That's right, and then I worked with him [ Hans Hofmann ] a little more than that. When I had time I could come in and use his studio, in a sense, that is to say, if it was a still-life class, I could be doing any kind of abstraction at that point, using that as a take-off point.... here again, when you spoke earlier about Cubism, I say I really didn't get the first impact, the full impact of it [Cubism], until I worked with Hofmann. (Lee Krasner)

That's right, and then I worked with him [ Hans Hofmann ] a little more than that. When I had time I could come in and use his studio, in a sense, that is to say, if it was a still-life class, I could be doing any kind of abstraction at that point, using that as a take-off point.... here again, when you spoke earlier about Cubism, I say I really didn't get the first impact, the full impact of it [Cubism], until I worked with Hofmann.

Lee Krasner

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abstraction class early full impact kind point right say sense spoke studio take-off time use using cubism hans still-life

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