Form Quotes - page 98
Suffering, sad "female humanity!" What are these feelings which they are taught to consider as disgraceful, to deny to themselves? What form do the Chinese feet assume when denied their proper development? If the young girls of the "higher classes," who never commit a false step, whose justly earned reputations were never sullied even by the stain which the fruit of mere "knowledge of good and evil" leaves behind, were to speak, and say what are their thoughts employed upon, their thoughts, which alone are free, what would they say?
Florence Nightingale
Men and women meet now to be idle. Is it extraordinary that they do not know each other, and that, in their mutual ignorance, they form no surer friendships? Did they meet to do something together, then indeed they might form some real tie.
But, as it is, they are not there, it is only a mask which is there - a mouth-piece of ready-made sentences about the "topics of the day"; and then people rail against men for choosing a woman "for her face"
Florence Nightingale
To anyone who is not an artist it must seem rather strange that Degas who could do anything - for whom setting down what he saw presented no difficulties at all - should have continued to draw the same poses year after year - often, it would seem, with increasing difficulty. Just as a classical dancer repeats the same movements again and again, in order to achieve a greater perfection of line and balance, so Degas repeats the same motifs, it was one of the things that gave him so much sympathy with dancers. He was continually struggling to achieve an idea of perfect form, but this did not prevent him looking for the truth in what might seem an artificial situation.
Kenneth Clark
Totalitarian art must be a form of classicism: the state which is founded on order and subordination demands an art with a similar basis. Romantic painting, however popular, expresses the revolt of the individual. The State also requires an art of reason by which appropriate works may be produced as required. Inspiration is outside state control. The classic attitude toward subject matter - that it should be clear and unequivocal - supports the attitude of unquestioning belief. Add the fact that totalitarian art must be real enough to please the ignorant, ideal enough to commemorate a national hero, and well enough designed to present a memorable image, and one sees how perfectly The Death of Marat fills the bill. That it happens also to be a great work of art makes it dangerously misleading.
Kenneth Clark
The natural philosophy of Democritus and some others, who did not suppose a mind or reason in the frame of things, but attributed the form thereof able to maintain itself to infinite essays or proofs of nature, which they term fortune, seemeth to me... in particularities of physical causes more real and better inquired than that of Aristotle and Plato; whereof both intermingled final causes, the one as a part of theology, and the other as a part of logic, which were the favourite studies respectively of both those persons. Not because those final causes are not true, and worthy to be inquired, being kept within their own province; but because their excursions into the limits of physical causes hath bred a vastness and solitude in that tract.
Francis Bacon
The ability... to experiment with imaginary situations, gives man a freedom... the pleasure in trying out and exploring imaginary situations. A child's play is concerned with this pleasure; and so is much of art, and much of science... [P]ure science... is a form of play, in this sense.
Jacob Bronowski
Science is not an impersonal construction. It is no less, and no more, personal than any other form of communicated thought. ...Science searches the common experience of people; and it is made by people, and it has their style. ...The style of Newton's work, as much as the content, dominated science for two centuries... The science of an age, like its art or its music, has style... But it has content and structure too, larger than the work of any one man...
Jacob Bronowski
I overtook, coming from Italy,
In Germany, a great and famous Earl
Of England; the most goodly fashioned man
I ever saw: from head to foot in form
Rare and most absolute; he had a face
Like one of the most ancient honoured Romans
From whence his noblest family was derived;
He was besides of spirit passing great
Valiant and learned, and liberal as the sun,
Spoke and writ sweetly, or of learned subjects,
Or of the discipline of public weals:
And 'twas the Earl of Oxford.
Edward de Vere, 17th Earl of Oxford
I rather feel that painting is a form of drawing and the painting that I like has a form of drawing to it. I don't see how it could be disassociated from the nature of drawing.. ..I find in many cases a drawing has been the subject of the painting – that would be a preliminary stage to that particular painting.. ..the painting can develop something that is not at all related to the drawing and have no particular mood about it at all; it's just a cool kind of reality that has a series of involvements within it; and the pure excitement of those things happening within this form is enough for that particular panting..
Franz Kline
The subject matter of creation is chaos. The present feeling seems to be that the artist is concerned with form, color, and spatial arrangement. This objective approach to art reduces it to a kind of ornament. The whole attitude of abstract painting, for example, has been such that it has reduced painting to an ornamental art whereby the picture surface is broken up in geometrical fashion into a new kind of design-image. It is a decorative art built on a slogan of purism where the attempt is made for an unworldly statement...
Barnett Newman
The present painter can be said to work with chaos not only in the sense that he is handling the chaos of the blank picture plane, but also in that he is handling the chaos of form. In trying to go beyond the visible and the known world he is working with forms that are unknown even to him. He is therefore engaged in a true act of discovery in the creation of new forms and symbols that will have the living quality of creation.
Barnett Newman
... as a matter of fact it is nice to paint a happy picture after a sad one. I think there is a kind of loneliness in a lot of them which I don't think about as the fact that I'm lonely and therefore I paint lonely pictures, but I like kind of lonely things anyhow; so if the forms express that to me, there is a certain excitement that I have about that.... What I try to do is to create the painting so that the overall thing has the particular emotion; not just the forms in it.... in other words, there's a particular static or heavy form that can have a look to it, an experience that translated through the form; so then it does have a mood. And when that is there, well then it becomes it becomes a painting whereas all the other pictures that have far more interesting shapes and so on, don't become that to me.
Franz Kline
Now let us consider how many relics of the true cross there are in the world. An account of those merely with which I am acquainted would fill a whole volume, for there is not a church, from a cathedral to the most miserable abbey or parish church, that does not contain a piece. Large splinters of it are preserved in various places, as for instance in the Holy Chapel at Paris, whilst at Rome they show a crucifix of considerable size made entirely, they say, from this wood. In short, if we were to collect all these pieces of the true cross exhibited in various parts, they would form a whole ship's cargo. The Gospel testifies that the cross could be borne by one single individual;..
John Calvin
The hinges on which the controversy turns are these: first, in their contending that the form of the Church is always visible and apparent; and, secondly, in their placing this form in the see of the Church of Rome and its hierarchy. We, on the contrary, maintain, both that the Church may exist without any apparent form, and, moreover, that the form is not ascertained by that external splendour which they foolishly admire, but by a very different mark, namely, by the pure preaching of the word of God, and the due administration of the sacraments.
John Calvin
