Getting Quotes - page 78
I don't really feel sexy when I do love scenes because when I kiss a girl or a guy I want to be the one to decide to do that. And if someone says "OK, kiss him!" and you are getting paid for it, what is your profession? I don't want to be a prostitute being told stuff like "Show us your boob!", you know. So for me it really is a very uncomfortable day whenever you shoot that stuff. And so what you really is someone that you trust and feel comfortable with and someone who you really think has your back as a friend.
James Marsters
They filmed it down in Wexford and I visited the set for about half an hour. I don't usually go near the set, because there's nothing for a writer to do there and you're constantly getting in the way. If I give a book to the movies, it's theirs. Writers often whinge about being betrayed by the movies – I have no sympathy for that. If you don't want a movie to be made, then don't sell your book to the movies.
John Banville
I often think that there was nothing more exciting and erotic than getting a glimpse of a woman's leg at the top of her stockings. There's something about that white bulge and for anybody who grew up in my time, nothing replaces that, nothing. I remember I had a girlfriend when I was 16 and she had this bra – it used to open down the front – which I thought was absolutely wonderful. It was like opening a tabernacle.
John Banville
Stand near me and you get sick. Why? It reminds you that you're an animal too, because you get a full dose of me. So we go round and round in our endless feedback. You hate me because you learn things about your own soul by getting near me. And I hate you because you must draw back from me. What I am, you see, is a plague carrier, and the plague I carry is the truth. My message is that it's a lucky thing for humanity that we're shut up each in his own skull. Because if we had even a little drop of telepathy, even the blurry nonverbal thing I've got, we'd be unable to stand each other. Human society would be impossible.
Robert Silverberg
One of the few graces of getting old - and God knows there are few graces - is that if you've worked hard and kept your nose to the grindstone, something happens: The body gets old but the creative mechanism is refreshed, smoothed and oiled and honed. That is the grace. That is the splendid grace. And I think that is what's happening to me.
Maurice Sendak
Yeah, I'm one of those guys--I'm either totally on time and--and everything's good, or I just--I just didn't know what happened, you know, and I just totally don't show up. Like not like late, like, I didn't know--my problem is that sometimes I'm real bad at getting information and retaining it, so...I dunno...Sometimes it's more forgetting than late.
Patrick Stump
Fortunately, the less you have to rely on art materials – what are considered classic art materials which are all overpriced anyway – the more you can rely on materials at large in the culture and the more you should rely on them. The more free you are because you're not tied down to a higher-priced set of materials. That's the advantage of getting out in to the streets. I find that work I'm interested in now is made out of things which have been discarded by people – metals and things which I find in vacant lots. I don't want all of it. I want only certain kinds for certain purposes. But this is of interest to me now, just so I won't get into a trap where I have to work and continue with more and more expensive materials.
Carl Andre
In the years when I was trying to get my work shown and accepted and so forth, I went to work for the Pennsylvania Railroad and that was my formal art school. You can learn a hell of a lot about sculpture, working in a railroad. The thing about getting a job outside of art is the fact that you can finds out whole areas of materials. I don't mean new ones. I mean old ones like scrap iron. A railroad is essentially a big collection of scrap iron, and that's why it's great. You get out and beyond the art confine.
Carl Andre
