Mean Quotes - page 85
I had to be the head of the household really for the first time and say okay, I have to actually make a rule that we're going to live by here. And I decided what it was is that the family comes over the work always. I mean, with the kids it's a priority. Because I wanted them to have a feeling like they could count on me like I was really there, I wasn't just visiting. I didn't want one of these moments like, "Jeez, honey, I'm sorry I'm not going to see you this week or this month or whatever because I'm going to LA.” I got some offers early that go out to LA and do parts on sitcoms and I said no, because it meant going and being away for a month.
Louis C.K.
In Castleford, where I was born, there are what are called sand holes. They are caves where the sand has been excavated and they run into the side of certain hillsides, quite a long distance, and you can get lost in them. Now these had a fascination for me, and as boys we would take a reel of cotton many yards long and go into the caves. But one wouldn't go further than the cotton because it was dark. You wouldn't know your way back. In those days there weren't flash lamps, so one only had a match or something, and the matches were these brimstone matches. And the caves always had this fascination for me, these holes did. Digging into something always had this fascination for me. So I think it's not so much Archipenko, because the Archipenko hole is a decorative one. I mean he makes a hole in a breast instead of a fullness, but the hole acts the same.
Henry Moore
Mexican sculpture, as soon as I found it, seemed to me true and right, perhaps because I at once hit on similarities in it with some eleventh-century carvings I had seen as a boy on Yorkshire churches. Its 'stoniness', by which I mean its truth to material, its tremendous power without loss of sensitiveness, its astonishing variety and fertility of form-invention and its approach to a full three-dimensional conception of form, makes it unsurpassed in my opinion by any other period of stone sculpture.
Henry Moore
There is one quality I find in all the artists I admire most – men like Masaccio, Michelangelo, Rembrandt, Cézanne. I mean a disturbing element, a distortion, giving evidence of a struggle of some sort... Great Art is not Perfect. Here the disturbing element comes in. It is instructive to know that Rembrandt copied Mantegna, whose art is the extreme opposite of his own. Why did he do so? Because he was conscious that his own art lacked the classical element. He was aware of the opposite, and that makes him greater.
Henry Moore
Though physiologists are still divided as to whether Man was meant by Nature to feed exclusively on fruits, or also upon flesh-meat, from its first faint glimmerings History shews Man's constant progress as a beast of prey. As such he conquers every land, subdues the fruit-fed races, founds mighty realms by subjugating other subjugators, forms states and sets up civilisations, to enjoy his prey at rest.
Richard Wagner
a million blockheads looking authoritatively into one man of what you call genius, or noble sense, will make nothing but nonsense out of him and his qualities, and his virtues and defects, if they look till the end of time. He understands them, sees what they are; but that they should understand him, and see with rounded outline what his limits are,-this, which would mean that they are bigger than he, is forever denied them. Their one good understanding of him is that they at last should loyally say, "We do not quite understand thee; we perceive thee to be nobler and wiser and bigger than we, and will loyally follow thee."
Thomas Carlyle
Why, reader, truly, if they asked thee or me, Which way we meant to vote?-were it not our likeliest answer: Neither way! I, as a Tenpound Franchiser, will receive no bribe; but also I will not vote for either of these men. Neither Rigmarole nor Dolittle shall, by furtherance of mine, go and make laws for this country. I will have no hand in such a mission. How dare I! If other men cannot be got in England, a totally other sort of men, different as light is from dark, as star-fire is from street-mud, what is the use of votings, or of Parliaments in England?
Thomas Carlyle
"By what method or methods can the able men from every rank of life be gathered, as diamond-grains from the general mass of sand: the able men, not the sham-able;-and set to do the work of governing, contriving, administering and guiding for us!" It is the question of questions. All that Democracy ever meant lies there: the attainment of a truer and truer Aristocracy, or Government again by the Best.
Thomas Carlyle
The seeing eye! It is this that discloses the inner harmony of things; what Nature meant, what musical idea Nature has wrapped up in these often rough embodiments. Something she did mean. To the seeing eye that something were discernible. Are they base, miserable things? You can laugh over them, you can weep over them; you can in some way or other genially relate yourself to them; - you can, at lowest, hold your peace about them, turn away your own and others' face from them, till the hour come for practically exterminating and extinguishing them!
Thomas Carlyle
What I mean is that the idea of detached bodies floating in space, of different sizes and densities, perhaps of different colors and temperatures, and surrounded and interlarded with wisps of gaseous condition, and some at rest, while others move in peculiar manners, seems to me the ideal source of form.
Alexander Calder
Had there not been a natural goodness and indestructible force in my father, I see not how be could have bodied himself forth from these mean impediments. I suppose good precepts were not wanting. There was the Bible to read. Old John Orr, the schoolmaster, used from time to time to lodge with them; be was religious and enthusiastic (though in practice irregular with drink). In my grandfather, also, there seems to have been a certain geniality; for instance, he and a neighbor, Thomas Hogg, read "Anson's Voyages;" also tho "Arabian Nights," for which latter my father, armed with zealous conviction, scrupled not to censure them openly. By one means and another, at an early age he had acquired principles, lights that not only flickered, but shone steadily to guide his way.
Thomas Carlyle
Artists have never worked with the model – just with the painting. What you [G. R. Swenson, the interviewer] are really saying is that an artist like Cézanne transforms what we think the painting ought to look like into something he thinks it ought to look like. He's working with paint, not nature; he's making a painting, he's forming. I think my work is different from comic strips – but I wouldn't call it transformation; I don't think that whatever is meant by it is important to art. What I do is form, whereas the comic strip is not formed in the sense I'm using the word; the comics have shapes but there has been no effort to make them intensely unified. The purpose is different, one intends to depict and I intend to unify.
Roy Lichtenstein
And now about architects in general – I have to say it, Does [= Theo van Doesburg ], when 'De Stijl' was founded I left it up to you, but I never did agree with you when you ranked the architects alongside us, alongside our 'N. B.' ( / Neo-Plasticism) I knew then that it would lead to conflict... I cannot write about architecture, because I'm not an architect. I mean, I cannot write about the way I write about painting. Later on, though, I will put forward a few ideas.
Piet Mondrian
You should remember that my things are still intended to be paintings, that is to say, they are plastic representations, in and by themselves, not part of a building. Furthermore, they have been made in a small room. Also, that I use subdued colours for the time being, adapting myself to the present surroundings and to the outer world; this does not mean that I should not prefer a pure colouring. Otherwise you might think that I contradict myself in my work.
Piet Mondrian
The rectangular plane of varying dimensions and colours visibly demonstrates that internationalism does not mean chaos ruled by monotony but an ordered and clearly divided unity. In Neo-Plasticism, there are, in fact, very definite boundaries. But these boundaries are not really closed; the straight lines in rectangular opposition to one another constantly intersect, so that their rhythm continues throughout the whole work... These frontiers will be clearly defined but not 'closed'; there will be no customs, no work permits. 'Foreigners' will not be viewed as aliens.
Piet Mondrian
