I wasn't into glam-rock. I was just into him. I never really saw him as glam-rock. Actually, I liked T-Rex too. Electric Warrior was great. But Bowie made me think. I just got lost in it-Man Who Sold the World, Hunky Dory, Ziggy Stardust-that era. I thought it was just magical, although I was dead impressionable then. But I though he looked brilliant-I still do. I hated the following he had though, especially around the Aladdin Sane era-it just destroyed his mystique. He doesn't hold that mystique for me now-he's just a normal bloke, I suppose. But I remember in 1972 when he was on the telly doing "Starman"-I couldn't believe it! It was like nothing I'd ever seen before. It's meant to be a bit of an embarrassing admission now to have liked that kind of thing, but I really did. And I remember when I grew out of it and I couldn't get into Ziggy Stardust the way I used to. I felt really sad about it. I played it and nothing happened.
Ian McCulloch
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Related quotes
So all they see of me is a façade. There are times when I am forced to sit with them and on such occasions I simply ignore their petty criticisms, not because I am particularly shy but because I consider it pointless. As a result, they now look upon me as a dullard.
"Well, we never expected this!" they all say. "No one liked her. They all said she was pretentious, awkward, difficult to approach, prickly, too fond of her tales, haughty, prone to versifying, disdainful, cantankerous and scornful; but when you meet her, she is strangely meek, a completely different person altogether!"
How embarrassing! Do they really look upon me as such a dull thing, I wonder? But I am what I am. Her Majesty has also remarked more than once that she had thought I was not the kind of person with whom she could ever relax, but that I have now become closer to her than any of the others. I am so perverse and standoffish. If only I can avoid putting off those for whom I have a genuine regard.
Murasaki Shikibu
I made my examination in Berlin in 1915. And I must say also that Berlin was for me in another way very important. At the time there were all these new movements – 'Die Brücke'...... the 'Der Blaue Reiter', Walden of the 'Storm' Gallery. Then Kassierer who bought the Chagalls, the first Chagall's that were ever seen in Europe were there. And there was 'Die Brücke'. Rottluff, Heckel, and Kirchner. You know we saw all that. Which was good. You see, Kassierer was then the man who bought the modern French painters. He had particularly Degas who I consider still today a very good painter, one of the best. But, anyway, in spite of my teaching my art was my concern. On the little money I had collected I lived in Berlin very cheaply, ate very cheaply. And already in 1920 I saved the first salaries I received to go to Munich... So for the first time I saw the old masters, Rubens and all at the Alte Pinakothek.
Josef Albers
You know the answers, but just between ourselves, that sketch smells a bit. It's sloppy.”
"I never did have any artistic talent,” Art said defensively. "I'd rather take a photograph any day.”
"You've taken too many photographs, maybe. As for artistic talent, I haven't any either, but I learned to sketch. Look, Art-the rest of you guys get this, too-if you can't sketch, you can't see. If you really see what you're looking at, you can put it down on paper, accurately. If you really remember what you have looked at, you can sketch it accurately from memory.”
"But the lines don't go where I intend them to.”
"A pencil will go where you push it. It hasn't any life of its own. The answer is practice and more practice and thinking about what you are looking at. All of you lugs want to be scientists. Well, the ability to sketch accurately is as necessary to a scientist as his slipstick. More necessary, you can get along without a slide rule.
Robert A. Heinlein