We're constantly being asked all sorts of very profound questions. But we're not very profound people. People say, 'What do you think of the H-bomb, of religion, of fan worship?' But we didn't really start thinking about these things until people asked us. And even then we didn't get much time to consider them. What do I think of the H-bomb? Well, here's an answer with the full weight of five O levels and one A level behind it: I don't agree with it.
Paul McCartneyRelated topics
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Nooo! Leave that to George Lucas, he' s really mastered the CGI acting. That scares me! I hate it! Everybody is so pleased and excited by it. Animation is animation. Animation is great. But it's when you're now taking what should be films full of people, living thinking, breathing, flawed creatures and you're controlling every moment of that, it's just death to me. It's death to cinema, I can't watch those Star Wars films, they're dead things.
Terry Gilliam
The history of the Roman Empire is also the history of the uprising of the Empire of the Masses, who absorb and annul the directing minorities and put themselves in their place. Then, also, is produced the phenomenon of agglomeration, of "the full." For that reason, as Spengler has very well observed, it was necessary, just as in our day, to construct enormous buildings. The epoch of the masses is the epoch of the colossal.
José Ortega y Gasset
I am not religious, but I am a pious man... A religious man has a definite religion. He says "God is there" or "God is there," "God is there." "Your god is not my god, and that's all." But the pious man, he just looks out with awe, and says, "where is God?" And "well, I don't understand it and I would like to know what this creation really means." That is a pious man, who is really touched by the greatness of nature and of the creation.
Albert Szent-Györgyi
Reporter: How many people who labor in the same musical vineyard in which you toil - how many are protest singers? That is, people who use their music, and use the songs to protest the, uh, social state in which we live today: the matter of war, the matter of crime, or whatever it might be.
Bob Dylan: Uh, I think there's about, uh...136.
Reporter: You say about 136, or you mean exactly 136?
Bob Dylan: Uh, it's either 136 or 142.
Bob Dylan
In going where you have to go, and doing what you have to do, and seeing what you have to see, you dull and blunt the instrument you write with. But I would rather have it bent and dulled and know I had to put it on the grindstone again and hammer it into shape and put a whetstone to it, and know that I had something to write about, than to have it bright and shining and nothing to say, or smooth and well oiled in the closet, but unused.
Ernest Hemingway
