Though she came from the theatre, Barbara Stanwyck seemed to have an intuitive understanding of the fluid physical movements that work best on camera; perhaps she had been an unusually "natural" actress even onstage. This was her first big hit in the movies. Under Frank Capra's direction, she plays a tough "party" girl (euphemism for call girl) who poses for a wealthy young artist (Ralph Graves); he sees in her the spirituality that she attempts to deny. The story is a museum piece of early-talkies sentimentality, but, in a way, that only emphasizes Stanwyck's remarkable modernism.
Pauline KaelRelated topics
actress barbara best big call came camera direction euphemism fluid frank girl hit intuitive modernism museum natural party perhaps piece ralph sentimentality spirituality story tough under understanding way wealthy work young moviesRelated quotes
Harry Dresden: On the whole, we're a murderous race. According to Genesis, it took as few as four people to make the planet too crowded to stand, and the first murder was a fratricide. Genesis says that in a fit of jealous rage, the very first child born to mortal parents, Cain, snapped and popped the first metaphorical cap in another human being. The attack was a bloody, brutal, violent, reprehensible killing. Cain's brother Abel probably never saw it coming. As I opened the door to my apartment, I was filled with a sense of empathic sympathy and intuitive understanding. For freaking Cain.
Jim Butcher
All of us want to be loved with unconditional, eternal love - a love that sees beyond beauty, intelligence, or any other superficial quality. We want to be loved simply because we are. At the same time, we all have a natural, innate tendency to share our love with others. This preoccupation with love arises because in reality we are eternal, loving beings whose souls are filled with knowledge and bliss. In this physical embodiment we are temporarily covered by material energy, but our nature is inherently divine, and we are always seeking the blissful love of the spiritual kingdom where our real fulfillment lies.
Bhakti Tirtha Swami
If every day a man takes orders in silence from an incompetent superior, if every day he solemnly performs ritual acts which he privately finds ridiculous, if he unhesitatingly gives answers to questionnaires which are contrary to his real opinions and is prepared to deny his own self in public, if he sees no difficulty in feigning sympathy or even affection where, in fact, he feels only indifference or aversion, it still does not mean that he has entirely lost the use of one of the basic human senses, namely, the sense of humiliation.
Václav Havel
One must realize that, apart from considerations of color and form, there are two fundamentally different ways of regarding a medium of expression: one is based on taste only - an approach in which the external physical elements of expression are merely pleasingly arranged. This way results in decoration with no spiritual reaction. Arrangement is not art. The second way is based on the artist's power of empathy, to feel the intrinsic qualities of the medium of expression. Through these qualities the medium comes to life... In this life, an intuitive artist discovers the emotive and vital substance which makes a work of art.
Hans Hofmann
a million blockheads looking authoritatively into one man of what you call genius, or noble sense, will make nothing but nonsense out of him and his qualities, and his virtues and defects, if they look till the end of time. He understands them, sees what they are; but that they should understand him, and see with rounded outline what his limits are,-this, which would mean that they are bigger than he, is forever denied them. Their one good understanding of him is that they at last should loyally say, "We do not quite understand thee; we perceive thee to be nobler and wiser and bigger than we, and will loyally follow thee."
Thomas Carlyle
