![When we did Cubist paintings [Picasso and Georges Braque, in their early Cubist period in Paris], our intention was not to produce Cubist paintings but to express what was within us. No one laid down a course of action for us, and our friends the poets [a. o. Appolinaire and Cendral] followed our endeavor attentively but they never dictated it to us. (Pablo Picasso)](https://cdn.quotesdtb.com/img/quotes_images_webp/18/pablo-picasso-action-course-453218.webp)
When we did Cubist paintings [Picasso and Georges Braque, in their early Cubist period in Paris], our intention was not to produce Cubist paintings but to express what was within us. No one laid down a course of action for us, and our friends the poets [a. o. Appolinaire and Cendral] followed our endeavor attentively but they never dictated it to us.
Pablo PicassoRelated topics
action course early endeavor express intention lay paris period produce friends braque cubist georges picassoRelated quotes
Human paint, produce films and videos; they dance, dream and make music; they engage in political action, exchange goods, perform rituals, build houses start wars, act in plays, try to please patrons- and so on... They contain patterns, press the practitioners to "conform" and in this way mold their thought, their perception, their actions, and their discriminative abilities.
Paul Karl Feyerabend
Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull'd by the coil of his crystalline streams Beside a pumice isle in Bai's bay, And saw in sleep old palaces and towers Quivering within the wave's intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them.
Percy Bysshe Shelley
There is only one home to the life of a river-mussel; there is only one home to the life of a tortoise; there is only one shell to the soul of man: there is only one world to the spirit of our race. If that world leaves its course and smashes on boulders of the great void, whose world will give us shelter?
Wole Soyinka
In this century the writer has carried on a conversation with madness. We might almost say of the twentieth-century writer that he aspires to madness. Some have made it, of course, and they hold special places in our regard. To a writer, madness is a final distillation of self, a final editing down. It's the drowning out of false voices.
Don DeLillo
Increasingly in recent times we have come first to identify the remedy that is most agreeable, most convenient, most in accord with major pecuniary or political interest, the one that reflects our available faculty for action then we move from the remedy so available or desired back to a cause to which that remedy is relevant.
John Kenneth Galbraith
