![Psychohistory, like psychoanalysis, is a science in which the researcher's feelings are as much or even more a part of his research equipment than his eyes or his hands. [...] Weighing of complex motives can only be accomplished by identification with human actors, the usual suppression of all feeling preached and followed by most "science" simply cripples a psychohistorian as badly as it would cripple a biologist to be forbidden the use of a microscope. The emotional development of a psychohistorian is therefore as much a topic for discussion as his or her intellectual development. (Lloyd deMause)](https://cdn.quotesdtb.com/img/quotes_images_webp/47/lloyd-demause-biologist-complex-181847.webp)
Psychohistory, like psychoanalysis, is a science in which the researcher's feelings are as much or even more a part of his research equipment than his eyes or his hands. [...] Weighing of complex motives can only be accomplished by identification with human actors, the usual suppression of all feeling preached and followed by most "science" simply cripples a psychohistorian as badly as it would cripple a biologist to be forbidden the use of a microscope. The emotional development of a psychohistorian is therefore as much a topic for discussion as his or her intellectual development.
Lloyd deMauseRelated topics
biologist complex cripple development discussion emotional equipment feeling human identification intellectual microscope research science suppression topic use usual weighing psychoanalysis hands psychohistorian psychohistory eyes feelingsRelated quotes
The key intellectual event is a lecture or a formal debate, a period of time when one individual holds the floor to deliver a sustained argument on a particular topic. This is different from the give-and-take of sociable conversations, which typically cannot reach any complex or abstract level because the focus shifts too often. Intellectuals giving their attention for half an hour or more to one viewpoint, developed as a unified stream of discourse, are thereby elevating the topic into a larger, more encompassing sacred object than the little fragmentary tokens of ordinary sociable ties.
Randall Collins
We can be as sure as we could probably need be that neither this enormous explosion that set the universe in motion, which is still moving away from us at a great rate, nor this amazingly complex billion year period of evolution, we can be pretty certain it was not designed so that you and I could be meeting in this room. We are not the objects of either of these plans. These plans don't know we're here. I'm sorry to say, wouldn't know or care if we stopped being here. We have to face this alone with the equipment, intellectual and moral, that we've been given, or that we've acquired, or that is innate to us.
Christopher Hitchens
Humans have a more complex motivational structure and more capability to solve social dilemmas than posited in earlier rational-choice theory. Designing institutions to force (or nudge) entirely self-interested individuals to achieve better outcomes has been the major goal posited by policy analysts for governments to accomplish for much of the past half century. Extensive empirical research leads me to argue that instead, a core goal of public policy should be to facilitate the development of institutions that bring out the best in humans.
Elinor Ostrom
The passions are a kind of thirst, inexorable and intense, for certain feelings or felt states. To find or invent 'objects' (which are, more strictly speaking, relational structures) whose felt quality satisfies the passions, - that for me is the activity of the artist, an activity which does not cease even in sleep. No wonder the artist is constantly placing and displacing, relating and rupturing relations; his task is to find a complex of qualities whose feeling is just right – veering toward the unknown and chaos, yet ordered and related in order to be apprehended.
Mark Rothko
The passions are a kind of thirst, inexorable and intense, for certain feelings or felt states. To find or invent 'objects' (which are, more strictly speaking, relational structures) whose felt quality satisfies the passions,- that for me is the activity of the artist, an activity which does not cease even in sleep. No wonder the artist is constantly placing and displacing, relating and rupturing relations; his task is to find a complex of qualities whose feeling is just right – veering toward the unknown and chaos, yet ordered and related in order to be apprehended.
Robert Motherwell
