Feeling Quotes - page 79
Make others feel the same way about it. Without their realizing it! That's the meaning of art... Yes, what I'm aiming for is the logical development of what we see and feel when we observe nature; only then I'm concerned with the process, processes being for us no more than simple ways of getting the public to feel what we ourselves are feeling, and of making our point. The great artists we admire have done no more... Shall we have lunch?
Paul Cézanne
A guy, a fighter is going to tell you that, ooh, he's not nervous, that he believes in himself 100%. I think he's a liar, or I think he's just not all there. Before [you] fight, you always have some little doubt about yourself, and I think that's what keeps you sharper. So yes, I was confident, but at the same time I was worried. I think that little feeling makes me sharper and makes me stronger.
Georges St. Pierre
When we read Spinoza, we are seized with a feeling like that of seeing nature at its grandest in most vigorous repose: a forest of thoughts, tall as the sky, whose blooming tree-tops sway back and forth, while imperturbable trunks stand rooted in the eternal soil. There is a certain soft breeze in the writings of Spinoza which is inexplicable. It stirs the reader with the winds of the future. The spirit of the Hebrew prophets still rested perhaps on their late descendant. At the same time, there is a seriousness to him, a self-confident pride, a grandeur of thought which also seems to be an inheritance, since Spinoza belonged to one of those families of martyrs which had been expelled from Spain by those most Catholic kings.
Baruch Spinoza
I do not have the professional knowledge to write a scholarly article about Spinoza. But what I think about this man I can express in a few words. Spinoza was the first to apply with strict consistency the idea of an all-pervasive determinism to human thought, feeling, and action. In my opinion, his point of view has not gained general acceptance by all those striving for clarity and logical rigor only because it requires not only consistency of thought, but also unusual integrity, magnamity, and - modesty.
Baruch Spinoza
I have always worked on the assumption that if something is valid and meaningful to me, it will also be valid and meaningful to many others. Not to everyone of course. On the basis of this assumption I do not think of an audience when I work, but only of my own reactions. By the same token I do not worry whether what I am doing is art or not. If what I paint is expressive, if it seems to communicate the feeling that is important to me, then I am not concerned if my work does not have marked earmarks of art. My work has been called abstract, surrealistic, totemistic and primitive.... I chose my own label and called my paintings 'Pictographs'..
Adolph Gottlieb
See, I never understand why my paintings hold together because I don't have any tricks for doing it and that is usually what makes a painting academic. There were some well-known devices for making a painting work hold together, ave cohesion. This seemed to be organized. But I don't necessarily have to know what the mechanism is. For me, what it really is, is something you have in yourself that makes you feel, it gives the painting a feeling of unity, of oneness, and being of all of one piece.
Adolph Gottlieb
.. more significant, perhaps, was the fact that during the war [1940-1945] many of the Surrealists came [from Europe] to America and we were able to see them as just other human beings like ourselves and not as mythical characters who had superhuman capacities and talents. I think that there was a feeling after meeting them [a. o. Marcel Duchamp, Andre Masson, André Breton, Max Ernst ] personally that, well, if these men can have these great achievements and talents, there is hope for us [younger American artists].
Adolph Gottlieb
We do not exactly know the sociological reason for reverence for the past; it may be rooted in tribal and family solidarity or in the endeavour of the privileged classes to base their privileges on heredity. However that may be, the feeling that what is old must be better is still so strong that art historians and archaeologists do not shrink even from historical falsification when attempting to prove that the style of art which appeals to them most is also the oldest.
Arnold Hauser
It is certainly not then - not in dreams - but when one is wide awake, at moments of robust joy and achievement, on the highest terrace of consciousness, that mortality has a chance to peer beyond its own limits, from the mast, from the past and its castle-tower. And although nothing much can be seen through the mist, there is somehow the blissful feeling that one is looking in the right direction.
Vladimir Nabokov
