Begin Quotes - page 81
I began to practice 'meditation', sitting cross-legged for hours, staring straight in front of me. The result was a sudden and total transformation of my inner-being. There was a sense of freedom from my personality -- from the being called Colin Wilson who was born in Leicester in 1931. I felt that 'he' was a series of responses and reactions, of ambitions and frustrations. But after half an hour of staring straight in front of me, of concentrating my attention 'at the root of my eyebrows', I felt in control of his responses and frustrations. This control brought such a sense of exhilaration and satisfaction that I often sneaked away from other people to spend just five minutes sitting cross-legged; when I was working as a labourer on a building site, I would find a quiet spot and, while the others were having a smoke, would sit in a position that could quickly be changed to an ordinary sitting posture if someone came by . . .
Colin Wilson
The Qur'an is not a book of abstract theories and cold ideas, which one can grasp while seated in a cozy armchair. Nor is it merely a religious book like other religious books, whose meanings can be grasped in seminaries and oratories. On the contrary, it is a Book which contains a message, an invitation, which generates a movement. The moment it began to be sent down, it impelled a quiet and pious man to abandon his life of solitude and confront the world that was living in rebellion against Allah. It inspired him to raise his voice against falsehood, and pitted him in a grim struggle against the lords of disbelief, evil and iniquity. One after the other, from every home, it drew every pure and noble soul, and gathered them under the banner of truth. In every part of the country, it made all the mischievous and the corrupt to rise and wage war against the bearers of the truth.
Abul Ala Maududi
Frau Stöhr ... began to talk about how fascinating it was to cough.... Sneezing was much the same thing. You kept on wanting to sneeze until you simply couldn't stand it any longer; you looked as if you were tipsy; you drew a couple of breaths, then out it came, and you forgot everything else in the bliss of the sensation. Sometimes the explosion repeated itself two or three times. That was the sort of pleasure life gave you free of charge.
Thomas Mann
A man must read widely, a little of everything or whatever he can, but given the shortness of life and the verbosity of the world, not too much should be demanded of him. Let him begin with those titles no one should omit, commonly referred to as books for learning, as if not all books were for learning, and this list will vary according to the fount of knowledge one drinks from and the authority that monitors its flow.
José Saramago
To go on means going from here, means finding me, losing me, vanishing and beginning again, a stranger first, then little by little the same as always, in another place, where I shall say I have always been, of which I shall know nothing, being incapable of seeing, moving, thinking, speaking, but of which little by little, in spite of these handicaps, I shall begin to know something, just enough for it to turn out to be the same place as always, the same which seems made for me and does not want me, which I seem to want and do not want, take your choice, which spews me out or swallows me up, I'll never know, which is perhaps merely the inside of my distant skull where once I wandered, now am fixed, lost for tininess, or straining against the walls, with my head, my hands, my feet, my back, and ever murmuring my old stories, my old story, as if it were the first time.
Samuel Beckett
There is today almost no scientific theory which was held when, say, the Industrial Revolution began about 1760. Most often today's theories flatly contradict those of 1760; many contradict those of 1900. In cosmology, in quantum mechanics, in genetics, in the social sciences, who now holds the beliefs that seemed firm sixty years ago? Yet the society of scientists has survived these changes without a revolution, and honors the men whose beliefs it no longer shares. No one has recanted abjectly at a trial before his colleagues. The whole structure of science has been changed and no one has been either disgraced or deposed. Through all the changes of science, the society of scientists is flexible and single-minded together, and evolves and rights itself. In the language of science, it is a stable society.
Jacob Bronowski
Progress is the exploration of our own error. Evolution is a consolidation of what have always begun as errors. And errors are of two kinds: errors that turn out to be true and errors that turn out to be false (which are most of them). But they both have the same character of being an imaginative speculation. ...it seems to me terribly important to say this in an age in which most nonscientists are feeling a kind of loss of nerve. ...by the time science becomes a closed-that is, computerizable-project, it is not science anymore. It is not in the area of the exploration of errors.
