1. Laughter is the Wild Body's song of triumph. 2. Laughter is the climax in the tragedy of seeing, hearing and smelling self-consciously. 3. Laughter is the bark of delight of a gregarious animal at the proximity of its kind. 4. Laughter is an independent, tremendously important, and lurid emotion. 5. Laughter is the representative of Tragedy, when Tragedy is away. 6. Laughter is the emotion of tragic delight. 7. Laughter is the female of Tragedy. 8. Laughter is the strong elastic fish, caught in Styx, springing and flapping about until it dies. 9. Laughter is the sudden handshake of mystic violence and the anarchist. 10. Laughter is the mind sneezing. 11. Laughter is the one obvious commotion that is not complex, or in expression dynamic. 12. Laughter does not progress. It is primitive, hard and unchangeable.
Wyndham LewisRelated topics
anarchist animal bark catch climax commotion complex delight dynamic elastic emotion expression female fish flapping hard hearing independent kind laughter mind mystic primitive progress proximity representative seeing smelling sneezing song springing styx sudden tragedy tragic triumph violence wild unchangeable handshakeRelated quotes
So I'm well aware that there are certain people frustrated with the endings of my books. I can remember at the time I was writing it, I told a friend of mine that the climax of Snow Crash was now longer than Moby-Dick: There's a helicopter that gets brought down; there's a private jet that blows up; some people die; there's confrontation and a girl goes home with her mom - so it seems like a good ending to me. [audience laughter]
Once you write a book or two with controversial endings - and that meme gets going, of "Stephenson can't write endings” - then that gets slapped on everything that you do no matter how elaborate the ending is. I think Anathem does OK on that score. I'm sure that I'll be hearing from some of the "Stephenson can't write endings” people, but I think that it has a decent enough ending.
Neal Stephenson
Essentally combat is an expression of hostile feelings. But in the large-scale combat that we call war hostile feelings often have become merely hostile intentions. At any rate, there are usually no hostile feelings between individuals. Yet such emotions can never be completely absent from war. Modern wars are seldom fought without hatred between nations; this serves as a more or less substitute for the hatred between individuals. Even when there is no natural hatred and no animosity to start with, the fighting itself will stir up hostile feelings: violence committed on superior orders will stir up the desire for revenge and retaliation against the perpetrator rather than against the powers that ordered the action. It is only human (or animal, if you like), but it is a fact.
Carl von Clausewitz
The Vice-President's Chamber is adjacent to the Senate Chamber, and so small that to survive it is necessary to keep the door open in order to obtain the necessary cubic feet of air. When the vice-president is in the room [the Capitol Guides] go by with their guests, stop and point him out, as though he were a curiosity.I stood this for about as long as I could, and then went to the door one day, and said: "If you look on me as a wild animal, be kind enough to throw peanuts at me; but if you are really desirous of seeing me, come in and shake hands." In that way I think I restored myself to the position I have always desired to occupy; that of an American, who looks up to nobody, looks down upon nobody, but tries to keep a conscience clean enough that he can look everybody in the face.
Thomas R. Marshall
The disharmoniousness (one might say, the negative rhythm) of the individual forms was that which primarily drew me, attracted me, during the period to which this watercolor belongs. The so-called rhythmic always comes on its own because in general the person himself is rhythmically built. Thus at least on the surface, the rhythmic is innate in people. Children, 'primitive' peoples, and laymen draw rhythmically..
In that period my soul was especially enchanted by the not-fitting-together of drawn and painterly form. Line serves the plane in that the former bounds the latter. And it makes my heart race in those cases when the independent plane springs over the confining line: line and plane are not in tune! It was this that produced a strong inner emotion in me, the inner 'ah!
Wassily Kandinsky
The main difficulty in using either lazo or bolas, is to ride so well, as to be able at full speed, and while suddenly turning about, to whirl them so steadily round the head, as to take aim: on foot any person would soon learn the art. One day, as I was amusing myself by galloping and whirling the balls round my head, by accident the free one struck a bush; and its revolving motion being thus destroyed, it immediately fell to the ground, and like magic caught one hind leg of my horse; the other ball was then jerked out of my hand, and the horse fairly secured. Luckily he was an old practised animal, and knew what it meant; otherwise he would probably have kicked till he had thrown himself down. The Gauchos roared with laughter; they cried they had seen every sort of animal caught, but had never before seen a man caught by himself.
Charles Darwin
