Came Quotes - page 88
I had too much praise, too much flattery and fawning over and I needed to remember who I was, where I came from. One time I called a relative in Tupelo. It was Christmas and they were havin' dinner. I asked, 'What?' and she was kind of quiet, then said, 'Meat loaf.' I was shocked as we'd had the best, you know, turkey, ham, steak, everything. She said that it was near the first and they'd run out of money so they just had meat loaf. It hurt me. and so, I ate meat loaf for about eight months, every night, so I'd remember where I came from and to remind me of how many people were unable to have what I did. It was kind of a penance...
Elvis Presley
Nonsense. I think that the problem isn't with them downloading the song, the problem is when they buy the record and when they burn a million discs off their computer for all their friends. That's the reason why every single band, no matter who you are, your sales are chopped by fifty to sixty percent after your first week out. It's a huge problem, but instead of giving people more reasons to buy the product, they don't worry about that. I think you have to enhance the value of the product. Like when KISS was putting out records, their 'Alive' record sold so well because it made you feel like you were part of the concert experience. There was also an actual program in the thing, all these pictures, the KISS Army stuff... There's so much stuff that added to the value of that package. There wasn't a KISS fan out there who didn't want the whole thing, because everything that came along with the music was so worthwhile to them. It's not rocket-science, this stuff.
David Draiman
In those three years, (from fourteen to seventeen years old)... I came to understand the meaning of a drawing from the life, the synthesis of my art, and the rhythm of animais. I remember that a companion of those days,' of whom I hâve since lost sight, made me see, in a couple of hours, on a very true and simple principle, an observation of the necessary equilibria of movement not taught in the schools, the secret of the plans of a figure. That lesson has influenced my whole life. As for the ornament-maker, in whose workshop I earned a scanty wage, I long deplored being constrained to do so, but I hâve since thought with affection of it, understanding that there are as many sources of beauty in ornament as in the face.
Auguste Rodin
Kingsley fell over. And this was no brisk trip or tumble. It was an act of colossal administration. First came a kind of slow-leak effect, giving me the immediate worry that Kingsley, when fully deflated, would spread out into the street on both sides of the island, where there were cars, trucks, sneezing buses. Next, as I grabbed and tugged, he felt like a great ship settling on its side: would it right itself, or go under? Then came an impression of overall dissolution and the loss of basic physical coherence. I groped around him, looking for places to shore him up, but every bit of him was falling, dropping, seeking the lowest level, like a mudslide.
Martin Amis
The Mockery Bird regarded him with a roguish eye, head on one side, and took a few slow steps into the clearing. With its head on one side and its foot tentatively raised, it seemed like some sort of lanky, avian dancing master. It stepped forward among the guava stems with a mincing delicacy and then shuffled its wings like someone shuffling a pack of cards. He noticed that it had very long eyelashes which it raised and lowered over its large gaily-sparkling eyes. ... There was another complicated rustle and flurry in the undergrowth and then, projected into the clearing by its own nervous eagerness, came a female Mockery Bird making strange, peeting noises, which became a soothing babble when she caught sight of the male. She went up to her mate and briefly preened his throat feathers as an over-zealous wife will straighten the tie of her consort. ... Here in front of him, cossetting each other, were two birds which were thought to be extinct.
Gerald Durrell