Apparently, Lillian Hellman couldn't shake off the predatory Hubbards after "The Little Foxes"; she wrote this play about the same family, setting it back 30 years earlier in their dark history. The Hubbards, who are supposed to be rising Southern capitalists, are the greatest collection of ghouls since "The Old Dark House" of 1932. Hellman must combine witchcraft with stagecraft - who else could keep a plot in motion with lost documents, wills, poisonings, and pistols, and still be considered a social thinker? (Pauline Kael)

Apparently, Lillian Hellman couldn't shake off the predatory Hubbards after "The Little Foxes"; she wrote this play about the same family, setting it back 30 years earlier in their dark history. The Hubbards, who are supposed to be rising Southern capitalists, are the greatest collection of ghouls since "The Old Dark House" of 1932. Hellman must combine witchcraft with stagecraft - who else could keep a plot in motion with lost documents, wills, poisonings, and pistols, and still be considered a social thinker?

Pauline Kael

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collection combine dark early family history house lost motion off play plot rising setting shake social southern thinker witchcraft years hellman stagecraft wills

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