Once Quotes - page 98
Nevertheless I like being in Norway [to escape the Nazi threat Schwitters fled to Norway, c. 1937], for it is a country of unparalleled beauty... I paint landscapes and portraits, model portrait, glue and paint abstract pictures and glue abstract plastic art; besides, I write poetry in German... What distresses me most of all is that I cannot live in my 'Merzraum' [a sculptured studio-space, Schwitters had built in Germany in the 1920's, but bomb-damaged in the war] and that it may be given up to destruction. For that reason I ask you once more, can you keep your ear to the ground again, to see if anyone in America is willing to give me an opportunity to shape a three-dimensional room?
Kurt Schwitters
In the war [World War 1. ] things were in terrible turmoil. What I had learned at the academy was of no use to me and the useful new ideas were still unready... I felt myself freed and had to shout my jubilation out to the world. Out of parsimony I took what I could find to do this, because we were now an impoverished country. One can even shout with refuse, and this is what I did, nailing and gluing it [gluing his collage art] together. I called it 'Merz'; it was a prayer about the victorious end of the war, victorious as once again peace had won in the end; everything had broken down in any case and new things had to be made out of the fragments; and this is Merz.
Kurt Schwitters
Once I have gotten into a problem, I find it extremely helpful to get a complete perspective, to learn what earlier scientists thought about it. I want to see not only what lines of thought proved to be productive, but also where and why certain other directions proved to be unproductive.
Eric Kandel
Viennese life at the turn of the century provided opportunities in salons and coffeehouses for scientists, writers, and artists to come together in an atmosphere that was at once inspiring, optimistic, and politically engaged. ...science was no longer the narrow and restrictive province of scientists but had become an integral part of Viennese culture. ...a paradigm for how an open dialogue can be achieved.
Eric Kandel
I would tell you that my first priority as a president of the United States is to repeal Barack Obama's healthcare plan. I think it's the most dangerous piece of legislation, well, in many generations. It is the reason that I'm running for office. Because I believe Obamacare is a game changer. I believe Obamacare will rob America, the best way I can put it is, rob America of its soul. I say that without any kind of fear of being discredited, I really believe that. That the reason the left for a hundred years has been trying to get a national healthcare plan done is because they realize that once they have you dependent on the government for your health, freedom as we know it in America is forfeit.
Rick Santorum
When Thatcher ran for prime minister she said - remember this, this is the Iron Lady - she said, "The British national health care system is safe in my hands." She wasn't going to take on health care, because she knew once you have people getting free health care from the government, you can't take it away from them. And the reason is because most people don't get sick, and so free health care is just that, free health care, until you get sick. Then, if you get sick and you don't get health care, you die and you don't vote. It's actually a pretty clever system. Take care of the people who can vote and people who can't vote, get rid of them as quickly as possible by not giving them care so they can't vote against you. That's how it works.
Rick Santorum
President Obama once said he wants everybody in America to go to college. What a snob! There are good, decent men and women who go out and work hard every day and put their skills to test that aren't taught by some liberal college professor and trying to indoctrinate them. Oh, I understand why he wants you to go to college: he wants to remake you in his image. I want to create jobs so people can remake their children into their image, not his.
Rick Santorum
I first listen to someone who speaks the language and who reads the lyrics to me. I pay great attention to pronunciation. Once I hear the words spoken, I write the song lines phonetically in Hindi and then sing. By the grace of god, my songs in other languages – including Bengali – have been appreciated. People say they are good and the words have been correctly pronounced.
Lata Mangeshkar
But with photography as with drawing or painting, once it is done I want to know whether it holds together or not. That is the real critique. I couldn't care less if the person to whom I show what I do likes it or not - it takes all sorts to make a world and all that. To criticize is to put oneself in someone else's shoes and try to figure out what they wanted to do. Only the "why” of things is important to me.
Henri Cartier-Bresson
At the same time we would most like to run the film back and see how the sanctuaries close again and the lights go out and the great powers of nature are once again met with deserved reverence. One can fell an oak in twenty seconds; but in order to become what it now is, it grew for a century.. ..Progress is but a word without sense, and the cow, which keeps the world alive, will not move faster than three kilometers per hour in the future, either.
Fernand Léger
One day I had painted a bunch of keys on a canvas, my bunch of keys. I didn't know what to put next to them. I needed something that would be the absolute opposite of a bunch of keys. So when I finished work I went out. I had only walked a few yard when what should I see in a shop windows? A postcard of the Mona Lisa! At once I knew that was what I needed; what could have made a greater contrast to the keys?... Then I also added a can of sardines. It was such a strong contrast.
Fernand Léger
From the day that the impressionists liberated painting, the modern picture set out at once the structure itself on contrasts; instead of submitting to a subject, the painter makes an insertion and uses a subject in the service of purely plastic means.... [the contemporary painter] must prepare himself in order to confer a maximum of plastic effect on means that have not yet been used. He must not become an imitator of the new visual objectivity, but be a sensibility completely subject to the new state of things.
Fernand Léger
We sometimes imagine, under the influence of Spenglerian philosophy or some other kind of "historical morphology," that we live in a similar age [to the Romans], the last witnesses of a condemned civilization. But condemned by whom? Not by God, but by some supposed "historical laws." For although we do not know any historical laws, we are in fact able of inventing them quite freely, and such laws, once invented, can then be realized in the form of self-fulfilling prophecies.
Leszek Kołakowski
Of the radical and iconoclastic ideals preached in the early years of the revolution, all were discarded except those which helped the state to exert absolute control over the individual. Hence the idea of collective education and reduction of parental authority to the minimum continued to hold sway, but an end was put to "progressive” educational methods designed to promote initiative and independence. Strict discipline became once more the rule, and in this respect Soviet schools differed from Tsarist ones only in the immensely increased emphasis on indoctrination. In due course, puritanical sexual ethics were restored to favour. (pg. 53)
Leszek Kołakowski
Bukharin, like Lenin, regarded the system of basing economic life on mass terror not as a transient necessity but as a permanent principle of socialist organization. He did not shrink from justifying all means of coercion and held, like Trotsky at the same period, that the new system called essentially for the militarization of labour – i.e. the use of police and military force to compel the whole population to work in such places and conditions as the state might arbitrarily decree. Indeed, once the market is abolished there is no longer any free sale of labour or competition between workers, and police coercion is therefore the only means of allocating "human resources”. If hired labour is eliminated, only compulsory labour remains. In other words, socialism – as conceived by both Trotsky and Bukharin at this time – is a permanent, nation-wide labour camp. (pg. 28-9)
Leszek Kołakowski
