Far Quotes - page 76
As far as they were concerned, gunfire was nothing but noise. That's why wars can keep going. Even the people who make them, who fight in them, don't really get the picture. Even with a bullet in their gut, they'd go on picking up old shoes that "might come in handy.” The way a sheep, lying on its side in a meadow, will keep on grazing with its dying breath. Most people don't die until the last moment; others start twenty years in advance, sometimes more. Those are the unfortunates.
Louis-Ferdinand Céline
I believe that it is possible by means of horizontal and vertical lines, constructed 'consciously' but not 'calculating', guided by a higher intuition and brought to harmony and rhythm – I believe that these fundamental aesthetic shapes – where necessary supplemented by lines in other directions or curved lines, make it possible to arrive at a work of art which is as strong as it is true. For anyone who sees more deeply, there is nothing vague about this; it is only vague for the superficial observer of nature. And 'chance' must be as far removed as 'calculation'. And for the rest it seems to me that it is necessary to keep breaking off the horizontal or vertical line: for if these directions were not countered by others, they would themselves come to signify something 'specific' and thus human.
Piet Mondrian
What we demand from the Soviet architect is that, as an artist and because of his perceptive intellect, he will fully comprehend and amplify the faintest ripple of developing energies much sooner than the masses - who tend to be shortsighted as far as their own growth is concerned - and that he will transform this energy into tangible architectural form.. .The club's role is to become a University of Culture. If one accepts the premise that private dwellings should strive to operate on the basis of the greatest possible austerity, then by contrast, public dwellings should provide the maximum of available luxury accessible to all. The term 'reconstruction' is therefore not applicable to this case, since there is no building precedent in the past.
El Lissitsky
A paper monetary standard means there are no restraints on the printing press or on federal deficits. In 1971, M3 was $776 billion; today it stands at $8.9 trillion, an 1100% increase. Our national debt in 1971 was $408 billion; today it stands at $6.8 trillion, a 1600% increase. Since that time, our dollar has lost almost 80% of its purchasing power. Common sense tells us that this process is not sustainable and something has to give. So far, no one in Washington seems interested.
Ron Paul
Our country is far less at risk from the coronavirus than it is from the thousands of small and large authoritarians who have suddenly flexed their muscles across the country. President Trump would do well to end this ridiculous shutdown so that Americans can get on with their lives and get back to work. Americans should remember the tyrants who locked them down next time they go to the ballot box. Let's demand an end to the shutdown so we can resurrect our economy, our lives, and our liberties!
Ron Paul
I miss the closet. Homosexuals, not to speak of the rest of society, were far better off when social pressure forced them to hide their activities. They could also not be as promiscuous. Is it any wonder the AIDS epidemic started after they "came out of the closet," and started hyper-promiscuous sodomy? I don't believe so, medically or morally.
Ron Paul
None of the free [ a. o. his first religious] imaginative pictures that I painted at this time [c.1909] or later, had any kind of model, or even a clearly conceived idea. It was quite easy for me to imagine a work right down to its smallest details, and in fact my preconceptions were usually far more beautiful than the painted outcome: I became the copyist of the idea. Therefore I liked to avoid thinking about a picture beforehand, all I needed was a vague idea of luminescences of colour. The work then developed of its own accord under my hands.
Emil Nolde
It is also true that without flashes of the absolute, which are granted to only a few, humanity would proceed in the dark, indeed it would not exist, because it would not acknowledge itself to itself! And as far as I know the flash as never preceded by explanations or preambles, and only a very small mind.... could fail to understand that eternal aspiration absolute and that the work is the relative, that to create is already to circumscribe; that to comment is to circumscribe the circumscribed, is to subdivide the divided; is to reduce to minimum terms, is to annihilate.
Umberto Boccioni
Is it not altogether absurd that, under actual circumstances, the average man does not feel spontaneously, and without being preached at, an ardent enthusiasm for those sciences and the related ones of biology?... Every day furnishes a new invention which this average man utilises. Every day produces a new anesthetic or vaccine from which this average man benefits. ... How is it, nevertheless, that there is no sign of the masses imposing on themselves any sacrifice of money or attention in order to endow science more worthily? Far from this being the case, the post-war period has converted the man of science into a new social pariah.
José Ortega y Gasset
Similarly a work of art vanishes from sight for a beholder who seeks in it nothing but the moving fate of John and Mary or Tristan and Isolde and adjusts his vision to this. Tristan's sorrows are sorrows and can evoke compassion only in so far as they are taken as real. But an object of art is artistic only in so far as it is not real. In order to enjoy Titian's portrait of Charles the Fifth on horseback we must forget that this is Charles the Fifth in person and see instead a portrait - that is, an image, a fiction. The portrayed person and his portrait are two entirely different things; we are interested in either one or the other. In the first case we "live" with Charles the Fifth, in the second we look at an object of art.
José Ortega y Gasset
I considered that the painter's personality should be kept out of things, and therefore pictures should be anonymous. It was I who decided that pictures should not be signed, and for a time Picasso did the same. I thought that from the moment someone else could do the same as myself, there was no difference between the pictures and they should not be signed. Afterwards I realized it was not so and began to sign my pictures again. Picasso had begun again anyhow. I realized that one cannot reveal oneself without mannerism, without some evident trace of one's personality. But all the same one should not go too far in that direction..
Georges Braque
