Getting Quotes - page 70
I've done more films than these people. Why aren't I getting those scripts?' Because my films never get released. So OK, I do Sorted, because it's going to get released, and hate every minute of it. You know, I am ambitious, in the sense of, I will eat as much cardboard as I have to swallow, in order to get to a place where I can make a great script.
Sienna Guillory
We were all in awe of Penny [Woolcock]. You feel so safe with her, you end up doing things that might seem offensive to other people. It's almost like being in a therapy session. You go a little bit further than you would normally. But in the orgy scene, where Marc's really getting a blowjob, I was like, `You've crossed the line!' Me and Alec were acting, and being loving and safe and showing the feeling of wanting to climb under someone's skin. For it to suddenly become something purely physical - I didn't think that needed to be real. But it was a situation that got out of hand. They filmed it at a swingers' club. There wasn't any way of stopping things, once they'd started. It's really gruesome and awful. But for the story, it's perfect. That scene was out of control. But by that point, so are the characters.
Sienna Guillory
I can't help thinking that the whole of the Vietnam War was the blackest comedy that ever was, because it showed the way you can't teach humanity anything. We'd all learnt in the rest of the world that you can't now go around and put out your hand and, across seas, exercise power; but the poor Americans had not learned that and they tried to do it. The remoteness of Americans from German attack had made them feel confident. They didn't really believe that anything could reach out and kill them. Americans are quite unconscious now that we look on them as just as much beaten as we are. They're quite unconscious of that. They have always talked of Vietnam as if by getting out they were surrendering the prospect of victory, as if they were being noble by renouncing the possibility of victory. But they couldn't have had a victory. They couldn't possibly have won.
Rebecca West
For one cannot serve the national spirit merely by getting a lump in the throat whenever one catches sight of the Union Jack, or by seeing red when a newspaper reports that some foreign power has acted aggressively towards England. These reactions bear the same relation to true love of country that a chance encounter between a man and a woman who meet in the street bears to a happy marriage.
Rebecca West
I saw that God can do all that we need. And these three that I shall speak of we need: love, longing, pity. Pity in love keepeth us in the time of our need; and longing in the same love draweth us up into Heaven. For the Thirst of God is to have the general Man unto Him: in which thirst He hath drawn His Holy that be now in bliss; and getting His lively members, ever He draweth and drinketh, and yet He thirsteth and longeth.
Julian of Norwich
Without getting complicated let me recapitulate my art training in the following way: the Academy first, the break with the Academy when I hit the Hofmann School which is Cubist. The next real break follows when I see Pollock's work [1940-41] and once more another transition occurs... It was a force [Pollock's work], a living force, the same sort of thing I responded to in Matisse, in Picasso, in Mondrian. Once more, I was hit that hard with what I saw... I began feeling the need to break with what I was doing and to approach something else.
Lee Krasner
We've also been laughed at, argued with, booed, and threatened with hellfire-or gunfire. But Jarret's kind of religion and Jarret himself are getting less and less popular these days. Both, it seems, are bad for business, bad for the U. S. Constitution, and bad for a large percentage of the population. They always have been, but now more and more people are willing to say so in public. The Crusaders have terrorized some people into silence, but they've just made others very angry.
Octavia Butler
Specks-specks all over the third panel, see?-no, that one-the second one up from the floor and I wanted to point this out to someone yesterday but a photo shoot intervened and Yaki Nakamari or whatever the hell the designer's name is-a master craftsman not-mistook me for someone else so I couldn't register the complaint, but, gentlemen-and ladies-there they are: specks, annoying, tiny specks, and they don't look accidental but like they were somehow done by a machine-so I don't want a lot of description, just the story, streamlined, no frills, the lowdown: who, what, where, when and don't leave out why, though I'm getting the distinct impression by the looks on your sorry faces that why won't get answered-now, come on, goddamnit, what's the story?
Bret Easton Ellis
