She was more than human to me. She was a Fairy, a Sylph, I don't know what she was - anything that no one ever saw, and everything that everybody ever wanted. I was swallowed up in an abyss of love in an instant. There was no pausing on the brink no looking down, or looking back I was gone, headlong, before I had sense to say a word to her.
Charles DickensRelated topics
abyss anything brink everybody everything fairy human instant looking love pausing saw say sense sylph wordRelated quotes
Everything on Saturday morning [cartoons] moves alike-that's one of the reasons it's not animation. The drawings are different, but everybody acts the same way, their feet move the same way, and everybody runs the same way. It doesn't matter whether it's an alligator or a man or a baby or anything, they all move the same.
Chuck Jones
I just want to say that um, I'm just really, really shocked at like how nice our world is because it's just so nice. Like oh my God! Like, the other day, like I was sitting there and I saw these magazines and they said I was pregnant, and like, it's so true. Like America, believe everything you read. Because, like, you're smart and I'm stupid. Like for real. Come on y'all.
Britney Spears
Anything seemed possible, likely, feasible, because I wanted everything to be possible...Because I had no power to make things happen outside of me in the objective world, I made things happen within. Because my environment was bare and bleak, I endowed it with unlimited potentialities, redeemed it for the sake of my own hungry and cloudy yearning.
Richard Wright
If you look at the Earth without architecture, its sometimes a little bit unpleasant. So there is this basic human need to do shelter in the broadest sense of the word, whether its a movie theater or a simple log cabin in the mountains. This is the core of architecture: To provide a space for human beings.
Peter Zumthor
I believe I am looking for rightness. My work has so much to do with reality that I wanted to have a corresponding rightness. That excludes painting in imitation. In nature everything is always right: the structure is right, the proportions are good, the colours fit the forms. If you imitate that in painting, it becomes false.
Gerhard Richter
