Felt Quotes - page 59
She had never known before how much the country meant to her. The chirping of the insects in the long grass had been like the sweetest music. She had felt as if her heart were hiding down there, somewhere, with the quail and the plover and all the little wild things that crooned or buzzed in the sun. Under the long shaggy ridges, she felt the future stirring.
Willa Cather
As we walked homeward across the fields, the sun dropped and lay like a great golden globe in the low west. While it hung there, the moon rose in the east, as big as a cart-wheel, pale silver and streaked with rose colour, thin as a bubble or a ghost-moon. For five, perhaps ten minutes, the two luminaries confronted each other across the level land, resting on opposite edges of the world.
In that singular light every little tree and shock of wheat, every sunflower stalk and clump of snow-on-the-mountain, drew itself up high and pointed; the very clods and furrows in the fields seemed to stand up sharply. I felt the old pull of the earth, the solemn magic that comes out of those fields at nightfall. I wished I could be a little boy again, and that my way could end there.
Willa Cather
Alexandra drew her shawl closer about her and stood leaning against the frame of the mill, looking at the stars which glittered so keenly through the frosty autumn air. She always loved to watch them, to think of their vastness and distance, and of their ordered march. It fortified her to reflect upon the great operations of nature, and when she thought of the law that lay behind them, she felt a sense of personal security.
Willa Cather
I felt there needed to be a show for teenagers that didn't make them feel judged. 'Skins' never tried to preach. It allowed young people to make their own decisions about what to do and whether it was right or wrong. Young people really respond to that, and that's what sets 'Skins' apart.
Kaya Scodelario
(about her concert in North Korea) "The concert was full of government officials. Every single last seat. It was invitation only, but it was an unbelievable experience. Frightening and exhilarating at the same time. And I just thought about how lucky I am. I am so fortunate to be a musician, and at that moment, I genuinely felt that music is the one and only universal language."
Sarah Chang
Arakawa: After I gave birth, I felt even more of a connection to cows, because my breasts started making milk. My breasts got bigger and my nipples swelled up, and every time my daughter went to suckle them, it reminded me of how I used to squeeze the cows' udders on the farm to get the milk out. [chuckle] It was like my own daughter was milking me.
Hiromu Arakawa
Usually, I take great pleasure in finding a notebook that's going to match the subject matter. And this time, for some reason, I was in a hurry. I hadn't found the right one, I had started my research, and I couldn't wait for the perfect notebook. So, I just grabbed one that I had. It's the first time though, and it felt a little sad.
Tracy Chevalier
When I started going around with Andy people thought I had a press agent. I didn't. After a while I got sort of paranoid about all the publicity, and I holed up in my apartment and cut off the telephone for two months. I saw only two people. Then I felt ready to go out again. I want to do more acting. I like it, but it's hard - the long hours, getting the lines straight, I didn't have to do that with Andy.
Edie Sedgwick
I held out pretty long before I really had an affair, but I got lots of attention from my father physically. He was always trying to sleep with me ... from the age of about seven on. Only I resisted that. And one of my brothers who claimed that sisters were there for the purpose of teaching ... a sister and brother should teach each other the rules and the game of making love; and I wouldn't fall for that either. I just felt, I had no reason to feel. Nobody told me that incest was a bad thing or anything, but I just didn't feel turned on by them.
Edie Sedgwick
It's very simple and it has nothing to do with identifiable goals. It is to keep thinking about what architecture can be, in whatever form. That is an answer, isn't it? I think that S, M, L, XL has one beautiful ambiguity: it used the past to build a future and is very adamant about giving notice that this is not the end. That's how it felt to me, anyway. That is in itself evidence of a kind of discomfort with achievement measured in terms of identifiable entities, and an announcement that continuity of thinking in whatever form, around whatever subject, is the real ambition.
Rem Koolhaas
