Far Quotes - page 78
In my view-and that of most contemporary economists, I believe-Schumpeter's most original and most lastingly significant book was Theory of Economic Development, which appeared in 1911 (and was translated into English in 1934). It was at the University of Czernowitz, not far from the beginning of his career as an economist, that he worked out his conception of the entrepreneur, the maker of "new combinations,” as the driving force and characteristic figure of the fits-and-starts evolution of the capitalist economy. He was explicit that, while technological innovation was in the long run the most important function of the entrepreneur, organizational innovation in governance, finance, and management was comparable in significance.
Robert Solow
The most important subject, and the first problem of philosophy, is the restoration in man of the lost image of God; so far as this relates to science.
Should this restoration in the internal consciousness be fully understood, and really brought about, the object of pure philosophy is attained.
Friedrich Schlegel
Far from secularization inexorably leading to the death of religion, it has instead given birth to the search for new forms of religious life. The imminent victory of the Kingdom of Reason has never materialized. As a whole, mankind can never get rid of the need for religious self-identification: who am I, where did I come from, where do I fit in, why am I responsible, what does my life mean, how will I face death? Religion is a paramount aspect of human culture. Religious need cannot be excommunicated from culture by rationalist incantation. Man does not live by reason alone.
Leszek Kołakowski
When I talk of reality, I am always thinking of essentials. Profundity is not located in some remote, inaccessible region. It is rooted in everyday life. That is what great thinkers have taught me, above all the philosophers of the Far East, for whom true wisdom - which I am far from achieving - is the conjunction of samsara (the ordinary world) and nirvana (profound reality). To achieve contact with reality is not to transport oneself elsewhere, it is not transcendence but thorough immersion in one's surroundings. A reality which is neither purely physical nor metaphysical, but both at once.
Antoni Tàpies
As far as my work is concerned, I felt at that time [1970's] the need to start from the 'nadir' (nothingness); not a zero, but I had to go back to my roots and finally reacquire and make my own many approaches that I had once vaguely internalized, through Surrealism, in my early years. Many of the techniques that validate the anarchic impulses of the imagination and the subconscious became important again, for example, the conscious inclusion of chance, of failure and of error. (quote of Tàpies 1983)
Antoni Tàpies
It would take me very far back to tell the story of how I developed my consciousness of the evocative power of mural imagery. These are memories of my adolescence and early youth when I lived enclosed within four walls during the time of war. The suffering of the adults and all the cruel imaginings of my age, abandoned to its own impulses amid all the surrounding catastrophes, were drawn and etched all around me.
Antoni Tàpies
..the wall, the window or the door - and so many other images that parade in my canvases - are indeed there and I am far from trying to hide the fact. With this I mean that I do not think that images, in my works, should be considered as indifferent excuses to prop visual elements, as the 'subject-matters' were said to be for Impressionists and Fauves. From those 'subject-matters', it is further said, the ensuing abstractionists or Informalists liberated themselves. My walls, windows or doors - or at least my suggestions of them - do not avoid their responsibility and hold their full archetypal or symbolic weight.
Antoni Tàpies
..the equivalence of sounds, gratings, scratches, explosions, shots, blows, hammering, shouts, resonance, echoes in space; meditation of a cosmic theme, reflection for the contemplation of the earth, of magma, of lava, of ash; battlefield; garden; play-field; destiny of the ephemeral.. .Far from the cliché people have of artists holding the baggage of necessary originality, personality, style, etc., that calls for an outsider's discussion of the works, for the author there is, foremost, a nucleus of thought that is more anonymous and collective and of which artists are but humble servants. This is surely the zone where wisdom is deposited, the wisdom that one may really find beneath all ideologies and the contingencies of this world. It is the impulse of our life instinct for knowledge, love and freedom that has been kept and fed by the wisdom of all time.
Antoni Tàpies
As far as casualties were concerned I think there were more casualties in the first attack on Tokyo with incendiaries than there were with the first use of the atomic bomb on Hiroshima. The fact that it's done instantaneously, maybe that's more humane than incendiary attacks, if you can call any war act humane. I don't, particularly, so to me there wasn't much difference. A weapon is a weapon and it really doesn't make much difference how you kill a man. If you have to kill him, well, that's the evil to start with and how you do it becomes pretty secondary. I think your choice should be which weapon is the most efficient and most likely to get the whole mess over with as early as possible.
Curtis LeMay
Many of my Hamptstead friends may remember this 'young lady' [an ash tree] at the entrance to the village. Her fate was distressing, for it is scarcely too much to say that she died of a broken heart. I made this drawing [Study of Trees, pencil on paper, circa 1821] when she was in full health and beauty; on passing some times afterwards, I saw, to my grief, that a wretched board had been nailed to her side, on which was written in large letters: 'All vagrants and beggars will be dealt with according to law.' The tree seemed to have felt the disgrace, for even then some of the top branches had withered. Two long spike nails had been driven far into her side. In another year one half became paralysed, and not long after the other shared the same fate, and this beautiful creature was cut down to a stump, just high enough to hold the board.
John Constable
I am going on very well with my pictures... the park [ Wivenhoe Park ] is the most forward - the great difficulty has been to get so much in as they wanted (his client, the Slater-Rebows) to make them acquainted with the scene - on my left is a grotto with some elms - at the head of a piece of water - in the center is the house over a beautifull wood and very far to the right is a Deer House - what it was necessary to add. So that my view comprehended to many degrees - but to day I got over the difficulty and I begin to like it 'myself'... I live in the park and Mrs. Rebow says I am very unsociable.
John Constable
