Place Quotes - page 97
Wadih el-Hage was one of our brothers whom God was kind enough to steer to the path of relief work for Afghan refugees. I still remember him, though I have not seen him or heard from him for many years. He has nothing to do with the U. S. allegations. As for Mohamed Rashed al-'Owhali, we were informed that he is a Saudi from the province of Najd. The fact of the matter is that America, and in particular the CIA, wanted to cover up its failure in the aftermath of the events that took place in Riyadh, Nairobi, Dar es Salaam, Capetown, Kampala--and other places, God willing, in the future--by arresting any person who had participated in the Islamic jihad in Afghanistan. We pray to God to end the plight, and we are confident they will be exonerated.
Osama bin Laden
And therefore, Sire, altho' I am ready, so far as is in me, to dedicate the place for the Cistercian monks at Meynan, yet I could not do it without the full assent of the bishop and of his chapter, and of the parson of the place, who, with plenty of other people, have a very great horror of the approach of the forsaid monks. For though they may be good men, if God please, still they are the hardest neighbours that prelates and parsons could have. For where they plant their foot, they destroy towns, take away tithes, and curtail by their privileges all the power of prelacy.
John Peckham
I met him [Arshile Gorky] in 1929. Of course I met a lot of artists, but then I met Gorky. Well I had some training in Holland, quite a training, you know, The Academy. And then I met Gorky [in New York], who didn't have that at all, he became from no place [Tiflis, Armenia]... And for some mysterious reason, he knew lots more about painting, and art, he just knew it by nature - things I was supposed to know and feel and understand - he really did it better. He had an extraordinary gift for hitting the nail on the head, very remarkable, so I immediately attached myself to him and we became very good friends.
Willem de Kooning
I make a little mystique for myself. Since I have no preference or so-called sense of color, I could take almost everything that could be some accident of a previous painting. Or I set out to make a series. I take, for instance, some pictures where I take a color, some arbitrary color I took from some place. Well, this is gray maybe, and I mix the color for that, and then I find out that when I am through with getting the color the way I want it, I have six other colors in it, to get that color; and then I take those six colors and I use them also with this color. It is probably like a composer does a variation on a certain theme. But it isn't technical, it isn't just fun.
Willem de Kooning