Story Quotes - page 88
A final word. Drowning by Numbers is a story of three women who murder their husbands -- one in a bath, one in the sea and one in a swimming pool. It is a black and ironic fairy-tale for adults, half invented by children who are innocently obsessed with sex and death -- especially death. It is a poetic, amoral tale told morally to support the belief that the good are seldom rewarded, the bad go largely unpunished and the innocent are always abused.
Peter Greenaway
The cinema is about other things than storytelling. What you remember from a good film -- and let's only talk about good films -- is not the story, but a particular and hopefully unique experience that is about atmosphere, ambience, performance, style, an emotional attitude, gestures, singular events, a particular audio-visual experience that does not rely on the story.
Peter Greenaway
I want tell you about the town of Stockbridge, Massachusetts, where this happened here, they got three stop signs, two police officers, and one police car, but when we got to the scene of the crime, there was five police officers and three police cars, being the biggest crime of the last fifty years, and everybody wanted to get in the newspaper story about it.
Arlo Guthrie
I never think of an entire book at once. I always just start with a very small idea. In 'Holes,' I just began with the setting; a juvenile correctional facility located in the Texas desert. Then I slowly make up the story, and rewrite it several times, and each time I rewrite it, I get new ideas, and change the old ideas around.
Louis Sachar
What I have to express is not handled with words. It must 'come' tot the observer. It must carry its influence over the mind of the individual into that region of him which is more than the mind. The pictures must reach inwards into the deeper experiences of the beholder – and mind you they care in no sense religious tracts – there is no story to them or literature – no morals – they are merely artistic expressions of mystical states – these in themselves being my own personal motives as drawn from either special experiences or aggregate ones.
Marsden Hartley
If you've ever sat in a room with twins, immediately you're forced to deal with this confusion. You're afraid to call them by name because you're afraid you're going to get it wrong. At first being a twin is a source of power, you can switch, you can fool people-but then it becomes a vulnerability because people confuse you when you don't want them to. The famous story of the twins who were both spanked when either one of them did something wrong because the parents wanted to make sure they got the right twin. So that would immediately make each twin totally responsible for the other one's actions and therefore would make you want to control the other twin's actions. It gets quite twisted and the confusion of identities becomes quite intense.
David Cronenberg
The principle behind the cinema, like that behind all the arts, rests on a choice. It is, in Camus' words, "the revolt of the artist against the real."
If one holds to this principle, what difference can it make by what means reality is revealed? Whether the author of a film seizes on the real in a novel, in a newspaper story or in his own imagination, what counts is the way he isolates it, stylizes it, makes it his own.
Michelangelo Antonioni
When we say a character in my films doesn't function, we mean he doesn't function as a person, but he does function as a character - that is, until you take him as a symbol. At that point it is you who are not functioning. Why not simply accept him as a character, without judging him? Accept him for what he is. Accept him as a character in a story, without claiming that he derives or acquires meaning from that story. There may be meanings, but they are different for all of us.
Michelangelo Antonioni
Can't-do guys do all right in Washington, perhaps because lobbying is the one thing that can't-do guys almost always can do, and magnificently. Detroit may not be able to dispose of exhaust very neatly, but it can build a beautiful lobbying machine for selling Government the story of its own inadequacy.
What is it in the Washington air that restores the energies of these once dynamic American manufacturers? Something there is that brings out all the latent half-forgotten ingenuity that seems to have abandoned them back in the home plant.
Russell Baker
What our story, however, has demonstrated is the astonishingly checkered, not to say hazardous, career of a reading device which we in the West now take so much for granted. Historians have acclaimed the "triumph of the alphabet," but the triumph was often compromised, sometimes bitterly contested, and to this day is only half won.
Eric A. Havelock
