Almost Quotes - page 72
The thing is that I have a really intense, almost compulsive need to record. But it doesn't end there, because what I record is somehow transformed into a creative thing. There is a continuity. Recording is the beginning of a conceptual production. I am somehow collapsing the two - recording and producing - into a single event.
Rem Koolhaas
It's true that my initial training was in mathematics. However, almost by accident, I happened to take a course from Kenneth Arrow on "Information Economics,” which was so inspiring that I decided to change direction. It seemed to me that economics combined the best of both worlds: the rigor of mathematics with the immediate relevance of a social science. As for how much math I would recommend, I'd say that basic analysis, including measure theory, is certainly very useful. Also, linear algebra and stochastic processes always helps. But beyond that, I don't think a huge mathematical investment is necessary to do economic theory unless you are planning to work in an extremely technical area.
Eric Maskin
Optimism is normal, but some fortunate people are more optimistic than the rest of us. If you are genetically endowed with an optimistic bias, you hardly need to be told that you are a lucky person -- you already feel fortunate. Optimistic people play a disproportionate role in shaping our lives. Their decisions make a difference; they are inventors, entrepreneurs, political and military leaders -- not average people. They got to where they are by seeking challenges and taking risks. They are talented and they have been lucky, almost certainly luckier than they acknowledge.
Daniel Kahneman
![A chance remark by Ardini, an Italian master carver whom I met there [in Rome], that 'marble changes colour under different people's hands' made me decide immediately that it was not dominance which one had to attain over material, but an understanding, almost a kind of persuasion, and above all greater co-ordination between head and hand. This thought has recurred again and again ever since - and has developed my greatest interests; the reason why people both move differently and stand differently in direct response to changed surroundings; the unconscious grouping of people when they are working together, producing a spatial movement which approximates to the structure of spirals in shells or rhythms in crystal structure; the meaning of the spaces between forms, or the shape of the displacement of forms in space, which in themselves have a most precise significance. All these responses spring from a factual and tactile approach to the object. (Barbara Hepworth)](https://cdn.quotesdtb.com/img/quotes_images_webp/85/barbara-hepworth-above-almost-480185.webp)
I was always embarrassed by the words sacred, glorious and sacrifice and the expression in vain. We had heard them, sometimes standing in the rain almost out of earshot, so that only the shouted words came through, and had read them, on proclamations that were slapped up by billposters over other proclamations, now for a long time, and I had seen nothing sacred, and the things that were glorious had no glory and the sacrifices were like the stockyards at Chicago if nothing was done with the meat except to bury it.
Ernest Hemingway
As I was painting today, some thoughts came to me and I want to write them down for people I love. I know that I shall not live very long. But I wonder, is that sad? Is a celebration more beautiful because it lasts longer? And my life is a celebration, a short, intense celebration. My powers of perception are becoming finer.... with almost every breeze I take, I get a new sense and understanding of the linden tree, of ripened wheat, of hay... I suck everything up into me. And if only now love would blossom for me, before I depart; and if I can paint three good pictures, then I shall go gladly, with flowers in my hair..
Paula Modersohn-Becker
I have been depressed for days. Profoundly sad and solemn. I think the time is coming for struggle and uncertainty. It comes into every serious and beautiful life. I knew all along that it had to come. I've been expecting it. I am not afraid of it. I know it will mature and help me develop. But everything seems so serious and so hard, serious and sad to me. I walk through this huge city [Paris]. I look into a thousand thousand eyes. But I almost never find a soul there... And beneath it all flows the Styx [the Seine], deep and slow, knowing nothing of these brooks and wells of ours. I am sad. And all around me ate the heavy, pregnant, perfumed breezes of spring..
Paula Modersohn-Becker
My art is going well. I have a feeling of satisfaction about it. Afternoons I stroll around the city [Paris] taking a good look at everything and trying to absorb it all... I went back to the Notre Dame again. Such wonderful Gothic detailing, those monstrous gargoyles, each one with its own character and face... Directly behind Notre Dame, almost encircled by the Seine, lies the morgue. Day after day they fish corpses from the river here, people who don't want to get on living.
Paula Modersohn-Becker
Everyone thinks that courage is about facing death without flinching. But almost anyone can do that. Almost anyone can hold their breath and not scream for as long as it takes to die.
True courage is about facing life without flinching. I don't mean the times when the right path is hard, but glorious at the end. I'm talking about enduring the boredom, the messiness, and the inconvenience of doing what is right.
Robin Hobb
In the history of versification did anyone ever juggle so wildly well with iambics, sapphics, dactylics, anapestics, and all the rest? He fabricated verses most ingeniously, most enthusiastically. His virtuosity is amazing. Almost every line he wrote was a tour de force. And in spite of all this highly self-conscious technical facility he managed occasionally to write poetry.
Ausonius
