Painting and sculpture are very archaic forms. It's the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe. It's a very archaic form. Same things can be said with words, writing poetry, making sounds, music. It is a unique thing.... I think that the original revolutionary impulse behind the New York School, as I felt it anyway, and as I think my colleagues felt and the way we talked all the time, was a kind of a.... you felt as if you were driven into a corner against the wall, with no place to stand, just the place you occupied as if the act of painting was not making a picture.... it was as if you had to prove to yourself that truly the act of creation was still possible.... I felt as if I was talking to myself, having a dialectical monologue with myself to see if I could create.
Phillip GustonRelated topics
act archaic behind corner drive felt form having heart industrial kind left making monologue music picture place possible prove say school sculpture see something stand talking thing think time unique wall way words hands things brainsRelated quotes
In art, origin and value cannot be treated as independent. Those who enjoy poetry and painting must be at least dimly aware of a poet beyond the poem and a painter beyond the picture. If by some unimaginable process works of beauty could be produced by machinery, as a symmetrical colour pattern is produced by a kaleidoscope, we might think them beautiful till we knew their origin, after which we should be rather disposed to describe them as ingenious. And this is not, I think, because we are unable to estimate works of art as they are in themselves, not because we must needs buttress up our opinions by extraneous and irrevelant considerations; but rather because a work of art requires an artist. not merely in the order of natural causation, but as a matter of a-sthetie necessity. It conveys a message which is valueless to the recipient, unless it be understood by the sender. It must be expressive.
Arthur Balfour
Passion is something which very few of us have really felt. What we may have felt is enthusiasm, which is being caught up in an emotional state over something. Our passion is for something: for music, for painting, for literature, for a country, for a woman or a man; it is always the effect of a cause. When you fall in love with someone, you are in a great state of emotion, which is the effect of that particular cause; and what I am talking about is passion without a cause. It is to be passionate about everything, not just about something, whereas most of us are passionate about a particular person or thing. I think one must see this distinction very clearly. In the state of passion without a cause, there is intensity free of all attachment; but when passion has a cause, there is attachment, and attachment is the beginning of sorrow.
Jiddu Krishnamurti
If, therefore, our personal religious life is likely to be sapped by our devotion to social work, it would be a calamity second to none. But is it really likely that this will happen? The great aim underlying to whole social movement is the creation of a free, just, and brotherly social order. This is the greatest moral task conceivable. Its accomplishment is the manifest will of God for this generation. Every Christian motive is calling us to do it. If it is left undone, millions of lives will be condemned to a deepening moral degradation and to spiritual starvation. Does it look probable that we will lose our contact with God if we plunge too deeply into this work? Does it stand to reason that we shall go astray from Jesus Christ if we engage in the unequal conflict with organized wrong? What kind of ‘spirituality' is it which is likely to get hurt by being put to work for justice and our fellow-men?
Walter Rauschenbusch
As for one-party rule, it was questioned neither by the Left Opposition nor by the Right [wing of the Communist party]. All were prisoners of their own doctrine and their own past: all had worked with a will to create the apparatus of violence that crushed them. Bukharin' s hopeless attempt to form a league with Kamenev was no more than a pitiful epilogue to his career. In November 1929 the deviationists performed a public act of penance, but even this did not save them. Stalin' s victory was complete; the collapse of the Bukharinite opposition meant the triumph of autocracy in the party and in the country. In December 1929 Stalin' s fiftieth birthday was celebrated as a major historical event, and from this point we may date the "cult of personality". Trotsky' s prophecy of 1903 had come true: party rule had become Central Committee rule, and this in turn had becorne the personal tyranny of a dictator.
Leszek Kołakowski
1. To us art is an adventure into an unknown world, which can be explored only by those willing to take the risks.
2. This world of imagination is fancy-free and violently opposed to common sense.
3. It is our function as artists to make the spectator see the world our way not his way.
4. We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
5. It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. (Rothko said this is the essence of academicism.)
6. There is no such thing as a good painting about nothing.
7. We assert that the subject is crucial and only that subject matter is valid which is tragic and timeless. That is why we profess spiritual kinship with primitive and archaic art.
Adolph Gottlieb
