Off Quotes - page 97
...just like anybody else with an obsession, whether it be fishing, bowling or skiing, he has ways he can vicariously satisfy it. Maybe he is going to peep shows and reading detective magazines. I think there's an excellent chance that one way he gets off is by going to look at what that call the slasher films.
Ted Bundy
...I made the statement off and on for 10-11 years that the abundance of knowledge, the abundance of information, will not lead to certainty; it will lead to pervasive skepticism. And, folks, that's exactly what has happened. It's like this. How do you really know, there is so much out there... This abundance has led to skepticism. And then the Internet has leveled the playing field.
Josh McDowell
The boy watches his father cross the road and thinks there is something about the way his dad moves through the world that is truly impressive. Cars screech to a halt, drives shake their fists and stick their heads out the windows and curse and blow their horns and Bunny walks on as if radiating some super-human force field, like he has walked off the pages of a comic book. The world can't touch him. He seems to be the grand generator of some hyper-powerful electricity.
Nick Cave
There are information asymmetries in this story. Health insurance is limping along. It's limited in scope, and then you other consequences. Insurance companies have high premiums to protect themselves. The ones who come to the insurance company are sicker and the people have to pay more. You have adverse selection. You have moral hazard. And the doctor does what's on the safe side -- defensive medicine -- without regard to cost. These are fundamental conditions that make health insurance difficult. You have some things that help. Some doctors understand that they shouldn't abuse the system. But you still see problems in the way doctors behave towards patients. They goof off. Sometimes it's too much work. Some things are difficult and risky to diagnose.
Kenneth Arrow
I'm sick of Portraits and wish very much to take my viols-da-gamba and walk off to some sweet village, where I can paint landskips [landscapes] and enjoy the fag - end of life in quietness and ease. But these fine ladies [very probably his wife and daughters] and their tea-drinkings, dancings, husband-huntings, &c, &c. &c., will fob me out of the last ten years, and I fear miss getting husbands too. But we can say nothing to these things you know, Jackson, we must jog on and be content with the jingling of the bells, only, d-[damned]-it I hate a dust, the kicking up a dust, and being confined in harness to follow the track whilst others ride in the waggon, under cover, stretching their legs in the straw at ease, and gazing at green trees and blue skies without half my 'Taste'. That's d-d [damned] hard. My comfort is I have five viols-da-gamba: three 'Jayes' and two 'Barak Normans.
Thomas Gainsborough
I am not involved in any 'issues' because it's too sensitive for me - or my wife - to get involved. Every time we express an opinion it becomes a whole thing in itself. And the whole purpose of living in the countryside was to get away from hundreds of people. My wife fell off a horse, and suddenly there are hundreds of people around.
Guy Ritchie
Grip the long sword with a rather floating feeling in your thumb and forefinger, with the middle finger neither tight nor slack, and with the last two fingers tight. It is bad to have play in your hands.
When you take up a sword, you must feel intent on cutting the enemy. As you cut an enemy you must not change your grip, and your hands must not "cower". When you dash the enemy's sword aside, or ward it off, or force it down, you must slightly change the feeling in your thumb and forefinger. Above all, you must be intent on cutting the enemy in the way you grip the sword.
Miyamoto Musashi
If we would regain our freedom, we must shake off the burden of sensation, no longer react to the world by our senses, break our bonds. For all sensation is a bond, pleasure as much as pain, joy as much as misery. The only free mind is the one that, pure of all intimacy with beings or objects, plies its own vacuity.
Emil Cioran