Jacob Bronowski
I've noticed, the wealthy part of my audience is unable to take in classical Romance for more than 40 minutes, one hour for them is maximum. The Art is to be apportioned for them in small doses. Like vitamins which are good for you in tiny portions but could be poisonous when taken in a bulk. Intelligentsia is prepared for such vitamins, while nouve riches are not. They have to begin with homeopathic doses.
Nina Shatskaya
There are moments or periods when it would be wonderful to plan something and do it and have the thing only do what you planned to do, and then, there are other times when the destruction of those planned things becomes interesting to you. So then, it becomes a question of destroying – of destroying the planned forms; it's like an escape, it's something to do, something to begin the situation. You yourself, you don't decide, but if you want to paint, you have to find out some way to start this thing off, whether it is painting it out or putting it in..
Franz Kline
Sylvester: When was it that you first did a painting with one or two simple lines, horizontal or vertical, across the surface?
Newman: I would say that it began in '46- '47. In those years, whenever I did a painting with one or two elements in it, it did always have a sense of an atmospheric background, I suppose - with the exception of a painting which I called Euclidian Abyss, where the background is black and has some of the white coming through, but there's no true atmosphere.
Barnett Newman
.. the present painter is not concerned with the process. Herein lies the difference between them and the Surrealists. At the same time in his desire, in his will to set down the ordered truth.... it can be said that the artist like a true creator is delving into chaos. It is precisely this that makes him an artist for the Creator in creating the world began with the same material, for the artist tries to wrest truth from the void..
Barnett Newman
I got tired of other's people painting and began to make my own paintings. I found, however, that I not only got tired of looking at my own paintings but that I also didn't like painting them at all. The painterly problems of what to put here and there and how to do it to make it go with what was already there, became more and more difficult and the solutions more and more unsatisfactory. Until finally it became obvious that there had to be a better way.
Frank Stella
The final test of painting, theirs, mine, any other, is; does the painter's emotion comes across?.. ..Procedure is the keyword.. ..The difference is that we don't begin with a definite sense of procedure. It's free association from the start to the finished state. The old idea was to make use of your talent. This, we feel, is often to take the line of least resistance.. ..painters like Rothko, Pollock, Still, perhaps in reaction to the tendency to analyze which has dominated painting from Seurat to Albers, associate with very little analysis. A new form of expressionism inevitably followed. With De Kooning the procedure is continual change, and the immediacy of the change. With Jackson, it's the confidence you feel from the concentration of his energy in a given picture.. (1958)
Franz Kline
![The thing that struck me most was the way he stuck to the motif [in the 'Flag' and 'Target' paintings by Jasper Johns ].. ..the idea of stripes – the rhythm and the interval – the idea of repetition. I began to think a lot about repetition. [quote, 1960's]. (Frank Stella)](https://cdn.quotesdtb.com/img/quotes_images_webp/92/frank-stella-begin-flag-430292.webp)
Our feeling of ignorance, vanity, want, weakness, in short, depravity and corruption, reminds us ... that in the Lord, and none but He, dwell the true light of wisdom, solid virtue, exuberant goodness. We are accordingly urged by our own evil things to consider the good things of God; and, indeed, we cannot aspire to Him in earnest until we have begun to be displeased with ourselves. For what man is not disposed to rest in himself? Who, in fact, does not thus rest, so long as he is unknown to himself; that is, so long as he is contented with his own endowments, and unconscious or unmindful of his misery? Every person, therefore, on coming to the knowledge of himself, is not only urged to seek God, but is also led as by the hand to find him.
John Calvin
I remember when I began singing, in 1961, one person said, "run quick, because opera is going to have at maximum 10 years of life." At the time it was really going down. But then, I was lucky enough to make the first Live From the Met telecast. And the day after, people stopped me on the street. So I realized the importance of bringing opera to the masses. I think there were people who didn't know what opera was before. And they say "Bohème", and of course "Bohème is so good."
Luciano Pavarotti
