Mean Quotes - page 86
We have named PROUN [the art, stepping over from painting to architecture] a station on the path to the construction of the new form... From being a simple depicter the artist becomes a creator (builder) of forms for a new world - the world of objectivity. This does not mean the creation of a rivalry with the engineer. Art has not yet crossed paths with science.
El Lissitsky
Have you ever heard of anything more stupid than 'abstraction-abstraction'? and they ask me into their deserted house [probably Miro meant the group 'Abstraction-Création', founded by a. o. Jean Arp and André Breton; both coined Miro's art in 1931 as 'mobile' and 'stabile'] as if the marks I put on a canvas did not correspond to a concrete representation of my mind, did not possess a profound reality, were not a part of the real itself.
Joan Miró
I have thought a lot about the question of titles. I must confess that I find any for works that take off from an arbitrary starting point and end with something real.... [Miro allowed Pierre Matisse to make titles, based on the] real things.... [if they do] not evoke some tendency or other, something I want to avoid completely [very probably Miro meant here: the Surrealists ]. [advising Pierre Matisse; who showed then several modern European painters in New York].
Joan Miró
The bright side is that the conquering of color caste in America is America's own innermost desire. This nation early laid down as the moral basis for its existence the principles of equality and liberty. However much Americans have dodged this conviction, they have refused to adjust their laws to their own license. Today, more than ever, they refuse to discuss systematizing their caste order to mutual advantage, apparently because they most seriously mean that caste is wrong and should not be given recognition. They stand warm heartedly against oppression in all the world. When they are reluctantly forced into war, they are compelled to justify their participation to their own conscience by insisting that they are fighting against aggression and for liberty and equality.
Gunnar Myrdal
We quadrupled the TSA, you know, and hired more people who look more suspicious to me than most Americans who are getting checked. Most of them, they just don't look very American to me. If I'd have been looking, they look suspicious.... I mean, a lot of them can't even speak English, hardly. Not that I'm accusing them of anything, but it's sort of ironic.
Ron Paul
Ron Paul: ...you have to develop the transition, and eventually the next step would be to prohibit the Fed from monetizing debt. This is the real evil. The politicians spend for war, welfare, and they don't have to do it responsibly.
Question: When you say monetize the debt, you mean they would only be able to spend the cash that they had on hand. They couldn't write any cheques for which they don't have in their account any money?
Ron Paul: That's right. And that is the key to it. Because when the Fed comes along, and there's starvation for capital and liquidity, and politicians are spending too much, the Fed can create 20, 30, 50 billion dollars in a day, just like they did trying to bail out this housing bubble crash. So they create money out of thin air endlessly, eventually that has to stop because that drives the value of the dollar down.
Ron Paul
When the federal government spends more each year than it collects in tax revenues, it has three choices: It can raise taxes, print money, or borrow money. While these actions may benefit politicians, all three options are bad for average Americans. Deficits mean future tax increases, pure and simple. Deficit spending should be viewed as a tax on future generations, and politicians who create deficits should be exposed as tax hikers.
Ron Paul
We were aware of her profile, and it was... first, it's artistic: can she do it? Is she capable of handling this? Can she handle it emotionally? The song. Because it's a very emotional song. Can she handle it melodically? Does she have the range for it? Second, now then, you've got that, now you look to see...because it's a very strange duet, and I've always said it was meant to be a duet. I had the song in '86, and I don't care what anybody else says; I know it was my song, it was given to me in '86, I was gonna do it, it was always gonna be a duet, and I think the only real life of it is a duet. And that's my opinion, and my opinion only. That's it. But when it's a duet, it's a definitive duet. And then because of how it's a call-and-response duet, you needed the timbre of the voices. If you get someone with the same timbres... I'm being analytical, but that's exactly why we picked Marion Raven. And then on the fourth hand... what, she's twenty-two years old? She can get MTV where I can't!
Meat Loaf
I know well that many of my readers do not think as I do. This also is most natural and confirms the theorem. For although my opinion turn out erroneous, there will always remain the fact that many of those dissentient readers have never given five minutes' thought to this complex matter. How are they going to think as I do? But by believing that they have a right to an opinion on the matter without previous effort to work one out for themselves, they prove patently that they belong to that absurd type of human being which I have called the "rebel mass." It is precisely what I mean by having one's soul obliterated, hermetically closed. Here it would be the special case of intellectual hermetism.
José Ortega y Gasset
At that time I was very friendly with Picasso. Our temperaments were very different, but we had the same idea. Later on it became clear, Picasso is Spanish and I am French; as everyone knows that mean a lot of differences, but during those days the differences did not count... We were living in Montmartre, we used to meet every day, we used to talk.. .In those years Picasso and I said things to each other that nobody will ever say again, that nobody could say any more.. .It was rather like a pair of climbers roped together.
Georges Braque
I will try to explain what I mean by metamorphosis. For me no object can be tied down to any sort of reality. A stone may be part of a wall, a piece of sculpture, a lethal weapon, a pebble on a beach or anything else you like.... when you ask me whether a particular in one of my paintings depicts a woman's head, a fish, a vase, a bird, or all four at once, I can't give you a categorical answer, for this 'metamorphosic' confusion is fundamental to the poetry.
Georges Braque
Do not blame Caesar, blame the people of Rome who have so enthusiastically acclaimed and adored him and rejoiced in their loss of freedom and danced in his path and gave him triumphal processions. Blame the people who hail him when he speaks in the Forum of the 'new, wonderful good society' which shall now be Rome, interpreted to mean 'more money, more ease, more security, more living fatly at the expense of the industrious.
Cicero
What is meant by "the representation of space"? What distinguishes one representation from another? Does this mean "how does one see that one thing is not another thing?" What constitutes a change of focus?... What about "another way of establishing (?) "thingness"? "Something" can be either one thing or another (without turning the rabbit on its side)..
Jasper Johns
