![Everything takes place in an infinitely greater field than what is framed by the size of the picture or by what is materially in the picture. This matter [door/window/wall] is but a support inviting the viewer to participate in the much larger game of a thousand and one visions and feelings; it is the talisman lifting or sinking walls into the deepest recesses of our spirit, opening and at times closing windows in the construction of our impotence, our bondage, or our freedom. The 'subject-matter' then may be found in the picture or it may exist solely inside the spectator's head. (Antoni Tàpies)](https://cdn.quotesdtb.com/img/quotes_images_webp/09/antoni-t-pies-bondage-480109.webp)
Everything takes place in an infinitely greater field than what is framed by the size of the picture or by what is materially in the picture. This matter [door/window/wall] is but a support inviting the viewer to participate in the much larger game of a thousand and one visions and feelings; it is the talisman lifting or sinking walls into the deepest recesses of our spirit, opening and at times closing windows in the construction of our impotence, our bondage, or our freedom. The 'subject-matter' then may be found in the picture or it may exist solely inside the spectator's head.
Antoni TàpiesRelated topics
bondage closing construction door everything field found freedom game head impotence inside inviting lifting matter opening picture place sinking size spirit subject-matter support talisman thousand times viewer wall window feelingsRelated quotes
We are inescapably the result of a long heritage of learning, adaptation, mutation and evolution, the product of a history which predates our birth as a biological species and stretches back over many thousand millennia... Going further back, we share a common ancestry with our fellow primates; and going still further back, we share a common ancestry with all other living creatures and plants down to the simplest microbe. The further back we go, the greater the difference from external appearances and behavior patterns which we observe today.
Fred Hoyle
Prayer, fasting, vigils, and all other Christian practices, however good they may be in themselves, certainly do not constitute the aim of our Christian life: they are but the indispensable means of attaining that aim. For the true aim of the Christian life is the acquisition of the Holy Spirit of God. As for fasts, vigils, prayer and almsgiving, and other good works done in the name of Christ, they are only the means of acquiring the Holy Spirit of God. Note well that it is only good works done in the name of Christ that bring us the fruits of the Spirit.
Seraphim of Sarov
The chief pleasure of his life in these days was to go down the road and look through the window in the wall in the hope of seeing the beautiful Island. ... the sight of the Island and the sounds became very rare ... and the yearning for the sight ... became so terrible that John thought he would die if he did not have them again soon. ... it came into his head that he might perhaps get the old feeling-for what, he thought, had the Island ever given him but a feeling?–by imagining. He shut his eyes and set his teeth again and made a picture of the Island in his mind.
C. S. Lewis
Among the many senses that modern painters have lost, we must number the sense of architecture. The edifice accompanying the human figure, whether alone or in a group, whether in a scene from life or in an historical drama, was a great concern of the ancients. They applied themselves to it with loving and severe spirit, studying and perfecting the laws of perspective. A landscape enclosed in the arch of a portico or in the square or rectangle of a window acquires a greater metaphysical value, because it is solidified and isolated from the surrounding space. Architecture completes nature.
Giorgio de Chirico
..the wall, the window or the door - and so many other images that parade in my canvases - are indeed there and I am far from trying to hide the fact. With this I mean that I do not think that images, in my works, should be considered as indifferent excuses to prop visual elements, as the 'subject-matters' were said to be for Impressionists and Fauves. From those 'subject-matters', it is further said, the ensuing abstractionists or Informalists liberated themselves. My walls, windows or doors - or at least my suggestions of them - do not avoid their responsibility and hold their full archetypal or symbolic weight.
Antoni Tàpies
