Words Quotes - page 89
Extreme states of being, whether individual or collective, were once purposefully motivated. Some of those purposes no longer have meaning (expiation, salvation). The well-being of communities is no longer sought through means of doubtful effectiveness, but directly, through action. Under these conditions, extreme states of being fell into the domain of the arts, and not without a certain disadvantage. Literature (fiction) took the place of what had formerly been the spiritual life; poetry (the disorder of words) that of real states of trance. Art constituted a small free domain, outside action: to gain freedom it had to renounce the real world. This is a heavy price to pay, and most writers dream of recovering a lost reality. They must then pay in another sense, by renouncing freedom.
Georges Bataille
(...) the bottom line is that if you believe in an external reality independent of humans, then you must also believe that our physical reality is a mathematical structure. Nothing else has a baggage-free description. In other words, we all live in a gigantic mathematical object-one that's more elaborate than a dodecahedron, and probably also more complex than objects with intimidating names such as Calabi-Yau manifolds, tensor bundles and Hilbert spaces, which appear in today's most advanced physics theories. Everything in our world is purely mathematical-including you.
Max Tegmark
Let's instead define life very broadly, simply as a process that can retain its complexity and replicate. What's replicated isn't matter (made of atoms) but information (made of bits) specifying how the atoms are arranged. When a bacterium makes a copy of its DNA, no new atoms are created, but a new set of atoms are arranged in the same pattern as the original, thereby copying the information. In other words, we can think of life as a self-replicating information-processing system whose information (software) determines both its behavior and the blueprints for its hardware.
Max Tegmark
How ironic the difference between me and my young son Absalom, between his soliciting the soundest means of overtaking me and having my life, while I was cudgeling my brains for a way to spare his. "Deal gently for my sake with the young man Absalom," were my mawkish words to my commanders as their men trooped past me toward the positions they would take up in the field outside the wood of Ephraim for the battle in which he would die. "Beware that none touch the young man Absalom," I urged like a fool. No, not like a fool, but like a fond, doting father who will overlook and excuse everything in the child he loves best, and who breaks his heart. And in that singular disparity in our desires abides his lasting victory over me: I loved him and he did not love me.
Joseph Heller
Akira Toriyama: That's a tough question. I thought of Piccolo first, and I wanted to draw him as a scary character, and it was only afterwards that I had to come up with a species. Since they have antennae, I thought they looked like slugs. So "Namekian" is a play on words, but I didn't think too deeply about it. I don't think they're plants, but they may be hermaphrodites.
Akira Toriyama
As I well: I wish they had told me so before, since the expecting of a release put a stop to some business; thou mayst tell my father, who I know will ask thee, these words: that my prison shall be my grave before I will budge a jot; for I owe my conscience to no mortal man; I have no need to fear, God will make amends for all; they are mistaken in me; I value not their threats and resolutions, for they shall know I can weary out their malice and peevishness, and in me shall they all behold a resolution above fear; [...].
William Penn
(Las Vegas) composes a night-time image of Babylon in the desert. But it is Everyman's cut-rate Babylon. Not far away there is, or was, a roadside lunch counter and over it a sign proclaiming in three words that a Roman emperor's orgy is now a democratic institution. It says: 'Topless Pizza Lunch.'
Alistair Cooke
Long long ago, before the days of Islam, Sikander e Aazem came to India. The Two Horned one whom you British people call Alexander the Great. He conquered the world, and was a very great man, brave and dauntless and generous to his followers. When he left to go back to Greece, some of his men did not wish to go back with him but preferred to stay here. Their leader was a general called Shalakash (Seleucus). With some of his officers and men, he came to these valleys and they settled here and took local women, and here they stayed. We, the Kalash, the Black Kafir of the Hindu Kush, are the descendants of their children. Still some of our words are the same as theirs, our music and our dances, too; we worship the same gods. This is why we believe the Greeks are our first ancestors...
Michael Wood
I wrote the first 5,000 words of William the Antichrist. It had a demon named Crawleigh. He drove a Citroen 2CV, and was ineffectual. Proper demons like Hastur and Ligur loathed him. It had a baby swap. I sent it to a few friends for feedback. Then my graphic novel Sandman happened, and it was almost a year later that the phone rang.
"It's Terry," said Terry. "'Ere. That thing you sent me. Are you doing anything with it?"
"Not really."
"Well, I think I know what happens next. Do you want to sell it to me? Or write it together?"
"Write it together," I said, because I was not stupid, and because that was the nearest I was ever going to get to Michaelangelo phoning to ask if I wanted to paint a ceiling with him.
Neil Gaiman
I don't know what it's like to be God - obviously ...until that very first moment when you get to sit down and type the words in your script: INTERIOR. TARDIS. ... Suddenly I got a very good idea of what it must feel like. I went: "I'm writing it now this scene in the Tardis. I'm writing it!"
Neil Gaiman
