Reality Quotes - page 99
After Plotinus, says Schassler, fifteen centuries passed without the slightest scientific interest for the world of beauty and art. ...In reality, nothing of the kind happened. The science of aesthetics ... neither did nor could vanish, because it never existed. ... the Greeks were so little developed that goodness and beauty seemed to coincide. On that obsolete Greek view of life the science of aesthetics was invented by men of the eighteenth century, and especially shaped and mounted in Baumgarten's theory. The Greeks (as anyone may read in Bénard's book on Aristotle and Walter's work on Plato) never had a science of aesthetics.
Leo Tolstoy
The difference between him as he was then and as he was now was great ... Then he was a courageous, free man, before whom opened endless possibilities; now he felt himself caught in the tenets of a stupid, idle, aimless, miserable life, from which there was no escape; aye, from which, for the most part, he would not escape. He remembered how he once had prided himself upon his rectitude; how he always made it a rule to tell the truth, and was in reality truthful, and how he was now steeped in falsehood-falsehood which was recognized as truth by all those around him.
Leo Tolstoy
I appreciated the sense of drama he wanted to inject into my existence and I was flattered that he thought I, or at least some essential if somewhat abstract principle within me, was worth saving.I also felt surging within me a fierce need to be independent. Of course I responded to the appeal of divine hydraulics, this system of souls damned or crowned or destroyed or held in suspense, these pulleys and platforms sinking and lifting on the great stage, and I recognized that my view of things seemed by contrast impoverished, lacking in degree and incident. But the charming intricacy of a myth is not sufficient to compel belief. I found no good reason to assume that the ultimate nature of reality happened to resemble the backstage of an opera house.
Edmund White
For I consider that music is, by its very nature, essentially powerless to express anything at all, whether a feeling, an attitude of mind, a psychological mood, a phenomenon of nature, etc. Expression has never been an inherent property of music. That is by no means the purpose of its existence. If, as is nearly always the case, music appears to express something, this is only an illusion and not a reality. It is simply an additional attribute which, by tacit and inveterate agreement, we have lent it, thrust upon it, as a label, a convention – in short, an aspect which, unconsciously or by force of habit, we have come to confuse with its essential being.
Igor Stravinsky
The over-publicized bit about expression (or non-expression) was simply a way of saying that music is supra-personal and super-real and as such beyond verbal meanings and verbal descriptions. It was aimed against the notion that a piece of music is in reality a transcendental idea "expressed in terms of" music, with the reductio ad absurdum implication that exact sets of correlatives must exist between a composer's feelings and his notation. It was offhand and annoyingly incomplete, but even the stupider critics could have seen that it did not deny musical expressivity, but only the validity of a type of verbal statement about musical expressivity. I stand by the remark, incidentally, though today I would put it the other way around: music expresses itself.
Igor Stravinsky
Those who dumb down the news, trivialize the news with in-studio shouting matches passing for debate, those who tart up the news with celebrity gossip, scandal and sensationalism are playing right into the hands of those that stand to gain the most from the news being seen as irrelevant and trivial and no more or less worth your attention than the next episode of 'American Idol.' [...] I worry that if it becomes no more than a reality show, something that could be scripted and rigged behind the scenes without anyone really getting upset about it, that our freedom of the press will become another one of those constitutionally granted rights that can be watered down and eventually taken away from us.
Dan Rather
Europe' in anything other than the geographical sense is a wholly artificial construct. It makes no sense at all to lump together Beethoven and Debussy, Voltaire and Burke, Vermeer and Picasso, Notre Dame and St Paul's, boiled beef and bouillabaisse, and portray them as elements of a 'European' musical, philosophical, artistic, architectural or gastronomic reality. If Europe charms us, as it has so often charmed me, it is precisely because of its contrasts and contradictions, not its coherence and continuity.
Margaret Thatcher
We have brought three words-freedom, choice, opportunity-into the centre of the political debate. And we have exposed the language of Socialism, the gloss they put on words to conceal their true meaning. For instance, Socialists say "publicly owned”. What they mean is "State controlled”. Socialists say "Government aid”. What they mean is "taxpayers' aid”. Socialists say "social justice”. What they mean is "selective justice”. Socialists say "equality.” What they mean is "levelling down”. Why do they twist the truth like this? Because they dare not spell out the Socialist reality. One way to destroy capitalism, said Lenin, was to devalue its currency. Another way is to debase its language. Whenever we can, let us, like Luther, nail the truth to the door-and let us do it in unambiguous English. These are the opening rounds in the battle of ideas. It is a battle that we are winning.
Margaret Thatcher
