Far Quotes - page 71
In so far as men have attempted to use the Old Testament as a code of model laws and institutions and have applied these to modern conditions, regardless of the historical connections, these attempts have left a trail of blunder and disaster. In so far as they have caught the spirit that burned in the hearts of the prophets and breathed in gentle humanity through the Mosaic Law, the influence of the Old Testament has been one of the great permanent forces making for democracy and social justice.
Walter Rauschenbusch
I can frankly affirm that I have written with malice toward none and with charity for all. ...I have tried-so far as erring human judgment permits-to lift the issues out of the plane of personal selfishness and hate, and to put them where the white light of the just and pitying spirit of Jesus can play upon them. If I have failed in that effort, it is my sin. If others in reading fail to respond in the same spirit, it is their sin.
Walter Rauschenbusch
We are told that Barack Obama believes too much in an America of high principle and bold endeavor, but when John Kennedy called of going to the moon, he didn't say, "It's too far to get there. We shouldn't even try."
Our people answered his call and rose to the challenge, and today an American flag still marks the surface of the moon.
Ted Kennedy
I do not believe -- and I have never believed -- that the crack cocaine explosion was a conscious CIA conspiracy, or anybody's conspiracy, to decimate black America. I've never believed that South Central Los Angeles was targeted by the U. S. government to become the crack capitol of the world. But that isn't to say that the CIA's hands or the U. S. government's hands are clean in this matter. Actually, far from it. After spending three years of my life looking into this, I am more convinced than ever that the U. S. government's responsibility for the drug problems in South Central Los Angeles and other inner cities is greater than I ever wrote in the newspaper.
Gary Webb
The following work is not a republication of a former treatise by the Author, entitled, "The Mathematical Analysis of Logic." Its earlier portion is indeed devoted to the same object, and it begins by establishing the same system of fundamental laws, but its methods are more general, and its range of applications far wider. It exhibits the results, matured by some years of study and reflection, of a principle of investigation relating to the intellectual operations, the previous exposition of which was written within a few weeks after its idea had been conceived.
George Boole
I don't know what to write Feneon about the theory of 'passages'. I will write him what seems to me to be the truth of the matter, that I am at this moment looking for some substitute for the dot [which was the 'heart of [w:Neo-Impressionism|Neo-Impressionist]] painting]; so far I have not found what I want, the actual execution does not seem to me to be rapid enough and does not follow sensation with enough inevitability, but it would be best not to speak of this. The fact is I would be hard put to express my meaning clearly, although I am completely aware of what I lack.
Camille Pissarro
Bracquemond tells me that he looked attentively at my works at our exhibition. Far from objecting to them, as I expected, he said they were compactly drawn, and modeled, but he is shocked by the dots; he enjoined me to stick to divisionism but not to use the dot. - I said nothing to him of our experiments. He told me that of all the impressionist painters he liked my work best; this was not the first time he had said this; to each one his own taste. He does completely accept my view that the old disorderly method of execution has become impossible.
Camille Pissarro
I have had a long talk with Renoir. He admitted that the whole crowd – Durand and his former admirers – were shouting at him, deploring his attempt to abandon his 'Romantic' period. He seems very sensitive to what we think of his exhibition. I told him that as far as we were concerned, the search for unity should be the aim of every intelligent artist. – that even in spite of serious faults, it was more intelligent and artistic than wallowing in romanticism.
Camille Pissarro
