Book Quotes - page 92
After all, I think Forrest was the most remarkable man our Civil War produced on either side...He had never read a military book in his life, knew nothing about tactics, could not even drill a company, but had a genius of strategy which was original, and to me incomprehensible.
Nathan Bedford Forrest
Anxiety, the next gumption trap, is sort of the opposite of ego. You're so sure you'll do everything wrong you're afraid to do anything at all. Often this, rather than "laziness," is the real reason you find it hard to get started. This gumption trap of anxiety, which results from over-motivation, can lead to all kinds of errors of excessive fussiness. You fix things that don't need fixing, and chase after imaginary ailments. You jump to wild conclusions and build all kinds of errors into the machine because of your own nervousness. These errors, when made, tend to confirm your original underestimation of yourself. This leads to more errors, which lead to more underestimation, in a self-stoking cycle. The best way to break this cycle, I think, is to work out your anxieties on paper. Read every book and magazine you can on the subject. Your anxiety makes this easy and the more you read the more you calm down.
Robert M. Pirsig
Certainly no one could have predicted what has happened. Back then, after 121 others had turned this book down, one lone editor offered a standard $3,000 advance. He said the book forced him to decide what he was in publishing for, and added that although this was almost certainly the last payment, I shouldn't be discouraged. Money wasn't the point with a book like this.
Robert M. Pirsig
Nell teaches aspects of parenthood never understood before. If she cries or makes a mess or decides to be contrary (and these are relatively rare), it doesn't bother. There is always Chris's silence to compare it to. What is seen now so much more clearly is that although the names keep changing and the bodies keep changing, the larger pattern that holds us all together goes on and on. In terms of this larger pattern the lines at the end of this book still stand. We have won it. Things are better now. You can sort of tell these things.
Robert M. Pirsig
For this is our central human problem: that we are almost constantly the victims of our emotions, always being swept up and down on a kind of inner-switchback. We possess a certain control over them; we can 'direct our thoughts' -- or feelings -- in such a way as to intensify them. This is certainly our most remarkable human characteristic: imagination. Animals require actual physical stimuli to trigger their experience. A man can retreat into a book -- or a daydream -- and live through certain experiences quite independent of the physical world. He can even, for example, imagine a sexual encounter, and not only experience all the appropriate physical responses, but even the sexual climax. Such a curious ability is far beyond the power of any animal.
Colin Wilson
I must confess that my estimate of Lovecraft would not have pleased his most ardent admirers. The view I expressed in that book was that, while Lovecraft was distinctly a creative genius in his own way, his pessimism should not be taken too seriously; that it was the pessimism of a sick recluse, and had about it an element of rassentiment, a kind of desire to take revenge on the world that rejected him. In short, Lovecraft was a 19th century romantic, born in the wrong time. Most men of genius dislike their own age, but the really great ones impose their own vision on the age. The weak ones turn away into a world of gloomy fantasy.
Colin Wilson
They certainly demonstrate that Seth, whether an aspect of Jane Robert's unconscious mind or a genuine "spirit," was of a high level of intelligence. Yet when Jane Roberts produced a book that purported to be the after-death journal of the philosopher William James, it was difficult to take it seriously. James's works are noted for their vigour and clarity of style; Jane Robert's "communicator" writes like an undergraduate... there is a clumsiness here that is quite unlike James's swift-moving, colloquial prose.
Colin Wilson
Because the book became a freak 'bestseller', because I found myself bracketed with the 'Angry Young Men' of the period, I found myself carried to 'fame' on a wave of publicity -- only to discover that this kind of fame is one of the subtlest forms of obscurity. Everybody knew who I was, and nobody knew what I stood for. The public image meant that nobody was interested in what I had to say, for everyone was convinced that they already knew. I could talk until I was blue in the face about my attempt to revise the pessimistic existentialism of Heidegger, Camus and Sartre; as far as most people were concerned, I was an autodidact who was angry about something or other.
Colin Wilson
In a book called Symbolism, Its Meaning and Effect, Whitehead points out that perception is usually a matter of symbols, just like language; I say I see a book when I actually see a red oblong. The Transactionists (who have been influenced by Whitehead rather than Husserl) take this one stage further, and point out that when I 'perceive' something, I am actually making a bet with myself that what I perceive is what I think it is. In order to act and live at all, I have to make these bets; I cannot afford to make absolutely certain that things are what I think they are. But this means that we should not take our perceptions at face value, any more than Nietzsche was willing to take philosophy at its face value; we must allow for prejudice and distortion.
Colin Wilson
