and Lilya 4-Ever, made my year-end Top 10 lists. So it was with great anticipation that I settled into a seat on the first Friday night of the 2004 Toronto Film Festival to see A Hole in My Heart. 98 minutes later, I felt like I had been dragged through a vat of raw sewage laced with Sominex - Directed by Lukas Moodysson.
James Berardinelli
Like everything else, James Bond (Pierce Brosnan) has had to change for the nineties. The venerable 007, coming off a long hiatus, has taken on his sixth face (the other five being Sean Connery, David Niven, George Lazenby, Roger Moore, and Timothy Dalton), changed his mode of transport from an Aston Martin to a BMW, and now answers to a female "M" (played dryly by Judi Dench). Bond's attitudes towards women have been modified - although not greatly. Also, there's more action in GoldenEye than in previous 007 entries - enough to keep a ninety-minute film moving at a frantic pace. Unfortunately, this movie isn't ninety-minutes long - it's one-hundred thirty, which means that fully one-quarter of GoldenEye is momentum-killing padding.
James Berardinelli
The only thing as bad as bad comedy is bad action. Bad Boys II has plenty of both. In fact, those two things are all it has, unless you count the small helping of bad drama. When it comes to this movie, the word "bad" initially seems highly appropriate. But Bad Boys II isn't just bad - it's a catastrophic violation of every aspect of cinema that I as a film critic hold dear. It seems to have been constructed with terms like "unwatchable" and "godawful" as its slogans. There are motion picture failures every year - the resumes of Hollywood players are littered with them. But, when something this big - a would-be blockbuster with recognizable names in the cast and crew - collapses in such a spectacular fashion, it's worth taking note. Think of how many starving children could have been fed with the money that was poured into [director] Michael Bay's latest sinkhole.
James Berardinelli
If there was ever an action movie that didn't warrant a sequel, it's Speed. However, the film grossed enough money to be numbered among the big summer hits of 1994, and the unfortunate result is this film, which reunites director Jan de Bont with leading lady Sandra Bullock, while leaving Keanu Reeves somewhere safe and dry, "working on his music" with his band, Dogstar. Considering the dubious quality of the final product, this may be the wisest decision of the young actor's career. Speed 2 can be numbered among the worst second chapters ever made.
James Berardinelli
Consequences. In real life, these ramifications emanate from every action like ripples from a stone thrown into a pond. Often in movies, especially those that feature characters who don't play by the rules, such penalties are suspended. However, in Christopher Nolan's Batman universe, decisions and actions have consequences. The Dark Knight, arguably the moodiest and most adult superhero motion picture ever to reach the screen, illustrates this lesson in ways that are startling and painful. This is a tough, uncompromising motion picture - one that defies the common notions of what is expected from a "superhero" film. While there are plenty of action sequences and instances of derring-do, The Dark Knight's subtext has a tragic underpinning that would intrigue Shakespeare or the Greeks. It's about power and impotence, sanity and madness, image and reality, selfishness and sacrifice, and - yes - consequences.
James Berardinelli
So, Brussels have come up with a little thing called a European Constitution, which will unite all of the European Union into a single superstate, governed by a single government. There may be a problem with everyone speaking different languages and hating each other, but seemingly insurmountable problems have been solved in the past. Like Mount Everest, or making a film based on the Lord of the Rings.
Ben Croshaw
I'd like the power to make things die with the power of my mind. Not because I have any specific use in mind for it; I just think it'd be useful to have for difficult social situations. Like, if you're trying to sleep on a plane and a bloke three seats down is laughing really loudly at a film. Or if someone's trying to make me say something nice about their hideous baby, it would be a good way to change the subject. But then again, that's really just replacing one awkward social situation with another.
Ben Croshaw
