We are at the classic-romantic barrier now, where on one side we see a cycle as it appears immediately-and this is an important way of seeing it-and where on the other side we can begin to see it as a mechanic does in terms of underlying form-and this is an important way of seeing things too. These tools for example-this wrench-has a certain romantic beauty to it, but its purpose is always purely classical. It's designed to change the underlying form of the machine.
Robert M. PirsigRelated topics
barrier beauty begin certain change classical cycle form machine mechanic now purpose romantic see seeing side underlying way thingsRelated quotes
He's like a drug for you, Bella." His voice was still gentle, not at all critical. "I see that you can't live without him now. It's too late. But I would have been healthier for you. Not a drug; I would have been the air, the sun."
The corner of my mouth turned up in a wistful half-smile. "I used to think of you that way, you know. Like the sun. My personal sun. You balanced out the clouds nicely for me."
He sighed. "The clouds I can handle. But I can't fight with an eclipse.
Stephenie Meyer
The purest evil that human efforts could attain, in other words, was probably achieved by those men who made their wills the same and who made their eyes see the world in the same way, men who went against the pattern of life's diversity, men whose spirits shattered the natural wall of the individual body, making nothing of this barrier, set up to guard against mutual corrosion, men whose spirit accomplished what flesh could never accomplish.
Yukio Mishima
When I was young I once found a book in a Dutch translation, The 'Leaves of Grass'. It was the first time a book touched me by its feeling of freedom and open spaces, the way the poet spoke of the ocean by describing a drop of water in his hand. Walt Whitman was offering the world an open hand (now we call it democracy) and my 'Monument for Walt Whitman' became this open hand with mirrors, so you can see inside yourself.
Karel Appel
Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change."
Randall Jarrell
For – to say a few words on technique – whereas the curved line was used predominantly for reasons of beauty, (Phidias, Michelangelo, Raphael, Rubens) it has been used more and more economically for reasons of truth (Millet, Claude Monet, Paul Cézanne) until it will end as the straight line for reasons of Love. This will enable the art of the future to create an international form; a form understandable to all and vital enough to the expression of a general feeling of love in a monumental way. Such is the future.
Theo van Doesburg
